Archive for the 'Interviews' Category

Fine Tunings: Erin McKeown — Road Warrior

Erin McKeown Is Kinda Coy

Erin McKeown Is Kinda Coy

The economic down-turn has forced many musicians to get as creative with their marketing as with their music. One artist that is especially inspirational in this regard is Massachusetts-based Erin McKeown. The singer/songwriter/ace guitarist hosted a series of Pay-Per-View streaming online concerts called “Cabin Fever” from her home and raised the funds to finance her wonderful new album, Hundreds of Lions.

The clever “Cabin Fever” concept paid off as great advance publicity for the album. Not only has Lions reached #1 on Amazon.com but the Internet series also helped Erin score a deal with Righteous Babe Records, as well. On December 3rd she will be featured on NPR’s “Song of the Day.”

All four episodes of “Cabin Fever” were shot last summer from Erin’s home in her living room, on her front porch, in a river and in her front yard. Special guests include Sonya Kitchell, Kris Delmhorst and Garrison Starr among many others.

Continue reading ‘Fine Tunings: Erin McKeown — Road Warrior’

Share and Enjoy:
  • Digg
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • Reddit

Q To The A With The Submarines & Jay Sweet

OSBlog_QA_SubmarinesThe Submarines are widely recognizable for their jangling pop single,”You, Me, and the Bourgeoisie,” used in the recent iPhone 3G commercial. Others may know them as the artist-turned-producer and singer-songwriter from Boston who fell in love while working on an album, moved to California and started a band. The love story of Jack Dragonetti (a.k.a Jack Drag) and Blake Hazard (a.k.a. great grand daughter of F. Scott Fitzgerald) is really the bittersweet muse of The Submarines. The story goes that the couple broke up shortly after moving out West but Blake continued to record in Dragonetti’s home studio. The duo soon realized that the new songs that they were each writing were filled with sadness and longing for one another. They decided to rekindle their musical relationship which lead to The Submarines and eventually to marriage. Continue reading ‘Q To The A With The Submarines & Jay Sweet’

Share and Enjoy:
  • Digg
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • Reddit

An American Idol In Guam: OurStage Talks To Elliot Yamin

OSBlog_QA_ElliottYamin_03Elliot Yamin, the beloved third place runner-up for Season 5 of American Idol recently performed for U.S. military men and women stationed overseas. Many people also know Yamin for his commercial radio hits, “Wait For You” and “Fight For Love”.

OurStage caught up with Yamin in Guam, the first stop of his USO-sponsored Pacific Rim tour, and asked the Gold & Platinum-selling R&B singer about life before Idol, his experience on the show and what life as an indie artist has been like since the season wrapped.


www.ourstage.com
Share and Enjoy:
  • Digg
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • Reddit

PUNK ON THE ROCKS: THE ROUGHNECK RIOT

Celtic punks The Roughneck Riot

Celtic punks The Roughneck Riot

Warrington, UK’s The Roughneck Riot are a little bit Celtic, a little bit rock and roll. Taking their cues from The Pogues, The Clash, Johnny Cash and Flogging Molly, this six-piece Celtic punk band features acoustic guitar, mandolin, banjo and accordion in addition to the usual guitar, bass and drums. The Roughneck Riot has shared the stage with artists such as Billy Bragg, The Damned and Sham 69. Currently in the studio recording their new album Night Train with The Reaper, the band recently posted the lyrics to the title track on their MySpace page. The words lie somewhere between Dropkick Murphys and Tom Waits, and if the music is even half as good, this is going to be a great record! I managed to catch acoustic guitarist/mandolin/vocalist Matty Humphries during a break from recording to talk about the band’s sound, their album and their plans for the future.

OurStage: I read that The Roughneck Riot started life as a four-piece punk band. How did you make the transition from four-piece punk band to six-piece Celtic punk powerhouse?

Matty Humphries: Personally I’ve always aimed to play Celtic punk, however when we first started out we weren’t the most talented bunch when it came to playing folk instruments and such. We had to let our last 2 guitarists go for personal reasons and I managed to persuade a few of our best friends to pick up a banjo, guitar and an accordion and for the past 7 months or so. With continuous advice and motivation from our good friends The Mahones, we’ve finally managed to focus on our sound, and since then we’ve never looked back!

OS: Even on your mostly acoustic recordings, you guys sound badass. What would you say to people who think that punk music can’t be acoustic?

MH: Haha, Thanks a lot! Well I believe that all the best music started out acoustically, from early blues, bluegrass and folk to gypsy jazz and rock ‘n’ roll, so why can’t punk be played in the same way? People like Johnny Cash always stuck to playing an acoustic guitar, but always delivered.  It’s all about the energy you give when playing, not how loud your amps are or how distorted your guitar is.  And of course our main influence besides punk is Celtic folk, which traditionally started out acoustic. Playing acoustic can also add so many different dynamics to a song, and change the feel completely!

OS: As a Celtic punk band, you must be over the moon to be playing with Shane MacGowan of The Pogues this December. How did this come about?

MH: The magic of MySpace!! We were asked if we were interested in the slot through a message from a promoter, so how could we possibly turn this down! In my opinion Shane MacGowan is one of the greatest song writers in history and has had a massive influence on us, and it’s an honor to share a stage with him!

