Amazon has announced a new service that grants users free MP3 downloads with any eligible CD that they purchase from the website. Once consumers have purchased an album that is eligible for the new AutoRip service, Amazon grants them access to an automatic digital version in Amazon’s Cloud Player that is playable from mobile devices. AutoRip will also allow users to access MP3 versions of albums bought off of Amazon since 1998 if they contain AutoRip-eligible songs. At this moment, about 50,000 songs are eligible for the AutoRip service, with more expected to be added. While AutoRip is currently only available in the United States, Amazon does plan to expand the service internationally throughout 2013.
In the past few years, most new vinyl releases have come with digital download cards as well, but the same service has been slow to take hold with CDs, as their already digital-friendly format seems to preclude the need for a corresponding digital download. With AutoRip, though, Amazon circumvents the entire ripping and syncing process, and allows users instant access from all devices. Sweet.
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Every denizen of the Internet is well aware of ubiquitous domains like .com, .org, and .net. These are unrestricted generic top-level domains, or gTLDs, acting as a general organization system, by content, for every site on the Internet. Outside of these domains there are also a number of more specialized set of domains. These sponsored top level domains, or sTLDs”with extensions like .travel, .asia, .cat (not about pictures of cats), and yes, .xxx”are assigned by Internet Corporation for Assigned Names and Numbers (ICANN) through their subsidiary, the Internet Assigned Numbers Authority (IANA). Only certain cites can apply for and receive these requested domains. For example, you can’t have a social network with the .asia domain unless the website is catering directly to an Asian audience. The question is why should this matter to you?
Occasionally, there will be calls to develop and provide new domains. Arguments can be made that the lack of usable domains across the net can stifle web creation. More domains should, conceivably, be a boon to websites looking to capitalize and appeal to a specific, niche audience.
Recently, the IANA has been mulling over the idea of releasing a new set of domains. During a four month period, various organizations could apply for a TLD at the low, low price of $185,000 per domain application. In late June, the IANA released a complete list of the proposed domain names along with the associated companies that are trying to get a hold of them. The list revealed, more than anything else, the companies that are trying to plant a digital flag in uncharted Internet territory.
Outraged by the extravagant cost of their new 15 disc box set, Motí¶rhead has told their fans not to waste their money on the overpriced trinket. At $600, the box set’s coffin-like case houses each disc with a Motí¶rhead skull emblem fastened to its lid. Open it up and you’ll find several singles and eight earlier albums, from their self-titled to No Remorse. In addition, the package contains some posters and a photo book.
According to CNN, frontman Lemmy Kilmister stated, “Unfortunately greed once again rears its yapping head… I would advise against it even for the most rabid completists!”
The band claims, “Motí¶rhead has no control over what’s done with these early songs, and don’t want fans to think that the band is involved in putting out such a costly box set.”
If you’re simply too much of die-hard fanatic, the group recently put out a new (reasonably priced) album and DVD titled “The Wí¶rld Is Yours” and “The Wí¶rld Is Ours – Vol 1 – Everywhere Further Than Everyplace Else” late last year.
Click here to see images of the box set and its outrageous $644 price tag on Amazon.
Illegal downloads are bad for music. Blah, blah, blah. Yadda yadda yadda. Like we haven’t heard that one before. You know what we haven’t heard before? That illegal downloads haven’t hurt music sales. Well, at least the claim that they haven’t hurt music sales all that much. This is the assertion being made in a new report from the London School of Economics.
According to the report, file sharing is not the enemy but the future of the music business. And illegal downloads are not the principal cause in the drop off of physical music sales. Rather, it’s a combination of factors such as changing patterns in music consumption, decreasing disposable household incomes for leisure products and increasing sales of digital content through online platforms. Read the whole thing if you have a minute and you have a craving for wordy dissertations on the ins and outs of digital downloads.
But wait, doesn’t this contradict everything we’ve heard about the evils of file sharing? How can the major labels, the RIAA and Metallica all be wrong? The report has come out while another file sharing storm has been brewing. But this time it’s not the anonymous hordes on the peer-to-peers fighting the established fat cat labels; this time it’s a white collar boardroom brawl.
Last month Amazon launched their Cloud Drive service which acts as a mobile, digital locker. Users can store up to 5 Gigs of media for free and can then access the files from any web connected device. Sounds great, right? Well, nearly every other player with some involvement in entertainment business, especially the music biz, are feeling, well, played.
Labels are especially upset as they argue that Amazon doesn’t have the licensing rights to offer streaming music to customers, only to sell digital downloads. Amazon, naturally, thinks otherwise, likening their service to the also free Google Docs in terms of accessible storage for subscribers of the service. Not only that, but Amazon also claims that the service has already boosted music sales on the site. Amazon wasn’t able to back up the claim with hard numbers, though.
Cloud computing. Is it really the wave of the future or is it a trendy buzz word”a piece of fodder for the hype machine? Some might be a little unsure of the benefits of heading “to the cloud” but that doesn’t change that everyone’s trying to get in on the ground floor. How does this affect music? Well, everyone’s trying to sell music too. Or if not sell it, at least offer it to people. Sony just launched their Music Unlimited service for PSP users, allowing users to stream music to the hand-held console for $3.99 a month. Industry titans like Google and Apple also have cloud-based services similar to Amazon’s Cloud Drive in the works and iTunes users can already stream their music to other devices… if they’re recent generation Apple Products.
All signs point to file sharing as the digital wave of the future. Analog will always carry a charm, a certain nostalgia. But come on. Getting your files anywhere on nearly any device as part of a freemium or nearly free service? I mean, what beats that?!
