COUNTRY CATCH: BRANAN LOGAN

country catch

 

Branan Logan

Branan Logan

Look out Country Channel! Branan Logan is here and he’s ready to take over the country community. His twangy voice and classic country lyrics team up to make his songs something worth tuning into. The potential for stardom is both  tangible and undeniable for this songwriter. Branan’s tunes have garnered so much attention in Nashville that his tunes have been pitched to superstars like Brad Paisley and Rascal Flatts. His sound is totally his own, and he is sure to be noticed for his unique approach to country music.

You don’t have to be certifiable in order to appreciate Branan’s catchiest diddy “Borderline Crazy”. With a Phil Vassar sound and Kenny Chesney island-themed lyrics, its only a matter of time before everyone blasts this tune through their speakers. Logan tells his 60-hour weeks “Adios!” but the only thing I see country fans saying him is “Hola!” and  “Muchas Gracias!” for making such great new music.

 

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SIDECHO MEDIA TAKES OVER THE INDIE ROCK CHANNEL: WIN THE ULTIMATE ALBUM PROMO PACKAGE

In today’s world of independent music, self-releasing albums is becoming the norm. But how do you distinguish yourself from the rest of the crowd? This is where SideCho Media steps in. SideCho Media, a sister of SideCho Records offers digital distribution, promotion and consulting services. This month SideCho wants to award the ultimate promo package to one high-ranking OurStage Indie Rock act in need of some help getting their new record out there! The winning artist will receive $5,000 dollars worth of online promotion and consulting services, such as distribution to over 250 digital retailers, regional promotion at physical record stores, accounting breakdowns, bio composition and much more! Upload your best new track into the Indie Rock Channel before November 22nd to compete.  Prizing eligibility is limited to artists with recent or upcoming releases, so don’t forget to check out the FAQ to make sure you qualify.

Can’t compete in the channel? You can always be a judge! After all, SideCho needs some help finding a deserving winner. That’s why they’re rewarding the Best Predictor of the final rankings for November’s Indie Rock Channel with a prize of their own. The fan with the best ears will win a Music Critic’s Grab Bag filled handpicked goodies such as a signed pair of drumsticks from Ilan Rubin (Nine Inch Nails), signed posters, an assortment of CDs and more. Click here to start judging the Indie Rock Channel.

For more information on rules and prizes visit ourstage.com/go/sidecho.

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BACKTRACKING FORWARD: TRENDS IN COLLECTING

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American culture owes much to the disc jockey profession. Whether on the radio or behind turntables at a club, the DJ has always been on the forefront of setting musical trends by debuting unknown artists and upcoming genres. As a result, styles of music gain immense popularity until a new trend is set. It’s a cyclic pattern and DJs always seem to play a strong role in it, whether the music is contemporary or forty-five-years-old! The genres of northern soul and Latin boogaloo are two styles of music that were immensely popular in particular regions back in the 1960s and now have renewed exposure in the record digging community. The fact that the music is incredibly danceable has helped its revival but looking deeper, the influence of the disc jockey is an integral component of their resurgence.

NORTHERN SOUL

One of the Rarest in Existence

One of the Rarest in Existence

Northern Soul is one of the most notable trends in today’s vinyl market yet it actually took root in the music subculture of England. There was a crucial point in the split of the mod culture in the mid-to-late 1960s when new trends of music took hold. Mods were always interested in American soul and R&B records in addition to the emerging British rock scene of the early 1960s. As that rock scene turned more psychedelic, the influx of Jamaicans into the UK helped establish the ska, rocksteady and skinhead scenes while a faction of the mod culture continued to exclusively embrace and explore the massive American soul scene ( independent and unknown soul artists from the USA that never made it big in particular). Artists who recorded one song in the style of Detroit Soul and then disappeared were crucial to the emerging DJ who wanted to be the first to debut a northern soul recording in a club. Popular soul artists, like Edwin Starr and Tammi Terrell, were embraced as well but the more obscure an artist meant greater notoriety for a DJ. This trend continued to go in and out of popularity throughout the 1970s British scene but within the past few years has reemerged with avengence for record collectors in both the US and the UK.

Northern Soul PatchSo what exactly is northern soul? Some say it’s a style of soul music being played with a solid, danceable beat regardless of artist popularity while others get more specific, claiming its origin from the location of certain clubs, shops or scenes in Manchester, England. While the music on many of the recordings is fantastic, it surely does not garner the insanely high price tags that some of these 45rpm singles receive. See for yourself by perusing the database at Collectors Frenzy of some of the top northern soul pieces that have fetched ludicrous prices regardless of condition at times.

LATIN BOOGALOO

This is a foundational boogaloo LP everyone should own

This is a foundational boogaloo LP everyone should own

Within the vinyl culture, collecting Latin boogaloo seemed inevitable. The style of music developed in the 1960s Puerto Rican New York neighborhoods where young musicians helped bridge more traditional Latin rhythms with American soul and R&B recordings. The pairing resulted in an intoxicating blend of danceable rhythm that contained the perfect blend of Latin percussion and brass with a solid backbeat. Many veteran players of the Latin scene from the 1950s scoffed at this new fusion, but the results produced a sound that became widely accepted by a younger audience of Spanish, African-American and Caucasian listeners. Artists like Joe Cuba, Johnny Zamot, Pete Rodriguez and Louie Ramierez were responsible for some of the more stand out recordings, and the labels Fania, Cotique, Alegre and Tico were recognizable brands that churned out truckloads of incredible records. By the 1970s though, salsa music took a foothold in the burgeoning Latin market and boogaloo slipped out of popularity.

