Tag Archive for 'Brad Paisley'

COUNTRY CALL ‘EM: 2009 CMA AWARDS PICKS

OSBlog02_CCE_MASTERThis year, on November 11, the Country Music Association will present the best of the best of 2009  at their annual awards show. At their 43rd show, the nominees are unprecedented in talent, presence and success. With 11 different categories, and nearly 20 performances, its safe to say this year will be unmatched in star power. Narrowing down an entire year’s worth of country to just 5 nominees in each category seems difficult, so picking just 1winner from the cream of the crop is nearly an impossible task. The challenge will be daunting, but I hope I’ll do the Association proud with my picks for Best New Artist, Album of the Year and the coveted Entertainer of the Year awards.

He's definitely my favorite new artist

He's definitely my favorite new artist

It’s exciting to imagine what a few more years of experience can do for raw talent. And in the case of the CMA Awards, winning Best New Artist is as good as a one-way ticket to superstardom. Previously known as the Horizon Award, winners in the past include Taylor Swift, Rascal Flatts and Carrie Underwood. And, like most years, the 2009 nominees pack some stiff competition. Randy Houser, Jamey Johnson, Jake Owen, Darius Rucker and The Zac Brown Band comprise this year’s nominees, and to be honest, any one of these nominees could take home the prize. However, with his first 3 country singles reaching Number 1, it seems that Darius Rucker walking away with Best New Artist is a no brainer. Not only has Darius taken a huge risk in crossing over from pop-rock band Hootie and the Blowfish to a solo country career, but he also took a gamble in entering a genre that has not had an African American success story since Charley Pride in the 80s. Darius isn’t just a shoe-in for Best New Artist against rookies in the business, he has also been nominated for Male Vocalist of the Year against heavy hitter veterans like Kenny Chesney and George Strait.

Album of the Year is always a sticky category to predict. You must take record sales, critical reviews,and even overall content and message into consideration. Each nominee for 2009’s Album of the Year has something to offer.

Album of the Year

Album of the Year

Jamey Johnson’s That Lonesome Song and Sugarland’s Love on the Inside are both winners in lyrical content and variety of songs; Defying Gravity from Keith Urban had successful sales, and numerous Top 10 hits. However, it is a close call between Brad Paisley’s American Saturday Night and Taylor Swift’s Fearless. Both have received rave reviews from critics, and done amazingly well in a dying market of buying full albums. Paisley has taken a big departure from his usual superficial, often comical approach to songwriting in this album, and Swift has been acclaimed as one of the best songwriters Nashville has seen in decades. The difference, however, is the unexpected and unprecedented success of Swift over the last year. Her Fearless album was the biggest selling CD in any genre for the entire year, and, coupled with its record breaking digital downloads, it seems as though Album of the Year is in the bag for 19-year-old Swift. Swift has exposed country music to an entire new audience through this album in a way no other artist has been able to achieve before.

King of Entertainment

King of Entertainment

Entertainer of the Year has been a hot topic in Nashville recently. In the years past, Kenny Chesney was the man to beat. But, after the Academy of Country Music dethroned him this year in favor of Carrie Underwood, his hold on the title seemed questionable. However, I stand by Kenny’s star power, and am giving my Entertainer of the Year pick to Mr. Chesney. Other nominees include Brad Paisley, George Strait, Keith Urban and Taylor Swift. While all are undeniably the best musicians on country radio, I can’t help but firmly believe in Kenny’s entertainment value. His summer concert series sell out entire football stadiums, the tickets sell out within minutes. Year after year, Kenny delivers the concert of the year, and he did not let fans down in 2009. Yes, the other nominees produce platinum selling albums, sing Number 1 singles and lead gaggles of loyal fans, but Kenny adds something they can’t: his best-selling, stadium rocking, impossible to forget concerts. And because of this undeniable fact, it seems improbable that anyone else will be stealing his crown as King of Country Entertainment.

November 11 will be a day celebrate country royalty, and I for sure will be a loyal subject tuning in. It is certain to be a night full of great music, great people and great work being rewarded.

Do you agree with BethanyS and her picks for the CMA Awards? Let us know!