That said, the labels have a valid argument in all this. While the reasons for the drop in sales are and forever will be in dispute, facts are facts. Sales of music are down, overall. Labels are going to fight tooth and nail for every available dollar and they have a valid concern if they’re not going to get licensing dollars for streaming music. Amazon is just the first to really dip their toes into the water. If they don’t need to pay the labels to store and stream the music, as they claim, then that would open up the floodgates for numerous copycat competitors. The National Music Publishers Association brought a concern for a more sympathetic group with a stake in all this: the songwriters. One of the main issues is the filtering of content and lack thereof. What’s to stop a user from illegally downloadingmusic and then uploading it to the Cloud Drive service? As of this moment, it appears that there isn’t.
Amazon and representatives from labels met last week to further discuss what the terms of the service to further work out the kinks. While Amazon does acknowledge that there might be future functionality to be added to their Cloud Drive, they’ve made it known that they’re not interested in paying anything extra to stream music to their users. Still, the future of cloud computing looks bright, ironically enough.
Nothing is more frustrating than downloading a song on your phone and having it stranded there, except for maybe losing your hard drive and saying goodbye to your long-coveted music library. Apple, Google and Amazon have been working on solutions to these problems and more in the form of cloud-based music services. Google and Apple have been hung up on some minor details, called music licenses, but Amazon decided to bypass all of that nonsense and released their service last Tuesday.
The industry implications of Amazon’s Cloud Player are huge. If they manage to evade a lawsuit, or if the courts decide that what they’re doing is legal, it can set a precedent for all future cloud-based services. Music piracy has been on the decline since LimeWire closed up shop in October, but Cloud Player has the potential to turn that around pretty quickly. On top of that, it would give Amazon a big leg up on Google and Apple who have yet to finalize their services. If you ask us, though, a lawsuit against Amazon is all but inevitable.
Winter is a good time for recording. Tours slow down, the weather is a drag and despite the dreary landscapes, it seems the creative juices flow so come spring we’re presented with more new releases than our iPods can stand”just in time for summer touring season. Okay so maybe there is a method to the cycle, but come February we get a renewed sense of excitement all the same. Recently we’ve been putting out a call on Twitter and Facebook asking which OurStage artists have new material in the works or recently hitting the shelves. In addition to some great responses, we’ve also been doing a little digging ourselves, and have come up with a great list of EPs, LPs and singles that are either available now or will be in the near future.
So read on to check out the latest from your OurStage favs. Did we miss you? First of all shame on you for not @replying us on Twitter. We forgive you, though, and you can always email us at email@example.com with your news. Add us to your mailing lists, we’d love to hear from you!
Daphne Willis – This songstress is no stranger to the OurStage charts, and has the achievements to prove it, including a 6 week stint at Number 1 on the Best of Pop chart. We’re sure her new LP Because I Can”an album swirling with inventive melodies carrying straight-to-the-heart lyrics”will provide even more badges. Leading up to Because I Can‘s release, 3 Digital 45s will be released in advance of the full-length record. The second of the 3 “Do What You Want” dropped this past Tuesday and can be found on Daphne’s Web site as well as the option to pre-order the album.
Daphne Willis – Because I Can, April 19, www.daphnewillis.com
Bronze Radio Return – You may remember this fok-rock group’s unique moniker from the John Mayer Side Stage Warfare Competition when they won the coveted side stage performance in Massachusetts (which you can watch a video of here). When an advance copy of their new album SHAKE! SHAKE! SHAKE! showed up in our inbox one morning we spent the rest of the day dance dance dancing in our chairs. Don’t believe us? Grab an EXCLUSIVE free download of the release’s title track “Shake Shake Shake” on the OurStage Facebook tab for Editor Picks. Don’t want to wait until March? Head over to BRR’s Web site, where pre-order for the album began Feb. 1.
Tamppa – There’s no doubt about it, Brooklyn-based rapper Tamppa has skills. He also hustles, and has won a mentoring session with Columbia Records, editorial feature on Vibe.com as well as other various hip hop accolades here on OurStage, and has even shouted us out in his submission to be included in an upcoming T Pain mixtape. So we weren’t surprised when he dropped us a line to tell us about his HUNGERPAIN vol. 1 mixtape coming up, which is hosted by Sha Stimuli & Dj Young Cee of shady/Gunit. He’s got more friends on there than we can name, but you can pick it up for free when its released mid February on a variety of sites.
A’tris – OurStage resident rockers A’tris have been a constant fixture on the OS charts since debuting in the Music Video Channel in 2008. Since then they’ve gained recognition in genres across the board, including alternative, electronic, electro-pop and rock, in addition to going strong with videos. Suffice it to say they’ve got a ton of material, so their plan for putting out a new demo every week in 2011 seems totally appropriate. The band is asking for fans feedback on each track and will eventually use all that input to put together their new album. You can read blog posts and descriptions of the demos when they’re released each week right on A’tris’ Web site.
A’tris – One Demo Released Every Week of 2011 – www.atrishq.com
Wes Kirkpatrick – Another OurStage favorite, Wes has dazzled fans with his songwriting abilities for years, graced the OurStage magazine more than once, opened for HANSON after winning the Shout It Out With HANSON Competition and supported acts like Blues Traveler, State Radio and Stephen Kellogg and the Sixers. Get a sneak peak of Wes’ upcoming release Naps & Nightmares by listening to a new track of the album “Where You Are” on his Web site.
Wes Kirkpatrick – Naps & Nightmares – March 1 – www.weskirkpatrick.com
Stacy Clark – OurStage has been a long time supporter of this Southern California singer, and is even quoted in her release promoing her upcoming album Connect The Dots. While the album is available for download on iTunes now, Connect The Dots official worldwide release is scheduled for Feb 15. The do-gooder has also made one of the tracks, “Not Enough” available for free download in conjunction with To Write Love On Her Arms, to which a donation will be made for every download.
Check out these other releases from OurStage artists