Technology is changing the world as we know it every day. We all know that new technology and advanced knowledge may lead to incredible achievements but they also result in criticism. When technology is used properly, an industry can do great things. But there will always be the people who want things done “the old-fashioned way”. Within in the music industry, new technology has completely changed the way things are done and the opportunities available. From social-networking Web sites to digital music and illegal downloading, the way that people consume and connect with music has changed drastically in recent years.
One prominent example of this involves music festivals. Not able to afford a ticket? Live thousands of miles away? You no longer have to worry because most of these events now bring the entertainment to you for free…and you don’t even have to leave the house! This year, many of the big music festivals began live streaming their performances online. Coachella used YouTube, where fans could choose between three different stages at any given time to watch their favorite acts. NPR Music and Limelight Networks provided SXSW with the means to stream featured performances over the course of the festival. HullabaLOU Music Festival, Pitchfork Music Festival and Bonnaroo Music And Art Festival also followed this growing trend. In addition to festivals, Ben Folds even took to Chatroulette during one of his live performances last year and improvised songs about the random people he was connected with through the Web site. Overseas, BBC aired performances from the huge Glastonbury Festival, which takes place every year in England.
Legendary lead singer of the rock band The Who, Roger Daltrey has been vocal about his aversion to the concept of airing live music festivals. In speaking to BBC Radio in Scotland last month he certainly didn’t hold back, saying that the TV coverage makes him “want to puke”. He elaborated by explaining that “most of the mystique is taken away” with this recent development. He also criticized the idea because he doesn’t believe artists are able to benefit much from it. Daltrey commented on the industry as a whole, saying, “I think the record industry has been decimated by free downloading and touring is becoming incredible expensive”. Having been a part of the music world for a long time now, he certainly has a different perspective on the way it has been shifting. But, are his complaints valid? (more…)
You can try, but you probably can’t put an accurate label on Foxy Shazam. Their eccentric and eclectic mix of punk, soul and straight up rock ‘n’ roll has earned the band critical praise and performances at Lollapollooza, the Rock and Roll Hall of Fame and Reading & Leeds. Following a summer tour with Hole and the release of their smash self-titled album, the band recently finished a two-month cross-country stint with Free Energy and is preparing for another huge year in 2011.
One might expect that outrageously energetic 24-year-old frontman Eric Nally lives an equally wild life. On the contrary”offstage, he is a soft-spoken, friendly father of two. We had the pleasure of speaking with Eric about touring memories, writing with Meat Loaf, modern day rock stars and what it’s like to lead a double life.
OS: You’ve just finished your fall tour with Free Energy. How were the shows and what were some of your favorite moments from the tour?
EN: We went to the UK for a week in between this tour and that was awesome. I loved that because we sold out London for the first time. It was big for me because we’re from Cincinnati, Ohio and it’s just really far from home. To sell a place out so far away is an awesome feeling; to bring your music to a different country and do that. I liked playing Montreal because Hollerado, the band that’s opening on this tour, is from there. All their crowd was out and it was just really fun.
OS: Foxy Shazam is well known for its incredible, off-the-wall performances. What inspires the band to become so theatrical on stage?
EN: I usually tell people, “that’s just the way we were born!” It’s just natural to us. We don’t have to do any preparation or any pre-show rituals to summon these things on stage, they just come out naturally. It’s just the way we came out of our moms, I guess. When I’m on stage, I’m an entertainer…when I’m off stage, I’m a spectator. So I just kind of sit back and watch and soak everything in. When I go on stage, I let it all out.
OS: You’ve stated that Foxy Shazam are “not concerned with what category it falls into.” Do you often find that people are trying to fit you into a genre or compare you to other bands because they’re not sure where to place you?
EN: Yeah, that happens all the time. Anybody I ever meet that’s an artist…everybody wants to be themselves. But really, in the way that everything works now, it’s just what people have to do. I accept that. Everything needs to be compared to something else just so you can wrap your head around it easier, I guess. Either way, I don’t mind it, but people do try to compare or group us into a category. Every time it’s different, so it’s cool.
OS: You’ve said that you would never want to make the same record again and the evolution of the band’s music has certainly reflected that. How do you see Foxy Shazam’s music evolving in the future?
EN: I don’t know…every record we make kind of stands for where I am at that moment. I’d have to kind of be in the moment to understand, but that’s exciting for me. I really like not knowing. It’s kind of cool to not think about it and not prepare.
OS: In the song “Wannabe Angel” from your self-titled record, you sing, “For you I wear this mask, at home I take it off.” Is it difficult to transition between your life as a rock star and your life as a dad and husband?
