The Upset Victory, current fan favorites on OurStage who have racked up repeated monthly wins and chart placements, and who have been featured several times on our Amazing Radio show, recently dropped a new single. In keeping with their existing body of work, “Don’t Give Up The Night” is a slice of driving, hook-laden, modern pop rock. It’s such a piece of ear candy that it takes a couple of listens to recognize the clever and careful arrangement, which ebbs and flows, using subtle production techniques to slowly build to exploding choruses before drawing way back when you least expect it. Well done.
Here’s the official lyric video.
Liverpool’s Diamond Days deliver tight, guitar-heavy modern rock that has earned them a place on our recent Best of the Best charts. Today they dropped the video for “People Change,” the new single featuring the impeccable high harmonies of Fake The Attack‘s Ashlyn Marshall, who also appears in the video. The band is set to release a new EP this year and we’ll bring you more on that when we’ve got it.
AND THE HITS KEEP COMING from the Late Cambrian camp. Camprian? This band does not rest, cranking out catchy singles, often accompanied by nicely produced and off-kilter videos. While Late Cambrian’s catchiness was formerly derived from a more traditional crunchy guitar pop, with their last few tracks, they’ve moved in a more synth-and-rhythm direction, but without sacrificing their trademark hooks and harmonies. The newest is called “Yearbook Photo,” and it’s just super-nice to listen to, don’t you think? Follow @.
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Late Cambrian’s Dark Heart
Valentine’s Day approaches, and each year there is a subversive and satisfying sub-genre of songs protesting the general mood and spirit of the Hallmark-manufactured holiday. On her self-described “anti-Valentine’s theme song” for 2016, singer and songwriter Melanie Edwards ruminates on the wreckage of a long relationship with the simple, possibly unanswerable question, “What Happened?” Is it sad? Yes, it is sad. The simple production and dry, close vocal lend even more intimacy to the heartbreaker. This single, available on iTunes on February 12th, heralds the D.C. artist’s 9th studio album.
There was not much we could think to add to the conversation when David Bowie passed away on January 10th, so, like many others, we took comfort in the man’s rich catalogue of amazing music. But we want to share this new “Song for David Bowie” by Kat Robichaud, who speaks for hundreds of thousands who, over the years, have reconciled their own sense of un-belonging, of being different, with the help and comfort of the world’s greatest oddball, David Bowie.
Appropriately, this was recorded at Robichaud’s own “Misfit Cabaret” series, which will come to full fruition on March 11-12 at The Great Star Theater in San Francisco. Click here for more info.
We’ve got the smashing new video from the rocking L.A. pop band Blondfire. “True Confessions,” the title track from a forthcoming EP, is given a nice, complimentary black and white treatment, focused mainly on the band performing the song. It also features frontwoman Erica Driscoll, who directed the video, in some more intimate shots – which were captured on the singer’s iPad at her home. It’s a great, high energy should-be hit song and video, check it out. The True Confessions EP is due March 11th.
What can we say about this? It’s the great Brittany Campbell, whose album Heroes we told you about last year, and who has a history of releasing amazing videos, with her newest entry for the song from that album, “Sexy Darth Vader” (featuring Reddaz). Obviously the time is ripe to give this song a new life, and with this clever blast of a video (directed and choreographed by Mathenee Stefan Treco), we have reason to do so.
[Explicit lyrics, FYI.]
You probably don’t need me to tell you that Adele‘s new single “Hello” is currently ubiquitous. Open up your window, wait a moment, and you’ll surely hear it on the wind. There’s evidence that “Hello” has become self-aware and fully sentient, and rumor is that the song has secured its own recording contract and may or may not be dating Taylor Swift. Covers of this zeitgeist single are pinging off every corner of the Internet — a thing with corners, obviously — with mixed results. It’s best left to Yonas, then, to really do something new with this song. Yonas has spent the last couple of years helping redefine the term “remix,” taking popular singles and essentially rewriting the bulk to create a unique track. As with previous efforts, the Bronx MC forgoes samples in favor of a well-crafted full band version, collaborating in this case with the modern rock band Living In Fiction. Yonas riffs on the vibe of the original lyric with some self-reflexive, rapid fire verses of his own. As always, he proves himself one of the best independent rappers in the game. Check out this clip, directed by Mike Squires, and get a free download of the song here. Follow @.
Every month, the OurStage community (that’s you) listens and ranks the songs competing on OurStage.com. Once those songs get to the Finals stage, five grand prize winners are selected. Those winners get featured on the ‘OurStage on Amazing Radio’ show, broadcast from the UK to hundreds of thousands of music fans, both on terrestrial radio in the UK and online around the world. Last month’s show is streaming now. Below are the top five that you’ll hear on this month’s show, but you can preview them now by clicking here for a playlist.
“No” by We Are The Big Bang
“All I Ask” by Jamie Nichole
“Honest Answers” by The Shills
“Into You” by Ashley Sankey
“Desper” by Everlasting Dream
The good people of Late Cambrian have released a video for their latest single “Dark Heart (Where Can We Go Now?).” It’s creepy as hell, but also a bit tongue-in-cheek, and adorned with surreal scenes. The song is a delicious slice of electro pop, with Late Cambrian moving away slightly from the crunchy and/or jangly guitar-driven pop that marked most of the music on 2014’s Golden Time LP.