Jesse Terry is a man on the move. In the past couple of years, after extensive touring in the U.S., he’s made a few surgical strikes overseas, bringing his intimate style of Americana to the UK, eastern Europe, and New Zealand. Now he has set his sights on Italy and will play seven dates across the country starting April 10th (plus a quick stopover in Switzerland, where he will play a return gig at Basel). See the dates below.
And just this week, Terry announced the big news that he’s been added to the Club Stage at the Bonnaroo Festival, which takes place in Manchester, TN, in June. Check here for all the upcoming dates, including a U.S. tour this spring with Rebecca Loebe.
We love it when our friends become successful. Bronze Radio Return have been building their career for years and are finally poised to break big. Last week, they headed down to Tennessee to play the Bonnaroo festival. That was impressive enough, and then there they were today, smiling at us from the Rolling Stone live and backstage photo gallery. Hello gents, and well done.
The lineup for the 2014 Bonnaroo Club Stage has been announced and it looks like a pretty stellar bill. Our very own friends Bronze Radio Return will be there, which alone should be enough to steer you away from the main stage for a bit. But add to that a number of emerging favorites, including Skinny Lister, who dropped by our studios last year for an exclusive session, and our hometown heroes Speedy Ortiz and, well, you might do well to consider how you’re going to divide your time, festival-goer.
Today the organizers behind Bonnaroo 2013 decided to try something new with their announcement, and opted to stream a live lineup event hosted by Weird Al (seriously). When all was said and done, dozens of notable acts had been named for the festival, including a headline performance from Sir Paul McCartney. The full lineup as it currently stands can be viewed below: (more…)
This week’s SoundTrax is hereby dedicated to all the awesome music festivals this summer. Whether you’ve been to every festival this year, or if you’ve missed them all completely, we’re offering a recap of this season’s standouts and giving you a taste of what’s still to come. Enjoy some of your favorite music from Bonnaroo, Lollapalooza, Firefly, Kahbang, and many more.
Bad Rabbits get things going with their indie pop number, “Neverland,” followed by tracks from Late Cambrian, Passion Pit, and The Dirty Guv’nahs. Later we hear “Be Mine” from The Alabama Shakes, “Lights Please” from J Cole, and “The Zephyr Song” by The Red Hot Chili Peppers. Also in the mix are The Gaslight Anthem, Young The Giant, and many, many more. Enjoy the festivities!
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If you’re a music lover of a certain age, too young to remember when contemporary R&B wasn’t joined at the hips with rap, or didn’t come dressed up in a shimmering electro-pop sheen, we’ll forgive you for asking.
Now let the history lesson begin! Flashback to 1995, back when 21-year-old D’Angelo (born Michael Eugene Archer) was quickly becoming one of the hottest things in music. Released that year, his debut album, Brown Sugar, helped usher in the era of neo soul, and with Voodoo, his long-delayed 2000 sophomore album, for whose “Untitled (How Does It Feel)” video he bared both body and soul (literally!), he became an R&B rarity: a sex symbol capable of seducing both fans and critics with his bulging talent.
The only way was up, it seemed. But instead of ascending, D’Angelo dropped out. In some ways, it wasn’t so surprising. When I met D’Angelo in the mid-˜90s before a taping of MTV Unplugged, I was immediately disarmed by his cheerful but low-key and unassuming manner. He easily could have passed as any guy in the audience who’d wandered into the performer’s circle by mistake”and I mean that as a compliment. Modesty in a hunky package, D’Angelo, unlike the egocentric superstars crowding the charts today, clearly wasn’t in it for the star trip. Whether sitting at the piano or plucking a guitar, he was playing for love of the game, not the “F.A.M.E.” and “Fortune” (to quote the crass titles of the two most recent albums by Chris Brown, D’Angelo’s modern-day antithesis).
After taking five years to release his sophomore effort, D’Angelo spent the next decade well outside of the spotlight, only making occasional scattered appearances on leaked songs and other people’s records (including Mark Ronson’s Record Collection). And like so many musical geniuses before and after, he was plagued by demons, which may or may not have shaken up his turbulent romance with fellow singer Angie Stone, the mother of his teenage son Michael, and which definitely led to several legal scrapes, including a 2005 arrest for drunk driving and drug possession, and another in 2010 for soliciting a female undercover police officer for sex in New York City. (more…)