Jesse Terry is a man on the move. In the past couple of years, after extensive touring in the U.S., he’s made a few surgical strikes overseas, bringing his intimate style of Americana to the UK, eastern Europe, and New Zealand. Now he has set his sights on Italy and will play seven dates across the country starting April 10th (plus a quick stopover in Switzerland, where he will play a return gig at Basel). See the dates below.
And just this week, Terry announced the big news that he’s been added to the Club Stage at the Bonnaroo Festival, which takes place in Manchester, TN, in June. Check here for all the upcoming dates, including a U.S. tour this spring with Rebecca Loebe.
We love it when our friends become successful. Bronze Radio Return have been building their career for years and are finally poised to break big. Last week, they headed down to Tennessee to play the Bonnaroo festival. That was impressive enough, and then there they were today, smiling at us from the Rolling Stone live and backstage photo gallery. Hello gents, and well done.
The lineup for the 2014 Bonnaroo Club Stage has been announced and it looks like a pretty stellar bill. Our very own friends Bronze Radio Return will be there, which alone should be enough to steer you away from the main stage for a bit. But add to that a number of emerging favorites, including Skinny Lister, who dropped by our studios last year for an exclusive session, and our hometown heroes Speedy Ortiz and, well, you might do well to consider how you’re going to divide your time, festival-goer.
Today the organizers behind Bonnaroo 2013 decided to try something new with their announcement, and opted to stream a live lineup event hosted by Weird Al (seriously). When all was said and done, dozens of notable acts had been named for the festival, including a headline performance from Sir Paul McCartney. The full lineup as it currently stands can be viewed below: (more…)
This week’s SoundTrax is hereby dedicated to all the awesome music festivals this summer. Whether you’ve been to every festival this year, or if you’ve missed them all completely, we’re offering a recap of this season’s standouts and giving you a taste of what’s still to come. Enjoy some of your favorite music from Bonnaroo, Lollapalooza, Firefly, Kahbang, and many more.
Bad Rabbits get things going with their indie pop number, “Neverland,” followed by tracks from Late Cambrian, Passion Pit, and The Dirty Guv’nahs. Later we hear “Be Mine” from The Alabama Shakes, “Lights Please” from J Cole, and “The Zephyr Song” by The Red Hot Chili Peppers. Also in the mix are The Gaslight Anthem, Young The Giant, and many, many more. Enjoy the festivities!
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If you’re a music lover of a certain age, too young to remember when contemporary R&B wasn’t joined at the hips with rap, or didn’t come dressed up in a shimmering electro-pop sheen, we’ll forgive you for asking.
Now let the history lesson begin! Flashback to 1995, back when 21-year-old D’Angelo (born Michael Eugene Archer) was quickly becoming one of the hottest things in music. Released that year, his debut album, Brown Sugar, helped usher in the era of neo soul, and with Voodoo, his long-delayed 2000 sophomore album, for whose “Untitled (How Does It Feel)” video he bared both body and soul (literally!), he became an R&B rarity: a sex symbol capable of seducing both fans and critics with his bulging talent.
The only way was up, it seemed. But instead of ascending, D’Angelo dropped out. In some ways, it wasn’t so surprising. When I met D’Angelo in the mid-˜90s before a taping of MTV Unplugged, I was immediately disarmed by his cheerful but low-key and unassuming manner. He easily could have passed as any guy in the audience who’d wandered into the performer’s circle by mistake”and I mean that as a compliment. Modesty in a hunky package, D’Angelo, unlike the egocentric superstars crowding the charts today, clearly wasn’t in it for the star trip. Whether sitting at the piano or plucking a guitar, he was playing for love of the game, not the “F.A.M.E.” and “Fortune” (to quote the crass titles of the two most recent albums by Chris Brown, D’Angelo’s modern-day antithesis).
After taking five years to release his sophomore effort, D’Angelo spent the next decade well outside of the spotlight, only making occasional scattered appearances on leaked songs and other people’s records (including Mark Ronson’s Record Collection). And like so many musical geniuses before and after, he was plagued by demons, which may or may not have shaken up his turbulent romance with fellow singer Angie Stone, the mother of his teenage son Michael, and which definitely led to several legal scrapes, including a 2005 arrest for drunk driving and drug possession, and another in 2010 for soliciting a female undercover police officer for sex in New York City. (more…)
Radiohead is adding several more gigs to their already humongous world tour in support of their album The King of Limbs. Though the band is currently on tour, they’re still continuing to book shows for the rest of the world. Recently, they’ve added six more shows to the tour that will continue throughout nearly all of 2012. These performances will be down under in Australia and New Zealand, starting at Auckland’s Vector Arena and ending with two shows at Melbourne’s Rod Laver Arena. Clearly, success does not rest.
