Last week, our Editor-at-Large, Jay Sweet, wrote about the importance of building strong communities for DIY artists. Not just large fan bases, but living, breathing, organic organisms. In other words, tribes. He wrote,
“A tribe by most definitions is a mutual care system formed by a group of people connected to each other, to a leader and to a shared belief. The importance of the tribe is really the chance of survival beyond which couldn’t be attained alone. Yes this means feeding seemingly insatiable social networking sites, creating newsletters, servicing fan clubs, etc. , but it also means something more; it means creating an environment where fans have a say in the overall agenda.”
To dig a little deeper into the fine art of tribe-building, we caught up with an OurStage artist with an impressive tribe of his own. Ari from Somersault Sunday is a young, energetic artist from Pennsylvania who’s been pounding the pavement on and offline in order to share his music with the world. You can find him almost anywhere and, wherever his music is, an ever-growing tribe of lively, adoring fans is sure to follow.
When asked about the tribe building process, Ari was humble; you can tell immediately that this hard-working guy doesn’t want to fake anything about his career. He keeps it real with a simple secret: add a bunch of people to an online network and don’t forget about them. “I try to include a personal note and respond to new fans with comments and links to my music,” he said, “I just try to talk to as many people as I can, but I want to keep things genuine.”
Ari takes advantage of all the benefits the Internet has to offer. He can reach out to his fans in one fell swoop, and he can get real, honest feedback. He recently wrote on his blog:
“I’ve been having A LOT of stress recently… For the past while I’ve been having trouble with deciding what kind of exact style I want my music to be. I find myself constantly changing my mind, and having all these song ideas that I’m scared to develop, because they’re SO different from each other. I just don’t want my music to go all over the place, and from song-to-song not even sound like the same artist, ya know?”
His fans did know and they told him as much. In fact, they told him exactly what they thought he should do and what they wanted to hear next. In effect, they helped decide the future for Somersault Sunday. “I was surprised that my biggest feedback is to do whatever I want and not limit myself,” Ari said, “For a while I was leaning toward more full band pop music, but I’ve decided to stick with the more electronic sound.”
All of this online contact can have its downsides though. “In a lot of cases, being able to reach out to my fans and get feedback is helpful, but at the same time I find myself worrying about what everyone else wants me to do. It can be distracting,” he added, “For a while I had trouble removing myself from my online fans. The Internet is just an easy way to talk to people. I can spend hours online talking to my fans and I don’t even realize how much time has gone by. Sometimes I can get lost in it so I try to go out and skateboard and hang out with friends to keep perspective.”
Ari also cautions that you can’t take the easy road and do everything online. “I also really try to focus on building a local fan base and make sure I connect with the people around me in person,” he explained. “I go to shows in my area with bands from similar genres and I hand out flyers.” He is quick to remember that real, face-to-face connections still mean something in the music world, and he benefits from his diligence. “People take you more seriously offline because they can see that you’re working hard. When your face to face, you can be more personable and the fans respond to that.” But, he also thinks you have to find a balance between online and offline networking. You can reach the masses online, but you’ll blend in. You’re limited by the number of people you can reach offline but you’ll stand out since it’s a slower, more genuine process.
In less than two years, Somersault Sunday has built a strong online following on a variety of Web sites including OurStage (of course!) YouTube, MySpace, Twitter and many more. If your not already a part of the tribe, check out Somersault Sunday and join the thousands of fans helping to create their sound. And current tribe members take note, Somersault Sunday is entered in the MTV VMA Best Breakout Philly channel on OurStage. Judge now to see your tribal leader make it to the finals.
Here We Go Magic is a talented troupe of musical alchemists weaving a delightful web of sounds that please the ear and challenge the mind. To grasp the real magic behind the music, you must first understand their sorcerer, Luke Temple. As Jon Pareles of the New York Times puts it, “Mr. Temple isn’t part of any particular school—not even that all-purpose new songwriters’ catchall, freak-folk—and his private world is fascinating.”