COUNTRY CALL ‘EM: TWO IS BETTER THAN ONE

OSBlog02_CCE_MASTER
Sharing the spotlight is something very few superstars are willing to do. Unless of course, you’re a country singer gearing up for an unforgettable duet. In an industry that celebrates teamwork with awards like “Musical Event of the Year,” “Duo of the Year” and “Group of the Year,” synergy is an art form that always succeeds in the ears of country fans.

The duo singing in the video

The duo singing in the video

In what I see as the pinnacle of duet dynamite, we have Brad Paisley and Alison Krauss’s “Whiskey Lullaby”. The combination of Krauss’s soft, melodic voice with Paisley’s sharp but complementary vocals made this duet memorable long after its 2004 release. Whether it was the blend of two finely tuned voices, or the devastating lyrics that could draw a tear from the toughest cowboy, this song rose all the way to Number 3 on the Billboard Hot Country Singles chart, and won CMA awards for “Musical Event of the Year” and “Best Music Video.”  Krauss, who is often credited as the accompanying pipes on many a’ country duet (like “When You Say Nothing At All”, a duet that emerged after layering her solo version with that of the original singer, Keith Whitley), truly has the voice of an angel, able to capture emotion and beauty with as single note. Alison released a compilation CD of both her most successful solo performances, and the plethora of duets she has contributed to, called A Hundred Miles or More: A Collection. Paisley is no stranger to stellar duets either. Brad  worked with icon Dolly Parton on  “When I Get Where I’m Going”, a song about what they each hope happens when they reach the afterlife. Most recently, Brad earned another CMA nomination for “Musical Event of the Year” for his 2009 duet “Start a Band” with country rocker Keith Urban. It seems whatever song either one of these Nashville hit-makers touchs is sure to turn to Billboard and award show gold.

Performing the duet live

Performing the duet live

How about picturing this kind of musical gold—a bad-boy rocker breaking down in a song of heartbreak with one of Nashville’s most beautiful voices. That’s what happened when Kid Rock teamed up with Sheryl Crow for their chart-topper “Picture”. Both of these artists are a little bit country and a little bit rock ‘n’ roll, so the song is a butt-kickin’ ballad chock full of gritty voices and raw emotions. The track was the first country single either had released, and it proved to be more successful than any either had achieved before. Peaking at Number 4 on the Billboard Hot 100 and being nominated for a CMA “Vocal Event of the Year” in 2003, the song received accolades for its vocal and instrumental perfection. Clearly this duet was the missing piece to the puzzle of both Kid Rock and Crow’s burgeoning country careers, as both have taken off and continue to produce amazing singles that carry on their legacies as Nashville success stories.

Mr. Chesney

Mr. Chesney

The Nashville hit-making title may belong to Mr. Kenny Chesney. So what happens when you

Mr. Matthews

Mr. Matthews

combine his signature style with that of fan favorite Dave Matthews? You get a laidback duet that screams Number One of course. “I’m Alive” has been hitting the airwaves in full force recently, and not only are the vocal stylings inspiring, but lyrics like “And today you know, that’s good enough for me. Breathing in and out’s a blessing can’t you see. Today’s the first day of the rest of my life. And I’m alive and well” truly make this a song anyone can stand behind. You can always leave it to Kenny to remind us what is important in life, and paired with Dave Matthew’s songwriting chops, this song reaching the top spot is inevitable.

It seems that no matter who these stars pair themselves with, hits are sure to follow. From country legends to novices on the charts, teamwork is proving to be a sure-fire way to success. We all know that two heads are better than one, and these country duo’s are proving that two voices are clearly better as well.

COUNTRY CALL ‘EM: COUNTRY STAYS CURRENT

OSBlog02_CCE_MASTERNo matter what is going on in our country—from the magnitude of presidential elections and impending war, to the circus that is our nation’s media—everyone seems to have something to say. Country stars are no different. By using their songs as platforms, country music fans always know just what their favorite stars are thinking, whether we want to or not. Ironically, we hold their relatable stories of love, loss and Friday nights on a pedestal but when it comes down to something we see on the news, many fans suddenly prefer that these innate songwriters turn a blind eye. Country stars have boldly confronted national issues for years; some have been applauded for their honest portrayal of national concerns, while others pay for speaking out with their careers.

