2012 has proven to be quite a year for extreme metal vocalist Travis Ryan thus far. With the latest Cattle Decapitation album, Monolith of Inhumanity, released back in May and the debut full-length of his side project/pseudo-super group Murder Construct ” Results ”coming at the end of August, ‘busy’ doesn’t begin to describe Ryan’s year in full. His work (and that of his respective bandmates) on both Monolith of Inhumanity and Results, will likely doubly cement his place on many year-end metal lists, and rightfully so. We had some questions for Travis about how things worked with the two bands, seeking to clear the air of things circulating on the rumor mill, and he was kind enough to give us all of the dirty details.
OS: First off, you must be one busy guy since you have two bands putting out huge releases this year. How is the year working out for you so far?
TR: It’s been a whirlwind of activity but kinda just hit a dead spot because the Shockwave tour Cattle Decapitation was supposed to be on got canned at the last minute. [This] was kind of a blessing in disguise for my personal life because I had proposed to my girlfriend like two days before I was supposed to leave, so we’ve been able to hang out instead of be apart, which is cool. Got to go to Comic Con, party with Dethklok and various Adult Swim TV personalities, and was miraculously able to shoot a Murder Construct and Cattle Decapitation video with director Mitch Massie from Indiana. He came through on tour with Retox so both bands seriously lucked out. With him in Indiana and us in California, it’s a nightmare trying to come up with enough elbow grease to make it work. Last year was a brutally busy point in my life writing both MC and CD full length albums’ worth of lyrics as well as busting my ass off hustling to pay bills and take care of business.
Perhaps more so than the last handful of years in metal music, 2012 has been pretty crazy, especially when considering the density of phenomenal albums released so far. In typical music fashion, there have been blockbusters, surprises, let downs, newcomers, and game-changers. Thankfully, most of the surprises (for me anyway) have been good ones. Many of the albums and bands covered below have already been featured in Metal Monday this year”if you’re following along, then you’ll be familiar with most of these acts already.
Both Cannibal Corpse and Dying Fetus released strong albums that largely feature more of the same from the two bands. Fear Factory‘s follow-up to Mechanize further cements their comeback, of sorts, and shows that they’re still the same old Fear Factory. Shadows Fall dropped an album that doesn’t particularly change their mold either, but is good none-the less. The real surprise from a more high-profile act was High On Fire, whose De Vermis Mysteriis was a huge step up from their last album, Snakes For The Divine. Job For A Cowboy‘s Demonocracy also featured more of the same, but a bit better this time around (not surprising, given the quality of the Gloom EP from a few months prior).