Luke’s humble beginnings of pulling swords from stones began in 2004 as he plucked his guitar in small clubs around New York City. You may recognize his track “Saturday People” from Fall 2007 when it was a strong contender on OurStage. Back then, we were able to catch up with Luke at the CMJ Music Marathon and he wowed us with his captivating sleight of hand:
"What helps with inspiration is being uncomfortable and working with different mediums that your not as comfortable or familiar with," Luke said in the above interview. "I can get really familiar on the guitar and I could write a million sad country ballads. That's my comfort spot; I like to go back there every now and then, but I try to keep myself on my toes."
Luke must have been on his very tippy toes while working on his latest project because he takes us far, far away from his comfort zones. Listening to the tracks from the self-titled debut from Here We Go Magic, you will be hard pressed to find a single thread from a country ballad. Instead as Daytrotter puts it, “It has a feel of the cremated ashes of an old body strewn about the breezes already, dancing over grass blades and ramming into trees, disintegrating into lakes along the way, but generally still traveling as long as there’s room to travel—a contrast to what the words are actually asking, pleading for.”
CMJ Music Marathon and Film Festival is set to take New York City by storm on October 20 – 24 2009, but you need to act fast if you want to see your name on the bill. Applications to play the festival will be considered only through July 15th, so apply now if you think you have what it takes.
Those selected will join the ranks of over 20 other OurStage artists who have been able to add CMJ to their resumes. Check out our past coverage of CMJ to get a feel for what the CMJ programmers are looking for. Here’s a little sampling to keep your ears happy:
Fans and artists who aren’t quite ready for the spotlight still need to hop to it because the price of festival badges goes up as time goes on. Register for your tickets now and you can save 15%! Get your CMJ badges here!
Last week, OurStage favorite, V Factory debuted the music video for their single, “Love Struck” and we have a sneak peek right here. Check out the scoop from our partner site, AOL Music to get a behind-the-scenes perspective on the slaughterhouse backdrop, not to mention those hot dance moves.
V Factory introduced “Love Struck” to the OurStage community last fall and it soon became a favorite on the Pop Channel, garnering both positive reviews and comments from fans. OurStage member Johnny J.Trevino wrote “WOW!!! I love the sound. Got a little Timbaland feel in there. Love It!!!” while OurStage staffer Chris Sita added, “You guys sound pretty tight. I can see boy bands coming back into fashion.”
Of course, it was only a matter of time before V Factory’s OurStage success spread to an even larger music community. The band is quickly moving up the radio charts and you can see their cute, talented faces on MTV, FOX Los Angeles and Radio Disney. Join their OurStage fanclub to stay tuned for more exciting news from V Factory as they get ready to launch their debut, self-titled album.
Five time ASCAPlus Award winner and self-appointed Pop Superhero, Cookie Cutter Girl is alerting all her fellow independent songwriters to join ASCAP and apply for the monetary award that is given to songwriters whose airplay and performances “fall through the cracks” of ASCAP’s royalty payment reporting system. If you’re a qualifying artist, you must act quickly as the award application deadline is this Monday, June 1st!
Lynn Julian, aka Cookie Cutter Girl, is the antithesis of her stage name and encourages women everywhere to break free from their cookie cutter molds and join the girl power revolution. Her girl power pop songs have received airplay on 500+ TV & radio stations and 30+ CDs Internationally. CCG’s latest quest is documented in the new comic book written by Lynn with the help of the “queen of licensed children’s books”, Justine Fontes. The comic book story follows a young woman’s superhero alter ego, Cookie Cutter Girl, who gathers the strength within every woman she helps in the form of pink energy rays and shoots them at her enemies to fight the injustices of the world. Check out Cookie Cutter Girl’s profile on OurStage to get the full story.
Cookie Cutter Girl has been selected for the ASCAPlus award every year since she joined the organization and is now on a mission to save the day for all independent songwriters. Join this Pop Superhero on her mission to support independent musicians and maybe win a little cash while you’re at it!