"The Angry American"

"The Angry American"

An artist that has always been able to pack a punch lyrically is none other than Toby Keith. Back in 2001, after the tragic events of September 11th, Nashville started cranking out song after song in support of the country. Keith was no different. His single, “Courtesy of the Red, White, and Blue (The Angry American)” certainly stirred up emotions throughout the country music community. With lyrics like, “Justice will be served, and the battle will rage. This big dog will fight when you rattle his cage. And you’ll be sorry that you messed with the U.S. of A.’Cause we’ll put a boot in your ass, it’s the American way,” Keith was literally and lyrically threatening the forces that “sucker punched” our country on that fateful day. Because of its sentimental value, Keith had originally decided to only perform this song when touring for troops, but after Commandant of the United States Marine Corps, James L. Jones, told Keith it was his American responsibility to record the song and lift the morale of the troops, Keith could not keep this rabble-rousing song to himself. However, after the release of this single, reviews were mixed on Keith’s in-your-face, vengeful lyrics. Natalie Maines, lead singer of the Dixie Chicks, came forward against the song, saying she felt it was “ignorant, and it makes country music sound ignorant,” fueling a long and tiresome feud between the two. The opposition didn’t stop there. When Keith was asked to perform on a patriotic special on ABC, host Peter Jennings requested that he tone down the aggressive lyrics in this song. Keith refused and did not play in the special. But, in a 2003 interview, Keith responded to all the heavy opinions of the single with this, “It wasn’t written for everybody. And when you write something from your heart—I had a dad that was a veteran, [who] taught me how precious our freedom is—I was so angry when we were attacked here on American soil that it leaked out of me.”

On the other end of the lyrical spectrum, Brad Paisley wrote a progressive and historically-relevant single with his “Welcome to the Future.” In it, Paisley references the many ways in which our country has evolved, from technology to the growth in equal rights through the years. He sings about a black friend of his from high school who had a cross burned in his front yard because he asked out the Homecoming Queen, and how he wished he could see how far we’ve come. He calls “Wake up, Martin Luther. Welcome to the future!” When Paisley was invited to play at the White House for President Obama and family, he recalls choking up as he sang the lyrics. Obama says of the song, and country music; “It’s captured our restlessness and resilience, and told so much of our story in the process.” Usually a comical lyricist, Paisley’s song is subtle, poignant and graceful as it delicately exhibits his hope for continuing growth in our country.

Single appeared on Brad's "American Saturday Night" album

Single appeared on Brad's "American Saturday Night" album

For Natalie Maines and the Dixie Chicks, a song was born after a media fire storm no one could have ignored. In March of 2003, Maines made comments at a London concert regarding the band’s views on the impending Iraq War, the President and their shared Texan roots. To be specific, she declared to the crowd, “Just so you know, we’re on the good side with y’all. We do not want this war, this violence. And we’re ashamed that the President of the United States is from Texas.” But, after the doctored, “Just so you know…we’re ashamed the President of the United States is from Texas” hit the American media outlets, all hell broke loose for the trio. After country music radio stations boycotted the threesome’s music, and protests sprouted throughout the country, it seemed as though the Chicks’ career was over.

Mag Cover to address the Chicks' controversy

Mag Cover to address the Chicks' controversy

The group’s songs were no-where to be heard in the country community, who felt that disrespecting the President on foreign soil was nothing less than an unpatriotic sin. However, with hard work just as resilient as Natalie’s unforgettable words, the Dixie Chick’s determination and talent could not be quelled. In 2006, the women came back with their seventh album, Taking the Long Way, with their first single being “Not Ready to Make Nice.” The single frankly addresses the public reactions and disturbing events that followed their defiant stand against the war and the President. While they aimed for a universal interpretation, and not a literal one, there are lines in the song that cannot be translated otherwise. In reference to a particularly rattling death threat Maines received, lyrics question “And how in the world can the words that I said, send somebody so over the edge that they’d write me a letter, saying that I better ‘Shut up and sing’ or my life will be over?” The Chicks also filmed a rockumentary appropriately named “Shut Up and Sing,” chronicling their ordeal post comment-heard-round-the-world. Both the film and comeback album did shockingly well, Taking the Long Way earning five Grammy Awards in 2007.

As country music fans, we are rooted in the honesty and integrity of our favorite songs on the radio. We love that these are real stories that we can relate to and believe in. But, when a song is written that has such a strong message that it can either polarize or unite their fans, paradoxically, we must accept this rarity as the most raw form of art and songwriting. Appreciation for these frank testimonials of American life must be a priority for country fans, or all we will be left with are empty verses leaving us cold and needing more from our favorite artists.