Monguito Sanatamaria LP Hey Sister

Monguito Sanatamaria LP

Fast forward to the turn of this century.  The demand for original boogaloo recordings has skyrocketed due in part to trendsetting DJs throwing exclusive boogaloo dance nights. Boogaloo is the type of music that forces anybody with the slightest hint of rhythm to feel the beat flowing through their veins. It’s a virus that spreads like wildfire over a dance floor as soon as the needle is dropped. Luckily, the latin boogaloo trend is a tad easier on the wallet for new collectors to discover amazing artists but, of course, there are obscure recordings that keep the market desirable for dealers and lucrative for emerging DJs trying to play the hottest, most unknown holy grails.

STILL GETTING YOUR FEET WET IN THE VINYL POOL?

Due to vinyl’s resurgence in the music buying public, hordes of new enthusiasts starting record collections for the first time are being welcomed into the circle. Before jumping into the heavy hitters like the northern soul genre or original Lexington Blue Notes, the new buyer needs foundational albums to take root. Talking Heads 77, Thelonious Monk Criss-Cross, The Doors Waiting For The Sun, The Beatles White Album, Marvin Gaye What’s Goin On and all of those hundreds, if not thousands, of timeless discs are in demand like never before. As  new collectors join the club, it will be interesting to see what vinyl-buying trends arise from all these fresh perspectives.

Have an insatiable appetite to dig deeper? Mid-to-late 1970s obscure disco, Cumbia, Afro-beat and private homemade pressings of all genres are a few other high-priced trends cooking on the burner.  But if you happen to find that holy grail collection of original 1960s and 1970s Nigerian Afro-Beat recordings, please give me a call.

Keep Digging!
-Gregorious-

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MARKETPLACE NEWS: FEATURED GIG – THE NEW ENGLAND AMERICANA FESTIVAL

The OurStage Marketplace connects artists looking for gigs with venues looking for new talent. With over 100,000 artists and amazing opportunities around both the USA and the world, the OurStage Marketplace is the place to be for up-and-coming artists and the venues looking to book them!

Play the New England Americana Festival with Boston Americana favorites Three Day Threshold

Play the New England Americana Festival with Boston Americana favorites Three Day Threshold

This week, we’re spotlighting a great new opportunity in the OurStage Marketplace. The organizers of the New England Americana Festival need talent to fill out the festival’s roster and are looking right here on OurStage. The New England Americana Festival celebrates the long tradition of deep-rooted American folk music. This February, the festival will be take place over three nights at Church in Boston. The festival is looking for 4 to 7 more acts to join The Bean Pickers Union, The Rationales, Bryan Pero and the Tired Horses, The Bees Knees, Golden West Motor Lodge, Odessa Rose, Dave Sammarco Band, The Kingsley Flood, Three Day Threshold and OurStage artists The Autumn Hollow Band. Artists don’t have to be located in New England to apply, but those who can draw in Boston will be given preference. If you play Folk, Americana, Traditional Country, Alt Country, Blues, Rock, Southern Rock or any other roots-influenced music, head on over to the OurStage Marketplace and submit your EPK for this gig!

Submit your EPK to the New England Americana Festival gig, click HERE.

For more info about the OurStage Marketplace, check out the Marketplace FAQ section.

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HOW TO WORK WITH A PRODUCER

Ourstage How to Work with a Producer
Now that you’ve written all the material for your new album, the hard part’s over, right? Eh, maybe not. The recording process can be a long, strange trip, but the best way to avoid speed bumps along the way is to lock in with the right producer at the start. You’ll want one who’s intuitively able to understand what you mean when you say, “I’d like the vocals to sound like a really rusty robot crying through a megaphone.” One who can pull your best performance out of you without alienating you in the process. One who partners with you and commits to your vision as if it were his or her own. Here are some tips to help you find “the one” and optimize the production experience:

•   Make sure he/she is the right fit. Love the new Adam Lambert or Jay-Z record? Research the producer. Familiarize yourself with that producer’s previous work and decide if it’s the right production style for you.

•    Get a sense of commitment from him/her. How much studio time can you expect on a weekly basis? What will the turnaround time be like for mixing? If you’ve got an album release deadline, you’ll want these questions answered before you partner with that producer.

•    Schedule plenty of time for pre-production. Pre-production will help ensure you’re on the same page with the producer. That includes familiarizing him/her with your songs, going over arrangements and production ideas, and introducing him/her to records with production that you admire.

•    Know when to let go of your own judgments and trust their vision. As much as you may want to micromanage the process, it’s important to give your producer some breathing room. Suspension of disbelief on your part may lead to some really great ideas that will strengthen your record. Sometimes it takes a village.

•    Know when to fight for your own vision. At the end of the day, this is something you have to sign your name to. So it’s critical that the work on your record really represent you as an artist. If the producer is leading you down a path that doesn’t feel true to you, then it’s your responsibility to speak up.

•   Check your ego at the door. If your producer comments how the transition between the chorus and the bridge is a little bumpy, and your response is to throw your guitar at the wall and scream, “I hate you!” then you’re doing a real disservice to your record and to yourself. Don’t take critiques personally. Remember, you’re a team working towards a common goal; world domination. So lose the ‘tude, dude.

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