Archive for the 'Artist News' Category

PORNO FOR PYROS

RAS riders on the storm john lennon tiger lily

Get 'Em High: RAS

According to their bio, RAS has a helluva mission on their shoulders: to “fight against whatever mainstream media and culture offers the masses today …uplift and create spaces where atrocities against people of the African diaspora can begin to heal … through remembering the past, exposing lies, expressing emotion and resisting self-hatred.” Not a job for the faint at heart. Luckily, the husband and wife hip-hop team has a whole lotta heart, and some mighty voices to back it up.

Winners of the 2008 Lennon Songwriting Award for hip-hop, RAS (Riders Against the Storm) is comprised of Rhode Island MCs Tiger Lily and JBro. Together, the duo vacillates between confessions of self-consciousness and chest-thumping demonstrations of verbal prowess. In “Never Alone,” JBro likens himself to Bobby Brown, “stressing every little step,” against a throbbing bass line and fluttering keys. Though lyrically anxious, the melody is self-assured. But its songs like “Ready or Not” that really show RAS at the peak of their potency. A remake of the Fugees hit, the track brings the drama with sweeping strings, reiterating percussion and the electronic hiss of synths as Tiger Lily and JBro chant, “RAS is right on target / First in the flame with the power to spark it.” It’s an explosive mantra for a duo that’s determined to burn down the house.

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MARKETPLACE NEWS: FEATURED GIG – THE NEW ENGLAND AMERICANA FESTIVAL

The OurStage Marketplace connects artists looking for gigs with venues looking for new talent. With over 100,000 artists and amazing opportunities around both the USA and the world, the OurStage Marketplace is the place to be for up-and-coming artists and the venues looking to book them!

Play the New England Americana Festival with Boston Americana favorites Three Day Threshold

Play the New England Americana Festival with Boston Americana favorites Three Day Threshold

This week, we’re spotlighting a great new opportunity in the OurStage Marketplace. The organizers of the New England Americana Festival need talent to fill out the festival’s roster and are looking right here on OurStage. The New England Americana Festival celebrates the long tradition of deep-rooted American folk music. This February, the festival will be take place over three nights at Church in Boston. The festival is looking for 4 to 7 more acts to join The Bean Pickers Union, The Rationales, Bryan Pero and the Tired Horses, The Bees Knees, Golden West Motor Lodge, Odessa Rose, Dave Sammarco Band, The Kingsley Flood, Three Day Threshold and OurStage artists The Autumn Hollow Band. Artists don’t have to be located in New England to apply, but those who can draw in Boston will be given preference. If you play Folk, Americana, Traditional Country, Alt Country, Blues, Rock, Southern Rock or any other roots-influenced music, head on over to the OurStage Marketplace and submit your EPK for this gig!

Submit your EPK to the New England Americana Festival gig, click HERE.

For more info about the OurStage Marketplace, check out the Marketplace FAQ section.

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HOW TO WORK WITH A PRODUCER

Ourstage How to Work with a Producer
Now that you’ve written all the material for your new album, the hard part’s over, right? Eh, maybe not. The recording process can be a long, strange trip, but the best way to avoid speed bumps along the way is to lock in with the right producer at the start. You’ll want one who’s intuitively able to understand what you mean when you say, “I’d like the vocals to sound like a really rusty robot crying through a megaphone.” One who can pull your best performance out of you without alienating you in the process. One who partners with you and commits to your vision as if it were his or her own. Here are some tips to help you find “the one” and optimize the production experience:

•   Make sure he/she is the right fit. Love the new Adam Lambert or Jay-Z record? Research the producer. Familiarize yourself with that producer’s previous work and decide if it’s the right production style for you.

•    Get a sense of commitment from him/her. How much studio time can you expect on a weekly basis? What will the turnaround time be like for mixing? If you’ve got an album release deadline, you’ll want these questions answered before you partner with that producer.

•    Schedule plenty of time for pre-production. Pre-production will help ensure you’re on the same page with the producer. That includes familiarizing him/her with your songs, going over arrangements and production ideas, and introducing him/her to records with production that you admire.

•    Know when to let go of your own judgments and trust their vision. As much as you may want to micromanage the process, it’s important to give your producer some breathing room. Suspension of disbelief on your part may lead to some really great ideas that will strengthen your record. Sometimes it takes a village.

•    Know when to fight for your own vision. At the end of the day, this is something you have to sign your name to. So it’s critical that the work on your record really represent you as an artist. If the producer is leading you down a path that doesn’t feel true to you, then it’s your responsibility to speak up.

•   Check your ego at the door. If your producer comments how the transition between the chorus and the bridge is a little bumpy, and your response is to throw your guitar at the wall and scream, “I hate you!” then you’re doing a real disservice to your record and to yourself. Don’t take critiques personally. Remember, you’re a team working towards a common goal; world domination. So lose the ‘tude, dude.

