Excited to alert you to this stellar new track from Air Traffic Controller, who we keep telling you about. A reliably catchy pop rock band, to be sure. But they’ve just debuted a song called “On The Wire,” which feels like a big artistic leap for the band, if not the mark of a whole new direction. This sonically adventurous song finds frontman Dave Monroe stepping back in favor of Casey Sullivan, whose lead vocal elevates the whole production. And a hell of a production it is, by longtime collaborator Bleu, who also co-wrote. Must-hear:
Cover versions of songs can be hit and miss. If you’re covering a song, that generally means it’s a song you love, which hopefully means that the original is pretty damn good, which begs the question, why do another version? In most cases, the answer is simply because you felt like it, which is perfectly fine, but fans of the original are probably not going to come away feeling especially rewarded.
Then there are the more rare cases where the covering artist brings something new to the song, leaving the listener with a new appreciation for a previously unrealized dimension of the song. Such is the case with this cover of Nirvana‘s “Heart-Shaped Box,” originally from the In Utero album. It doesn’t hurt that Jes Hudak and Corvyx are two of the most interesting singers out there, who also happen to harmonize beautifully together. And that this video was shot live is all the more impressive. Enjoy.
Yes, it’s another summer Popsplosion™ to blast from your car stereo. What can we say, it’s that time of the year. This time, our old friends Darling Parade, on the heels of last year’s acclaimed full-length rocker Battle Scars and Broken Hearts, have gone full-throttle pop with their newest single. “Run Away” features a brilliantly catchy melody over crunchy guitar hooks, and a hint of synth for good measure. Here it is:
It was released a month ago, and we’re only now catching up with the new single from Steph Shaw, “Meant To Be.” We are embarrassed. BUT we’re making up for lost time this morning with several consecutive spins of this ornately orchestrated, pulsing pop song. Staccato percolations quickly lock into place with the drums before giving way to flowing strings, all tied together with Shaw’s lilting melody. Check it out below; available now on iTunes.
We brought you the first single at the end of March, and now Baeble Music has the premiere of the new album from Boston’s The Shills. Keep Your Hands Busy: Vol. 2 is one of the most musically-inventive/adventurous-yet-still-totally-accessible-and-fun-to-listen-to indie rock albums you’re likely to hear this year. And you can dance to it. Listen to the new single, “Oh, This Devilish Place,” below. Buy it here.
Aly Spaltro and band – aka Lady Lamb – performed their new “Billions Of Eyes” plus a few other songs on World Cafe Live. She also spoke with David Dye in an interesting interview, which included an explanation of a reference in “Billions Of Eyes” to her relative who was named a saint. She also talks about songwriting and the recent truncation of her stage name. You can listen to the whole interview with all of the songs here.
Sometimes all you need is a high-energy pop song, smashed full of hooks. That’s what landed in the inbox this morning, and none too soon for a drizzly Friday. Los Angeles-based singer Brittney Bouchard released her single “Paper Airplanes” back in February, and we somehow missed it – but it’s on repeat around OurStage HQ now. The track starts simply enough with a cool guitar figure against an ambient background and then builds into a radio-ready pop explosion. Hope to hear more from Bouchard soon.
Brittany Campbell, who for some reason is not yet one of the biggest names in pop music, has released an incredible animated video for her track “Heroes.” The song is the title track from the 2014 album, which we told you about here.
Great song, great performance, great production, and great video. What else could you possibly want?
The new album from Kat Robichaud and The Darling Misfits is out today, January 27th. An impressive, ambitious, and confident collection of dramatic rock and pop songs, the eponymous record was funded by fans earned by Robichaud throughout her time as front-woman of The Design and, most famously, during her thrilling run as a contender on The Voice.
There are no shortage of artists today aiming for the grand and theatrical, inspired by Lady Gaga, Dresden Dolls and the like – and surely these are influences on Kat Robichaud as well. But what makes this a special record, and Robichaud a special artist, is her natural edge. We would not hesitate to classify this as a rock and roll record, despite its polished pop production, purely for the non-stop intensity and the sheer force of the singer’s will. More Queen and Foxy Shazam than Gaga, really.
On top of this, the LP is beautifully bizarre. It is funny, clever, defiant, and plainly well-written. Sound collages recur throughout, sometimes to create or enhance a vibe, and occasionally just for a laugh. Yet this is no novelty. Veering between wrenching balladry and dynamic, piano-pounding epics, this is the sound of an artist going for broke, being completely true to herself and discovering her own essence, having tested her limits and finding only those that are self-imposed.
While you were mentally blowing off work in anticipation of your vacation, Yahoo Music was premiering the new official lyric video for Kat Robichaud and the Darling Misfits‘ “Somebody Call The Doctor.” The propulsive lead track from her upcoming album (January 27th) hit the web on December 23rd. Sure, it’s not all mistletoe and eggnog, but with all that out of the way, it’s time to focus on how spectacular this song sounds, and how entertaining the Doctor Who-themed video is. We’ll have more about the full-length soon, but until then, please enjoy: