Archive for the 'Fine Tunings' Category

Fine Tunings: Diane Warren, Songwriter Extraordinaire

OSBlog02_FineTunings_DianeWarrenPerformers may come and performers may go but great songwriters are forever. Don’t believe me? Name a single performer who is still remembered from Bach, Beethoven or Mozart’s heyday. See? I’m right.

Hundreds of years from now, I wager people will still be singing the music of superstar songwriter, Diane Warren, who has had more hits and accolades than practically any other songwriter in pop music history. You’d be hard-pressed to find a contemporary songwriter more influential or prolific.  

Diane Warren - Songwriter to the Stars

Diane Warren — Songwriter to the Stars

Diane has been nominated for GRAMMYs, Oscars and Golden Globes. Chances are, if you’ve heard a power ballad over the past three decades, it’s one of hers. She’s not simply a songwriter, she’s truly a phenomenon.

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Fine Tunings: How I’d Fix The GRAMMYs

OSBlog02_FineTunings_IFixedGrammysThese are dark times indeed for the music business. Album sales are at an all-time low and continue to plummet with no bottom in sight. And yet, amidst all the doom and gloom, one institution rolls on with the glitz and glamour of the by-gone ‘80s. Yes, folks, it’s time again for the annual GRAMMY Awards, airing on January 31st on CBS.

GRAMMY and I are the same age, and both of us are suffering the effects of gravity and dementia. The GRAMMYs are way ahead of me because they can afford a good plastic surgeon. But if the telecast wants to survive the music business downturn, it really needs a full top-to-bottom make-over a la Heidi Montag.

I still romanticize the idea of the GRAMMYs. That impressive statue looks great on a mantle. But as the industry struggles to regain its footing, the GRAMMYs often seem as contemporary as the gramophones they are named for.

The competition in the awards show game has gotten more Fierce than Beyoncé’s alter ego. So by the time the GRAMMYs air they will have already followed the MTV Video Music Awards, the American Music Awards, the Golden Globes, the Screen Actor’s Guild Awards, the Hope for Haiti Now telethon and the People’s Choice Awards. (At least they’re slightly ahead of the Oscars and the Westminster Dog Show.)

Most of the top-selling artists that perform on the telecast have become more overexposed than the White House party crashers. With music on TV shows so plentiful, it’s a real challenge to add something new. But that’s exactly what the GRAMMYs need if they hope to appear relevant.

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Fine Tunings: JoAnn Braheny, Muse Gooser

OSBlog02_FineTunings_JoannBraheny

Feel creatively blocked? Career counselor and consultant JoAnn Braheny (pronounced bra-HAY-nee) to the rescue. Based in Los Angeles, JoAnn is practically the guru of developing and maintaining artistic creativity. Her husband, John Braheny wrote what is considered the songwriter’s bible, The Craft and Business of Songwriting, now in its third edition, and between them the pair teach both the nuts and bolts and the more ethereal sides of songwriting through her workshop and Web site, Goosing Your Muse.

Since we are at the beginning of a new year and many artists have made New Year’s resolutions that involve their music, I thought it would be a good time to check in with JoAnn for some creative advice on staying inspired throughout 2010.

JoAnnBig
JoAnn Braheny, the artists’ best friend

CD: Can you explain what you mean by “Goosing Your Muse”?

JAB: I actually searched Google for “What is a muse?” and here’s the response: Many artists, writers, poets and musicians have said that their creative work has been inspired by an individual whom they refer to as their muse. A muse is someone who has such an influence on another that he or she becomes the focus and inspiration for that person’s creative work. The term has historically been used by men to describe the women that they have been in love with and made the subject of their work.

Basically, the idea of goosing your muse is to stimulate people’s creative process, to provide some way of helping them think “out of the box,” be even more creative and to discover ways in their own experiences/adventures that delight themselves and others.

CD: How did you start helping artists to goose their muses?

