Archive for the 'How To' Category

How To Write A Song

OSBlog_HowTo_WriteASongEvery musician—Jay-Z and Ryan Adams included—comes down with writer’s block at some point in his or her career. Just like swine flu, there’s very little you can do to prevent it. Then again, like swine flu, a full recovery can be made with a little help.

When you feel your creative juices dwindling, or when your well of ideas is as dry as the Sahara, use these simple tips as fodder for songwriting success.

Feed your inspiration. If you’re running low on good ideas for lyrics, go take a walk around your neighborhood, read a book or watch the news. Keep a notebook on hand to jot down ideas. Sooner or later a story will present itself to you. If you’re looking for musical inspiration, turn on your iPod. What songs move you? Figure out precisely what element is resonating. Don’t try to copy it; simply use it as a starting point for your own journey.

Stay focused. Keep whatever first inspired you to write the song (be it a lyric, melody, chord progression, etc.) as your focus. Don’t second guess that.

Know when to take a break. It’s easy to loose perspective if you’ve been working on one song for too long. Put it down and come back to it.

Record yourself. Even if it’s with a crappy handheld tape recorder. You will hear the song in a whole new light when you’re not distracted by the physical aspect of playing and/or singing.

Call for backup. Sometimes two or three heads are better than one. Many great ideas come from collaborative environments. Recruit some of your musician friends and, for lack of a better term, jam. See what ideas rise to the top.

Follow these guidelines, and the symptoms of your writer’s block should improve. Truly great songs are a labor of love, so hang in there.

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How To Put Together Album Art

OSBlog_HowTo_AlbumArtBefore the days of listening to an album in the record store or online, music shopping was more of a gamble. And, believe it or not, a lot of bets were placed solely on album art. I remember trading a Tiffany cassette for Poison’s Look What The Cat Dragged In because I thought the girls on the cover had better hair and makeup. Thus began the seminal hair metal phase of my adolescence (Do not judge me).
Continue reading ‘How To Put Together Album Art’

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HOW TO WORK WITH A PRODUCER

OSBlog_HowTo_WorkProducerNow that you’ve written all the material for your new album, the hard part’s over, right? Eh, maybe not. The recording process can be a long, strange trip, but the best way to avoid speed bumps along the way is to lock in with the right producer at the start. You’ll want one who’s intuitively able to understand what you mean when you say, “I’d like the vocals to sound like a really rusty robot crying through a megaphone.” One who can pull your best performance out of you without alienating you in the process. One who partners with you and commits to your vision as if it were his or her own. Here are some tips to help you find “the one” and optimize the production experience:

•   Make sure he/she is the right fit. Love the new Adam Lambert or Jay-Z record? Research the producer. Familiarize yourself with that producer’s previous work and decide if it’s the right production style for you.

•    Get a sense of commitment from him/her. How much studio time can you expect on a weekly basis? What will the turnaround time be like for mixing? If you’ve got an album release deadline, you’ll want these questions answered before you partner with that producer.

•    Schedule plenty of time for pre-production. Pre-production will help ensure you’re on the same page with the producer. That includes familiarizing him/her with your songs, going over arrangements and production ideas, and introducing him/her to records with production that you admire.

•    Know when to let go of your own judgments and trust their vision. As much as you may want to micromanage the process, it’s important to give your producer some breathing room. Suspension of disbelief on your part may lead to some really great ideas that will strengthen your record. Sometimes it takes a village.

•    Know when to fight for your own vision. At the end of the day, this is something you have to sign your name to. So it’s critical that the work on your record really represent you as an artist. If the producer is leading you down a path that doesn’t feel true to you, then it’s your responsibility to speak up.

•   Check your ego at the door. If your producer comments how the transition between the chorus and the bridge is a little bumpy, and your response is to throw your guitar at the wall and scream, “I hate you!” then you’re doing a real disservice to your record and to yourself. Don’t take critiques personally. Remember, you’re a team working towards a common goal; world domination. So lose the ‘tude, dude.