OS: Your song “Travellin’ Man” made it to the Top 10 in the OurStage Punk Channel last month. Can fans expect a similar sound on your upcoming album Night Train with The Reaper?

MH: This was a great and unexpected thing for us, as half of the band didn’t realize we were signed up to OurStage! But it’s fantastic to know we’re being heard! And yes, Night Train with The Reaper is full of songs that are guaranteed to put “Travellin’ Man” to shame!! It’s a huge mixing pot of influences, from the obvious (The Pogues, The Mahones, The Clash, Flogging Molly) to some more unusual influences to our music such as Johnny Cash, The Urban Voodoo Machine and Tom Waits. Its going to be something we can be really proud of! We’re recording the title track for the album this November with Ex-Mahones’ fiddler Dave Allen in Banbury so it should be up on Ourstage by mid November!

OS: What’s next for The Roughneck Riot? Any plans to tour?

MH: I’ve just this week opened up a recording studio where we should be finishing our album which is all very exciting! And as for tour plans, yes! Hopefully early 2010 we should be touring Europe! Possibly with The Mahones and The Popes, which is another great honor for us! So hopefully we can get Night Train with The Reaper out across the water!!

Check out “Mutiny” from The Roughneck Riot’s EP Drain The Bar in the player below!

Share and Enjoy:
  • Digg
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • Reddit

OUR Q & A WITH VIDA ESPIA … NUESTRAS P & R CON VIDA ESPIA

OSBlog_WeeklyRhythm_MASTER

Vida Espía has got it going on. What is “it” exactly? Well, lots of things. First, they’ve got a killer sound. Second, they have a great look. And third, they are making waves in the Los Angeles scene. They’re also in the middle of recording their debut album at Sanctum Sound Studios —at least three of them are; their drummer recorded his parts early in order to go on tour in Europe with Richie Kotzen. Their sound is clean and modern, and the coolest part? They’ve only been together a year.

Vida Espía y unos círculos amarillos.

Vida Espía y unos círculos amarillos/Vida Espía and some yellow circles.

We managed to catch up with the very busy Vida Espía and ask them a few questions. But here’s a twist: We’ve decided to offer you both Spanish and English versions of the Q & A.

OS: In your blog, you said that you experienced some technical difficulties at the beginning of your big House of Blues show. You almost stopped but you pressed on… What was going through your minds during those few seconds? What made you want to stop or to go on? / En su blog dicieron que tuvieron fallas técnicas al comenzar su show en el House of Blues. Casi pararon pero no lo hicieron… ¿Qué les pasaron por la mente durante estes segundos? ¿Qué les hizo querer a parar o continuar?

VE: It was one of those unavoidable experiences that every musician goes though at some point in their career, but you never know when it’s going to happen. For us it came during the biggest and most important show we’d had as a band, in front of 700 people. We would have preferred that it happen at another time, but that’s when it came. The important thing was that we kept playing and improvising while we dealt with the problems, and that the music never stopped. Some audience members realized what was happening, and our fans cheered for us. That kept us going and helped us recover the adrenaline we’d felt playing the first few notes of the show. / Fue una de esas experiencias inevitables que cada músico experimenta en algún punto de su carrera, pero nunca sabes cuándo van a suceder. Nosotros lo vivimos durante la presentación más grande e importante que habíamos tenido como banda, y al frente de más de 700 personas. Hubiésemos preferido que pasara en otra circunstancia, pero nos tocó en ese momento. Lo importante fue que seguimos tocando e improvisando mientras arreglábamos los problemas, y la música nunca paró. Parte del público se dio cuenta de lo que ocurría, y nuestros fans nos hicieron porras. Esto nos animó a seguir el concierto y recobrar esa adrenalina que sientes justo al tocar las primeras notas del show.

OS: [From Vida Espía's blog] “Since that unforgettable night [at the House of Blues], VIDA ESPIA has come to be known as one of the most promising acts in the LA circuit.” It seems to me that those technical difficulties didn’t do any damage. How does it feel to be gaining more respect during this early time in your musical careers? / [Del blog de Vida Espía:] “Desde esa noche inolvidable, VIDA ESPIA se ha dado a conocer como una de las mejores propuestas en el círculo.” Bueno, me parece que las fallas técnicas no los hirieron mucho. ¿Cómo se siente ganar más respeto durante este tiempo en sus carreras musicales?

VE: It feels great… [laughs]. The truth is that in this city (LA) there’s a lot of talent, above all in the “rock en Español” genre. For us it’s an honor to be part of such an important movement that continues to grow. It’s hard work and there’s a lot of competition, but while there are more bands and more concerts within this genre, the community of fans gets larger and draws even more attention. In the end, this benefits all lovers of rock en Español. / Se siente muy bien…[risas]. La verdad es que en esta ciudad (Los Ángeles) hay mucho talento, sobre todo en el “rock en español”. Para nosotros es un honor formar parte de un movimiento importante que está en crecimiento. El trabajo es duro y hay mucha competencia, pero mientras tengamos más bandas y más conciertos de este género, la comunidad de fans se agrandará y llamará más la atención. A fin de cuentas, esto beneficiaria a todos los amantes del rock en español.

Continue reading ‘OUR Q & A WITH VIDA ESPIA … NUESTRAS P & R CON VIDA ESPIA’

Share and Enjoy:
  • Digg
  • Twitter
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Mixx
  • Google Bookmarks
  • Reddit