COUNTRY COUPLES

OSBlog02_CCE_MASTERLooking for love? Become a country star! Not only are our favorite country singers shacking up with each other, but they’re also collaborating outside the bedroom on tours, events and music. In today’s celebrity-obsessed climate, pop, rock and rap star romances are ripe topics for gossip fodder (take Peter Wentz and Ashley Simpson, Jay-Z and Beyoncé, Gwen Stephani and Gavin Rossdale for instance). Country music is perhaps even more well-known for it’s long history of famous couplings, from Roy Rogers and Dale Evans to Johnny Cash and June Carter Cash. Today’s country couples are using synergy and teamwork to take their already booming careers to new heights with the one person who really matters, their significant other.

Combing their undeniable talents

Combing their undeniable talents

Take Tim McGraw and Faith Hill, Nashville’s pinnacle of country coupling. After meeting on the “Spontaneous Combustion” tour in 1996, Faith and Tim got married, had three little girls and made tidal waves in the ocean of duets and tours together.  Tim and Faith’s collaborations include daughters Gracie, Maggie and Audrey, as well as four Top 10 hits and two tours. Their first duet, “It’s Your Love” (1997) started their career coupling fire, making it to #1 on the Billboard Hot Country Songs and Tracks charts. Following that hit came “Let’s Make Love” (2000), “Like We Never Loved at All” (2005) and “I Need You” (2007), all of which made the Top 10 on the charts as well. Not only were they able to make one hell of a duet, they also put on quite a tour as well. With 182 shows, the Soul2Soul tours in 2000 and 2006-2007 sold over 2 million tickets combined. The second tour, Soul2Soul II made history, as it was the highest grossing country tour of all time. With all of this success career-wise, you’d think the couple would lack elsewhere but that’s just not the case. They schedule their tours around the school schedules of their 3 young children, and refuse to go more than 3 days apart from one another, making their thriving careers, and overall success, a family affair.

What a great looking, and sounding, couple

What a great looking, and sounding, couple

A younger country couple, Blake Shelton and Miranda Lambert have also used their love for the better. Having met on CMT’s 100 Greatest Duets concert in 2006, it’s no surprise they can make sweet, sweet music together.  They recorded a cover of Michael Bublé’s “Home,” for which Miranda takes credit in finding for Blake. Not only did they go on a successful tour together in 2008, but they also use their celebrity for the better. They also teamed up for the Cause for the Paws events, which help struggling Humane Societies in Texas. This year, the couple helped rasie over $118,000 dollars for their furry friends.

With all the mushy love ballads, heartfelt breakup songs and little diddies about makin’ love, its no surprise gatherings of country stars are brimming with emotion. Other country couples who make their love known on the country circuit are Mr. Country Music himself, Garth Brooks and his bride, Trisha Yearwood,

The Paisley's with first son, Huck.

The Paisley's with first son, Huck.

who met while touring together nearly 20 years ago. Also, Brad Paisley met his match, “According to Jim” star Kimberly Williams Paisley when he requested the actress star in a music video he hoped to make, influenced by her Father of the Bride movies, which was for a song off his album Part II. Since then, they’ve had 2 sons, William “Huck”, and Jasper.

Based on all these country couples do together, while staying together, its pretty clear that love really does bring out the best in them.

OMNIVORE’S DELIGHT 2: DOUBLE DIPPING

The last decade has seen a veritable spate of actors, seemingly driven by outsized egos strive for the coveted occupational “/” after their names—as in Actor / Sommelier / Perfumer turned Hip-Hop Artist/Pop Star/ MC/ Songbird/Diva/ Sultry Chanteuse etc. Although the argument can be made that the silver screen and the concert stage were never meant to cross pollinate talent, some surprisingly legitimate music has been created by the sparkle of Tinseltown in recent years. Therefore, this week’s Omnivore’s Delight posting pertains to a “special” breed of musician: actor turned rocker (the good, the bad and the downright peculiar).

It would be too time consuming to rant about the all the ill-advised ventures into the vocal booth (Hilton, Lohan, Murphy, Hasselhoff) so instead I’m going to pick my favorite.