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FINE TUNINGS: SONG OF THE SIREN

OSBlog_FineTunings_SirenNation

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This week marks year number three for the Portland, Oregon music and arts festival, Siren Nation. Featuring music, film, crafts, panels and workshops, Siren Nation honors the women in Portland’s vital arts scene. I spoke with Siren Nation founder Natalia Kay about the joys and challenges of putting on a successful festival in these tough financial times.

CD: How did you come up with the idea for Siren Nation?

NK: It came out of conversations I had with a friend who I was producing events with. I was very inspired by Ladyfest and the Michigan Womyn’s Festival. Portland deserved and needed an event of that magnitude to honor the amazing array of talented women artists in the area. We knew we could put together a national-caliber festival just with local bands and thought it spoke volumes about the quality and quantity of great women artists in the area. We also figured that there would be an audience here, and hoped that people would travel to Portland to experience the magic of a women’s music festival. Additionally, we were continually disappointed to see that women were underrepresented in local and regional music festivals, so there clearly was a need to shine the spotlight on women.

CD: What is important in doing an event that speaks specifically to women?

NK: People often question the validity or need for having a space that focuses solely on the work of women. In some people’s minds women are hugely successful in the arts and having women-centered events is kind of antiquated. However, the music industry is hugely controlled by men and women are still incredibly underrepresented, not as musicians, but as the best-paid musicians with the best opportunities. I look at festival line-ups in Portland, the region and nationally and am constantly disappointed to see that women are not given equal air time in the larger venues. It is incredibly frustrating because women are not less talented than men but they are judged by a different standard. If they don’t look a certain way they are not considered marketable. Women are making great strides in the arts but there are still gross inequalities as far as gender goes, not just in music but visual arts, film, etc. We like having a space where women decide what is important (our board is 100% women) and women’s talent is front and center. Continue reading ‘FINE TUNINGS: SONG OF THE SIREN’

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50 STATES IN 50 WEEKS… WEEK 21: FLORIDA

OSBlog_50States_FL

Home of: The Backstreet Boys, The Allman Brothers, Matchbox 20, Jimmy Buffet, Bo Diddley, Tom Petty, Elvis Presley, Gram Parsons

Fun Facts: State Flower: Orange Blossom, State Bird: MockingBird,  State Song: “Suwannee River”

The Venues:

logo1 Florida has given birth to many a jam band over the years, hence the reason why so many Jam Band-based festivals have flourished. The most pure of these events is the Wanee Music Festival in Live Oak, FL. Planted on the banks of the Suwannee River halfway between the Eastern coast city of Jacksonville and Western coast city of Tallahassee, this festival allows customers to take full advantage of the natural Floridian paradise, and even instills secret midnight jam sessions to enhance the weekend’s spontaneity. Did I mention that the festival has been hosted and headlined by local treasure The Allman Brothers since 2005?

The St. Petersburg / Tampa region of the state is one of the few cultural hot spots falling between southern Miami and northern Jacksonville, and is thus loaded with venues. The Crowbar is decked out with a state of the art sound system, and stunning interior design. Best of all, it’s Chameleon-esque, hosting bands from famous ska act Big D and the Kids Table to up-and-coming DJ Pretty Lights. The interior atmosphere and staff seems capable of catering to all genres, from garage rock to rave, in turn creating a happy musical environment hybrid of sorts.

The Music:

UTJYBUGXKMEA-largeFlorida is the Southern most state in the contiguous USA. That being said, it should be expected to host some pretty legitimate dirty southern blues rock. Quartet John Q. combines nasty slide guitar riffs and effected solos with first hand lyrics everyone can relate to. Check out their bluesy tale of a vengeful backwoods arsonist, “BrushFire.”

USVAQAIWRDJV-520x520Placing in the top of her class, speaking three languages fluently, and holding a masters degree in architecture are a few reasons why Maja Sar is a real life Wonder Woman. Her angelic voice is just icing on the cake. Equipped with a background in Opera, Bosnia-born Maja translated her talents into the Pop/ R&B realm ( it won’t be long before you hear her on the radio). Take a listen to the beautifully minimal “A Cappella” and you’ll understand what I mean.

NLQLJXTGDCBT-520x520As a southern paradise, Florida is swamped with tropical influences. Safe to say, Latin mega-star Leon Cheva is adequately representing a multitude of those influences. Originally from Puerto Rico, Leon and his band Anonimo Music Group play every Latin style under the sun including, but not limited to, salsa, rhumba and tropical. Having won the Latin Channel 4 times, Cheva’s smooth grooves will have your hips swinging within minutes. Check out their rich, big band effort “Un Nuevo Comienzo.”

Check out these acts and other great Floridian artists in the playlist below! Who are your favorite OurStage Floridians? Where do you like to see live music in Florida? Let us know in the comments!

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