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HOW TO WIN OVER A CROWD

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Once upon a time there was an earnest, indie rock band who—through the forces of fate—was slated to open up for legendary Stone Temple Pilots front man Scott Weiland at a popular music venue. Though the band didn’t exactly think their music would translate to STP fans, they knew the exposure would be great and maybe, just maybe, they could win a few more fans.

Their first song received a smattering of handclaps. The second, stony silence. As the singer of the band stepped up to the mic to introduce the third song, a large, grizzled grunge devotee in the front row began belting the lyrics to “Dead and Bloated” in protest. “I AM smelling like a rose that somebody gave me on my birthday deathbed,” he shouted. The audience roared in approval.

Talk about a tough crowd. A negative response to your music may make you want to crawl into your own birthday deathbed, but don’t let it. Consider it a rite of passage. And though it’s true that you can’t be everything to everyone, there are certain things you can do to alleviate the tension when you’re facing a crowd of anti-fans like:

Talk to them. A little friendly banter goes a long way. Break the tension by acknowledging the disconnect: “I know most of you Black Eyed Peas fans probably don’t listen to much acoustic folk, but here’s something you may be able to dance to …”

Play a cover song. This is the most surefire way to get an unruly audience on your side, so it’s best to keep a couple of crowd-pleasers in your back pocket in case of emergency. Pick something that everyone knows, but give it your own unique spin. If you’re the folk band opening for Black Eyed Peas, don’t antagonize the crowd by playing a cover of “Blowin’ in the Wind.” Pick something relatable to their tastes that you can make your own. Who knows, maybe “Boom Boom Pow” sounds good acapella.

Soldier on. Even if they’re shouting terrible things about your mother, don’t let the negativity get into your head and affect your performance. Let it be inspiration for you to play harder and with more passion. Even if they don’t like your music, they’ll have to respect your tenacity.

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HOW TO DEVELOP YOUR LOOK

OSBlog_HowTo_DevLookIn music, the adage that it’s what’s on the inside that counts holds true … sometimes. Though there are countless mainstream performers out there who possess both musical ability and style, there are few who only possess the former (We’re looking at you, Susan Boyle.) In fact, if you had to choose between the two, it’s almost safer to go for style over substance (Hey, Britney).

Unfortunately, musicians are books whose covers are constantly judged. And as much as you may not want to buy into the whole “image” aspect of your craft, the fact remains that industry players are looking at you as a marketable package. That means your music and your look need to translate to the masses.

The good news is, the sky is the limit when it comes to what your look can be. If Flea is allowed to rock a diaper, and Prince gets away with ass-less chaps, then chances are your personal style won’t be a hindrance to your career, no matter how off-center it is.

That said, here are a few guidelines to keep in mind:

If you’re in a band, cohesiveness is key. Choose one general look and try to stick with it. Separate characters may have worked for the Village People, but you probably want your music taken a little more seriously.

Choose a look that represents your music. Though sometimes the element of surprise can be a good thing, in general you want to try to avoid any big disconnect between your look and sound. Meaning if you’re a hard core rapper, you probably shouldn’t dress like Stevie Nicks onstage. Of course, there are always exceptions to the rule … Gnarls Barkley somehow pull off their hip hop/pop dressed as 1970s tennis players and storm troopers. But gimmicks aren’t for everyone—whatever you choose, make sure it feels right for you.

Cultivate your individuality. You might love suits, but that look isn’t exactly going to set you apart from the hundreds of other indie bands who do too. Same thing with saggy jeans and gold chains for hip hop artists. Though you want your look to represent your music, there is still room to put your own unique spin on your wardrobe. If you’re L’il Wayne, you go for tighter jeans. If you’re Katy Perry, you go pin-up model. And if you’re Lady Gaga, well, you go off the deep end.

Developing your own look can be as simple as adding a signature pocket square to your suit, or as complicated as sewing an army of Kermit the Frogs to your sweater. The main rule of thumb is to stretch your imagination while staying true to yourself. If you can do that, you’ll be covered.

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