Red Cafe Releases "Fully Loaded" Video Featuring Trey Songz

If you read or watched our exclusive interview with Red Cafe earlier this week you’ll remember him discussing how much he believes in the material on his American Psycho mixtape. One of the highlights of that release, “Fully Loaded,” was finally given the video treatment last night and this morning you can view the official clip right here on the OS magazine! The song features Cafe and guest vocalist Trey Songz talking about their love of ladies them deem to be ‘fully loaded.’ I’d go ahead and describe what that means, but I think it will be more enjoyable if you just watch the video below.

American Psycho is available now. Click here to download a copy today!

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Q&A with Red Cafe
Red Cafe releases ‘American Psycho’ Mixtape

Exclusive Q&A: Red Cafe

Bad Boy’s Red Cafe has been one of hip-hop’s best kept secrets for the better part of a decade. 2013 will see the release of his label debut, but for now the emcee has offered a new American Psycho mixtape to maintain the hype generated from recent appearances on tracks from the likes of French Montana until the official release. Click here to stream and download American Psycho.

Recently, OurStage had the opportunity to speak with Red Cafe about American Psycho, the people the who helped create it, and the advice he has for young talent trying to make it in music. You can view a video interview and/or read his responses below. (more…)

Exclusive Q&A: Daddy Yankee

[Léelo en español abajo.] There are musicians who find a market in their corner of the world, finding comfort in familiar surroundings and culture. They can climb through the underground to become national treasures, occasionally with minor tours around the world. Then there are international superstars who are more likely to be found on a trans-continental flight, taking the world by storm all at once. Of these, Daddy Yankee is decidedly the latter. Over the course of his career, Daddy Yankee has set the bar for pop artists, including both Latin musicians and artists worldwide, with a steady stream of hits that permeate cultures around the globe. Now, having just finished 2012 with yet another multi-national trek, Daddy Yankee speaks with OurStage about his journey to the top, what aspiring artists can do to reach their own career goals, and what fans can expect from him in 2013.

If you’re a Latin musician looking to take your career to the next level be sure to enter the Tr3s “El Headliner” Competition for a chance to win artist features on Tr3s’ show Top 20, as well as’s Music My Güey, Descubre & Download, and Blogamole.

OS: Since is the leading online destination for emerging artist in the US, can you talk about your first big break in music?

DY: My first big break really came in 2004 when the release of my album Barrio Fino opened the door for me not only in the states, but worldwide. That album included the classic song that launched it all for me, “Gasolina.”

Who are some undiscovered artist that you’re excited about?

I’m always trying to support undiscovered talent in the Latin market. For instance I’ve taken under my wing an incredible production team called Los De La Nazza, who were unsigned and trying to make it, and have proven to be a key element in my success.

In the US, your music crosses many radio formats, including Latin, Urban, Rhythm, and Pop. Talk about why you think audiences of all types love your music?

Music is a universal language; sometimes you don’t have to understand the words that are being spoken to enjoy it. My style of music is unique – it makes people want to dance and have fun. I have fans from all around the world that don’t speak either English or Spanish, but they still buy my music and go to my shows. I don’t limit myself. I like to try new things and new sounds and I’ve been blessed by the success it’s brought me.

What’s next for Daddy Yankee? What can fans look forward to in 2013?

I’m looking forward to 2013. In addition to all my Latin projects, I’m also going to be putting more focus in targeting the mainstream market. This last album I released has a song called “Lose Control” that has been receiving a lot of love from English radio over the past few months. I’ve also got a great collab with French Montana due out in 2013 [and] I’ve been working with some incredible DJs and producers in the Dance genre that are helping put a new spin on the Daddy Yankee sounds that everyone already knows and loves.

What would you say to undiscovered artists who are working so hard to catch that first big break?

We live in a moment in music where the power is in the hands of the artists themselves and their fans. There are no excuses, the Internet is [the] most powerful platform to get your music out to the masses. If you stick with it and are committed, your time will come. As long as what you’re doing in the studio is right, you have just as good of a chance as anyone else in landing your big break.

[Léelo en español abajo.]


Exclusive Q and A: Free Energy Talk Irony, Romance, Rebellion

Philly-based indie rock outfit Free Energy have been bringing classic rock riffs back since the mid 2000s, when three-fifths of their members were part of Minnesota hometown heroes Hockey Night. With Love Sign, the band’s follow-up to their 2010 release Stuck on Nothing, Free Energy is channeling a whole new decade to expand on their ’70s sound. We talked to lead singer Paul Sprangers about the ’80s influences on the new album, his affinity for certain recurring phrases in his lyrics, and what makes the idea of rebellion so appealing.