JAB: This question has three answers. First of all, my older brother is now an opera singer. But when we were kids, our parents worked. When he had to babysit me, he dragged me around our hometown, Chattanooga, Tennessee, to his interminably long voice lessons, auditions, rehearsals and performances. I got to see, first hand, just what it really takes to work full-time in the music business. I also got to play backstage with makeup and costumes and props, but I was perfectly happy not being in the spotlight. (He, however, won voice scholarships to both Julliard in New York City and Curtis Institute in Philadelphia. He still sings bass-baritone, lives in Germany and performs all over Europe, Russia, Israel, USA, etc.) I learned from him and his colleagues how valuable a support person is for artists. I liken artists to champion race-horses or Olympic runners. It’s not just about having a good idea, or talent; it’s about being productive life-long.

The second beginning was when I worked, several years ago, in a music publishing company at a small indie label (now defunct), called GRC Records, in Atlanta. Songwriters/performers would stop by my office where I was learning about copyrights and licensing songs for international markets and they would play me a demo or two. They seemed to want someone to bounce song ideas off of. As I am not a songwriter or singer/musician, but a major fan of all kinds of music, I was glad to take the time to listen. (They knew I had “ears” because I’d already been Atlanta’s first full-time female DJ at a popular rock station.) Those songwriters let me into their world of trial-and-error and allowed me to voice my opinions because they knew I was objective and not brutal.

The third beginning of how I got my own muse goosed was when I worked in Talent Development at Walt Disney Imagineering (Glendale, California) with graphic artists, painters, designers, animators, architects, etc., and helped to develop workshops for them such as, “Managing My Inner Critic,” “Interdisciplinary Dynamics,” “Collaboration Skills” and so forth. What I realized at Disney is that it doesn’t matter if you’re a songwriter, musician, singer, painter, sculptor. At any level of expertise in any artistic endeavor, you will still find yourself working through a lot of the same mazes of trial and error and to make a product that others will want to own.

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Fine Tunings: Kimya Dawson, Fiercely Independent

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Far too often in the competitive world of music, artists claw over and through each other vying for attention and exposure. Anti-folk singer/songwriter Kimya Dawson is the antithesis of that and too much glaring spotlight clearly makes her uncomfortable.

On her MySpace page, Kimya describes her music like this: “I think my songs sound a lot like something you and your mom can cry to together or even you and your grandma. Or your cat. Or a nice friend that usually just likes the radio hits.”

Panda, Kimya and Angelo

Panda, Kimya and Angelo

So it was a wild ride for Kimya in 2008 when her song “Anyone Else But You” by her duo the Moldy Peaches (with Adam Green) was prominently featured in the smash hit film, Juno. The soundtrack from Juno on Rhino Records reached Number 1 on the Billboard charts and thrust the very private artist into the eyes, and expectations, of the music business full-on.

These days life has returned to normal for Kimya. She lives in Olympia, Washington with her husband, fellow musician Angelo Spencer, and their three-year-old daughter, Panda. Kimya’s last album was a kids’ album called Alphabutt and she recently started a community choir in Olympia. I asked her about music, community and her life as a musician mom.

CD: What inspired the community choir?

KD: In Australia I saw a show called Battle of The Choirs and it was amazing and fierce. I decided I wanted to start the least self-conscious, least competitive choir ever. I had a love/hate relationship with choir in middle school. In the shower I could belt it out but in choir I pretty much whispered, scared I sounded off. I wanted a choir where everyone could just sing how they felt.

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Fine Tunings: 10 To Watch in 2010

OSBlog02_FineTunings_10in2010The last year and last decade were a mixed bag musically-speaking, and all over the map. From Sri Lankan M.I.A. to Canadian Feist and Londoners Amy Winehouse and Adele, it has been impossible to predict where the next break-out scene will come from. As we begin a new year and a new decade, I have compiled a list of 10 fascinating female artists to keep your eye on. Some are new artists but most are on their way to becoming well-known and one even became a full-fledged superstar in 2009.

10. Visqueen: Rachel Flotard is the undisputed Visqueen of Seattle but has yet to make the national impact she deserves. With a stint as Neko Case’s backup singer on her resume, I’m thinking that 2010 will finally be her year. Visqueen’s latest album, Message To Garcia is filled with catchy hooks that are brainy too.

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