For those merely interested in American tour dates, Radiohead will be playing the Coachella Festival in Indio, CA on April 14th and 21st. They will also play a set at the legendary Bonnaroo Music & Arts Festival on June 8th in Manchester, Tennessee. Unfortunately, Coachella is sold out, but you can still snag a ticket to see Radiohead rock Bonnaroo.
Click here to see a full list of upcoming Radiohead tour dates.
You may know Donald Glover from NBC’s comedy Community, where the Georgia native plays college student Troy Barnes. Last week Live Wired got to experience this actor’s musical side. Glover is currently on tour with his rap side project Childish Gambino in anticipation of his full-length album Camp, which comes out on November 15th. The writer, actor, comedian and rapper has been all over the place in the past year: from hosting the MTVU Woodie Awards to playing at Bonnaroo. This time around, he’s touring the country and selling out venues like House of Blues.
The crowd went wild from the second Donald Glover came on the stage and everyone was at full energy for the rest of the show even though the performance was simple. There was a live band and a small movie screen for graphics, but there was nothing extravagant. Honestly, not much else was needed because his stage presence is so big that he brings enough intensity to his performances. Having seen Glover do stand-up comedy in the past, it was fascinating to see the difference in he acts on stage when it comes music. There’s no doubt that, as hilarious as he is, he’s in the process of getting huge with his music.
He chose to perform one of his most popular songs towards the beginning of the set: “Freaks and Geeks”. The track, from an EP he released earlier this year, has a memorable beat and witty lyrics that gave the audience the chance to rap along with him. The crowd also got a kick out of Childish Gambino sampling John Legend’s cover of Adele’s “Rolling In The Deep”, as it turned into a giant sing-along followed by Glover rapping his own verse. We were also treated to some new Childish Gambino material which was exciting for fans who have been anticipating the new album. “You See Me” is incredibly catchy”the always-clever lyrics were displayed on the screen on stage so everyone could join in by the end. On the other hand, most of the crowd already knew “Bonfire”, the first single from the album and the best performance of the night.
Wanna see what you missed? Check out Glover’s free-styling talents over Meek Mill’s ‘Ima Boss” after the jump!
Friday held performances from Grace Potter and the Nocturnals, Matt & Kim, Atmosphere, Ray LaMontagne and Florence and the Machine. Despite the temperatures peaking the mid-90’s, My Morning Jacket‘s frontman Jim James took the stage for their 8:00 PM set wearing a black coat and giant pair of white fake-fur boots, topped off with a red and white scarf. The Louisville rock band has had some legendary moments at Bonnaroo over the years, like the apocalyptic storm set in 2004 and a three-hour marathon of a show late-night in 2008. MMJ filled their first big stage set with a range of epic rock jams and mellower, down south tunes. Cellist Ben Sollee joined for “Smokin From Shootin” and the band expressed their appreciation, saying ” We’ve had our minds blown so many times at this festival, “and it’s an honor to be with you tonight.”
Headliners Arcade Fire continued their homage to suburban slums with a stage set up mirroring a drive-in theater, complete with previews (the trailer of 1979 teen-exploitation flick Over the Edge). The crowd danced to all the hits, including “We Used to Wait”, “Ready to Start”, “Month of May” and “All Cars Go”. After the phenomenal balloon drop at Coachella during their encore of “Wake Up”, the anticipation for something spectacular was thick. They gave “Wake Up” a break, introducing it into the encore as having been “written for rooms of twenty people”. While the party tricks were kept to a minimum, the ninety minute set was closed with “Sprawl II,” one of The Suburbs grooviest tracks, made for open air.
At 1:30 AM it was time to get gangster with a zebra pants and backpack clad Lil Wayne, who thanked fans for sticking by him. What started strong got a little weird in the middle when the set slowed down in order to plug some friends o’ Weezy. Still, I have never seen to many white kids get down, so a good time was had by all.
An hour later, Centerroo was just as packed as it had been at 6:00 PM, and people buzzed from tent to tent checking out LATE late night sets courtesy of Pretty Lights (“awesome”) Ratatat (“too crowded”) and Shpongle, a light show extravaganza who’s name had been on everyone’s tongue (presumably because of the name) but no one seemed to know anything about.
Saturday started out with some attitude as we went to cheer on OurStage artist Lelia Broussard as she competed for the cover of Rolling Stone. Decked out in face paint, she rocked songs about hipster bitches and sad robots to a slew of fans who showed their support with their own face paint.