OS:  How did the band approach writing the new material compared to Stuck on Nothing?

Paul Sprangers: Scott and I demoed songs together, like the last record, but this time we were able to bring the songs to the band, work on arrangements, then re-demo, sometimes repeating and refining the process many times. Then the songs would undergo more arranging with John Agnello so we were able to spend more time refining the songs and letting them ferment. We also had a clearer vision of the production aesthetic going in, partly because of our experience working with James, and also because we had been listening to so much mid-80s music in the last 5 years. INXS, Def Leppard, Peter Gabriel, AC/DC, The Bangles, Tom Petty, Fleetwood Mac, Billy Ocean. John Agnello worked on the first Outfield record, and a Cyndi Lauper record, so those were two huge sonic reference points. (more…)

Exclusive Q and A: Classified Talks Beats, Rhymes, And Life

Nobody can talk about grassroots success like Canadian hip-hop artist Classified, who has been blazing his own independent trail since 1995. The emcee and producer has toured with the likes of Nas, Wu-Tang Clan, and Busta Rhymes, and has sold over 100,000 albums in Canada alone. Oh, and that awesome song in Madden ’12, “That Ain’t Classy?” Yeah, that was him. We sat down with one of the biggest names in Canadian hip-hop to chat about the Nova Scotian scene, his production styles, and his love/hate relationship with Kanye.

OS: What’s the Nova Scotian hip-hop scene like?

Classified: The scene is very Nova Scotian [laughs]. If you’re down here and you’re involved in the scene, you know what’s going on. You can go to the shows and check it out. But besides me and maybe two other guys, there aren’t many guys getting past just Nova Scotia to even the rest of Canada. We’re very secluded. We don’t get as many shows as they draw in Montreal or Vancouver. But it’s a dope scene. There’s been great artists coming out of here since ’95, when I started. People putting out albums, putting out their viral videos and stuff. It just still seems like a lot of people in the rest of the world haven’t been exposed to it because a lot of the artists aren’t pushing their stuff that hard. But really dope scene, great DJs, breakers, graff writers, emcees. (more…)

Exclusive Q and A: Kenny Vasoli Talks Vacationer, Lomography, And The Starting Line Reunion Tour

In the early 2000’s, pop-punk was in its golden age, and Drive-Thru Records was the hub of all the big activity. Home to bands like New Found Glory, Something Corporate and The Early November, Drive-Thru found further success when it released The Starting Line‘s debut album, Say It Like You Mean It. The Starting Line became poster children for the Warped Tour scene and were even able to accomplish the difficult task of avoiding the sophomore slump and going on to write an even stronger third record.

In 2008, the band went on hiatus, as frontman Kenny Vasoli and keyboardist Brian Schmutz pursued their experimental side project, Person L. The band released two LPs before going silent for a few years, but Vasoli hasn’t stopped making music. Joined by members of Brooklyn-based Body Language, he now fronts the dreamy indie pop band Vacationer. We had the pleasure of chatting with Vasoli about his newest project, their creative process, and why he’s looking forward to The Starting Line’s upcoming 10th anniversary tour for Say It Like You Mean It.

OS: Give us the backstory behind Vacationer and how you met the members of the band.

KV: I started making Vacationer music in the summer of 2010. For awhile, I’d been wanting to get into an electronic project. Something I could set up more simply than a full, live rock band. I also wanted to do something that wasn’t so heavy on the volume. I reached out to my friend and former bandmate Matt Watts and asked if he knew of anyone up in Brooklyn that might want to try collaborating with me on something in the electronic realm. He sent me some links, and on that list was a band called Body Language. He said that there were two guys, Matt and Grant, that produced electro stuff, they’d worked with Passion Pit before. He set up like a blind date kind of session for us. I came up there and played them a few things that were inspiring me at the time, and we managed to come up with a loop and a beat that first session. Eventually that song became “Great Love,” which made it on to the record.

OS: This project has such a unique sound to it; there’s a lot of cool noises and loops going on. What is the songwriting process like for you guys?

KV: Usually those guys will have a short idea, anywhere from 30 seconds to a minute long. They’ll send me a skeleton idea for me to work off of. I’ll go through a few ideas that I have, cut up their stuff a little and rearrange it, and then send it back to them. They’ll send me notes on it and then we set up a session. It’s a pretty quick process, how the songwriting goes. We just bounce it back and forth to each other and then lay it down.