Steven Seagal - Songs From The Crystal Cave - 2004_FrontBlogTwo words: STEVEN SEGAL! Yes, Segal came out with his debut album Songs from the Crystal Cave in 2005. After a quick listen, it’s not quite clear where this crystal cave exists. The tracks suggest hip hop Americana, somewhere in the African jungle or simply in Segal’s 50-year-old libido. And while his song “Lollipop” may not contain the same sexual connotation as 50 cent’s “Candy Shop,” the aboriginal percussion and a tropical horn section is at least, shall we say, unique. Oh, and don’t forget to checkout the album artwork. It’s gnarly.

Now on to the peculiar. William Shatner’s first album (yes there is more than one) was 1968’s Transformed Man. Known for the seemingly drug laden interpretation of “Lucy in the Sky with Diamonds,” this creation was more of a novelty than anything else. Captain Kirk hopped back on the saddle in 2004 with Has Been, another spoken word album consisting of both social commentary and self-inspired poetry. This time however, the backing music takes a turn for the better; noise with a time signature instead of unpredictably ambient sounds. Why? Ben Folds arranged the album. And he’s not the only VIP Shatner fan. Henry Rollins co-wrote “I Can’t get Behind That,”  a laundry list of the gripes with American society, and even supplies guest vocals on the track. Country star Brad Paisley wrote the song B0002RUPH4.01._SCLZZZZZZZ_“Real” especially for Shatner and sings the chorus as well. No matter what you think of the spoken word genre, the man is a very descriptive story teller. If you ever want to guarantee yourself a night full of vivid dreams, I suggest falling asleep with Shatner’s voice ringing in your ears.  Once you can get past the strange vibe, this music is at least thought provoking.

Now, onto the artists who could earn some musical recognition—celebrity status or not.

album-the-futuristFor all of Robert Downey Jr.’s past troubles, he sure can write some gorgeous, piano-driven music. The Futurist (2004) is a solid album all in all, boasting cool piano tracks with an autumnal sound that’s perfect for crisp mornings and falling leaves. Downey’s talent, (as a vocalist, pianist and songwriter) is adequately displayed through these exquisitely nostalgic songs, most of which combine jazz with singer/songwriter and a tint of R&B. “Smile,”  one of my personal favorites, shines through as the most optimistic track on the album. A percussive-less song, the triad of piano, bass and Downey’s unrefined vocals really make the song both honest and sincere. He even covers Yes’ “Your Move,” simmering it down just a tad, in turn producing the quintessential wind down atmosphere.

Zooey Deschanel is one of those actresses you can’t help but adore. Her music is no different. Turns out her quirky roles translate flawlessly into the musical realm, forming 20080228_she__him_33clever indie pop with twang. She and Him consists of Ms. Deschanel and M. Ward, a musical partnership that spawned on the set of the movie The Go-Getter. Their 2008 album Volume 1 is a treasure chest of simple and charming songs like their stunning cover of Smokey Robinson’s “You Really Gotta Hold On Me,” and pieces where Deschanel inserts a little more audacity into her voice like the hit “Why Do You Let Me Stay Here.” The duo’s melting harmonies mix with poppy piano and slide guitar to form an irresistible balance of backbone and vulnerability.

From one idiosyncratic star to the next we travel. Notice a trend? Jason Schwartzman, formerly of Phantom Planet, put together Coconut Records in 2006 and released the debut album Nighttiming a year later.  Warning: This stuff is incredibly hooky. A few listens and you’ll be addicted for weeks. The strongest song on the album is “West Coast,” a feel good anthem for any displaced Western native. It’s light-hearted and mellow on the surface but contains a subtle, compelling pulse underneath, marching forward with increasing force as the song drifts on to it’s outstanding climax—the fortified shout chorus. Then there’s the title track “Nighttiming,” a song emitting a less urgent feel good vibe with synth happy hooks and a straight ahead rock beat that would feel more at home in the 80s. And what do you know—his collaborations on Nightiming include none other than Ms. Zooey Deschanel. Coconut+Records

It’s always nice to find a stereotype disproved. Hopefully in years to come, actors who decide to give music a try will be given attention earned for the caliber of the music they create, not because of their star quality. If the aforementioned artists offer any foreshadowing into the future of multi-hyphanted actors, then we’re in for some fantastic music!