Chiddy Bang took the stage just as the sun really started beating down. The Guinness World Record holders (for longest freestyle rap”over nine hours!) took freestyle suggestions from the audience and closed with the anthemic “Opposite of Adults”. Alison Krauss‘ soothing voice brought some relief to a crowd relaxing on the lawn in the afternoon. Together with her bluegrass band Union Station, she lulled fans with songs Restless and Miles to Go, off the band’s 2011 Paper Airplane.
Portugal, the Man, Amos Lee and Wiz Khalifa brought the hip quotient to the afternoon, with one Wiz goer overheard saying that it was the best set so far. Current girlfriend(and Kanye ex) Amber Rose looked on from the side of the stage as he performed tracks like “B.A.R.,” “Cabin Fever,” “The Race,” “Wake Up,” “In the Cut,” with eyes past the point of glassy.
Mumford and Sons stole the show Saturday afternoon, making the leap from afternoon tent to evening stage since last year. There are so many more of you than there were last year keyboardist Ben Lovett told the swelling crowd, which included Ron Jeremy, Zach Braff and American Idol cast-off David Archuletta”a very real truth when taking into account the fifty or so fans in attendance just last summer. Mumford performed all the hits off 2009’s triumphant Sigh No More, but also introduced three new songs inspired in part by Tennessee itself, and promised their new album would be done by year’s end. Joined by members of Old Crow Medicine Show (who Mumford joined onstage for their finale hours earlier) Harris and Jerry Douglas, the group encored with “Amazing Grace”. The stage resembled a back yard hill billy party as the Sons belted out all too relevant lyrics about being “found”.
Tens of thousands of fans packed into the main stage for what would turn into one of the most memorable performances of the weekend. While The Black Keys put on a set comprised mostly of last year’s breakout Brothers, Daniel Kolitz (Prefix magazine) remarked “Bonnaroo could have easily been 1968: their proudly analog jams make almost no concessions to the last thirty years of music. Described as “super sized and stunning” it was the perfect music to watch the sun set to.
Eminem took the stage for his first performance of the year in support of Recovery, but catered to his fans by playing tons of hits from years past including “Stan” and “The Real Slim Shady”. His performance was purely triumphant, pounding energy into the stage with determination and grit, proving that he does in fact have the steel to perform in a festival setting. Encoring with the mega hit “Lose Yourself”, Em humbly thanked his fans before walking off. Everybody here tonight, he said, I just wanna say thank you for sticking by me and not giving up on me.
Late night dancing entertainment was provided by New York rockers Scissor Sisters, jam staples String Cheese Incident, DJ Girl Talk and traveling gypsies Gogol Bordello. Fans poured themselves into their tents well after the sun came up.
By Sunday the sheer exhaustion and reality of returning to real life set in. It was a day for chilling out with acts like Iron and Wine and Gregg Allman. Cold War Kids took the stage at 5:00 PM and those thousands that were lucky enough to make it under the tent welcomed both the shade and a set list made up of the very best CWK has to offer including oldies “We Used To Vacation” and “Hospital Beds” and tracks “Royal Blue” “Louder Than Ever” and “Skip The Charade” off their latest Mine Is Yours . The LA rockers closed the set with a moving cover of CCR’s “Long As I Can See The Light”, then finished it all over with a very fitting “Goodnight Tennessee” and “St. John”.
Robert Plant & Band of Joy provided the soundtrack to Sunday’s sunset as fans milled about on the lawn of the main stage sipping lemonades and swaying to a folksy cover of Led Zeppelin‘s “Black Dog”. Patty Griffin sang some perfect harmonies to Plant as they got in touch with their Americana roots. “Aside from two of us, we’re all from 40 miles of here, so [Bonnaroo’s] an easy gig really.”
The Strokes simply dominated Sunday with a stripped-back set. While this is not the band to personalize individual performances, the setting at Bonnaroo did provide a few moments that will be hard pressed to be recreated”such as Julian Casablancas wailing into the mic fully clad in black leather despite the 90 degree weather, Albert Hammond Jr.’s haircut, and new material Under Cover of Darkness and Taken for a Fool”. Classics like Last Nite, Reptilia, Hard to Explain and Take It or Leave It stayed faithful to their original studio cuts and were sang at full throttle by an audience thousands deep.
By Sunday evening we guessed that almost half of the 85+ thousand people had already departed. Eminem had brought a younger crowd to Bonnaroo this year, fans that may not have been so familiar with or interested in the festival’s tradition of closing with a jam band”this year being Widespread Panic. Those brave souls remaining took opportunity to relax during the last of the weekend’s live music and wander back to camp at a reasonably normal hour. Til next time….