EN: Yes, that’s exactly what I was trying to say with that. I feel like I’m a completely different person when I’m on stage. It’s kind of like a Dr. Jekyll and Mr. Hyde type thing and that’s awesome to me. It’s like how actors do…entertainers, really. It’s just who I am. Being a dad compared to being a professional touring musician…it’s just the complete opposite end of the spectrum. I feel so different when I’m not on stage.
OS: Earlier this year, you helped write some songs for Meat Loaf’s album Hang Cool Teddy Bear. What was your role in the writing process? Would you be interested in writing for other artists again?
EN: Absolutely! I love being associated with people that have rich history in music and Meat Loaf is obviously one of those people. I just co-wrote two songs with Justin Hawkins who used to be in The Darkness”he’s one of my best friends now. It was just awesome. We went there together and we wrote together and sat with Meat Loaf. It was great, I made a lot of good friends through that whole experience. A lot of the other writers that were there were a lot older and have done stuff like that before. That was something that I couldn’t believe I was experiencing so early in my career.
OS: Are there any artists in particular that you’d like to write for?
EN: I would love to, whether it’s writing or whatever, work with Cee-Lo Green sometime. I think he has the best voice in music right now. I think it’s just awesome, it hits me in the right spot. It’s the perfect voice for me. I’d love to work with him someday.
OS: Foxy Shazam was one of the first bands featured on ChatRoulette for album promotion, but you aren’t a huge proponent of bands using social media. Can you share your thoughts on that?
EN: I feel like the rock star is kind of a dying breed, we’re becoming extinct. You don’t seem them very much anymore. I think one of the most important things about what that persona was, was that you didn’t know them. It was almost like a mythical creature. People would gather backstage for hours just to catch a glimpse…and you don’t get that anymore. People know everything that everybody does because of Twitter and Facebook and they’re updating constantly. Everybody’s so human now, I guess, which is fine. That’s how it’s always been, everybody’s just a person. But I think there was this certain mysteriousness about the artist and that’s not really around anymore. So I kind of try to keep that going. I think it’s important to have people make their own stories about you rather than know the hard facts because chances are the hard facts are extremely boring (laughs).
OS: Foxy Shazam has recently announced some big touring plans for 2011. Can you tell us about the tours and festivals you’ll be playing next year?
EN: In January, we have a tour with Circa Survive. That will be awesome because I’ve heard their new record is great. I haven’t heard it but I’m really anxious to! I’ve heard a lot about that band and I know a lot of people who know them and they say they’re great guys and that’s really important to me, to share a tour with people that are nice. I’m really excited about that one, I think it will be awesome. Then we go to Australia [for the Soundwave Festival] in February and I’m really looking forward to it. I just love taking my music to different countries. I’ve never been to Australia, so it will be awesome. We have a bunch of days off in between the shows there so I’m going to do a lot of sight-seeing.
Check out this live video of Foxy Shazam performing “The Rocketeer” and don’t miss them on their upcoming tour dates, listed below!
Dec 16 Detroit, MI – Shelter
Dec 17 DeKalb, IL – House Cafe w/Victorian Halls & ‘Richardson’ Richardson
Dec 18 Minneapolis, MN – Popsickle Festival w/Motion City Soundtrack, Minus The Bear & more!
Dec 19 Kalamazoo, MI – The Strutt w/Their Teeth Will Be of Lions
Jan 14 Richmond, VA “ The National w/Circa Survive and Anberlin
Jan 15 Charlotte, NC “ Amos Southend w/Circa Survive and Anberlin
Jan 16 Ashville, NC “ Orange Peel w/Circa Survive and Anberlin
Jan 18 St. Louis, MO “ Pop’s w/Circa Survive and Anberlin
Jan 19 Omaha, NE “ The Slowdown w/Circa Survive and Anberlin
Jan 20 Des Moines, IA “ People’s Court w/Circa Survive and Anberlin
Jan 21 Grand Rapids, MO “ Orbit Room w/Circa Survive and Anberlin
Jan 22 Columbus, OH “ Newport Music Hall w/Circa Survive and Anberlin
Jan 24 Cincinnati, OH “ Bogarts w/Circa Survive and Anberlin
Jan 26 Baltimore, MD “ Rams Head Live w/Circa Survive and Anberlin
Jan 28 Rochester, NY “ Water Street Music Hall w/Circa Survive and Anberlin
Jan 29 Albany, NY “ Northern Lights w/Circa Survive and Anberlin
Jan 30 Allentown, PA “ Crocodile Rock w/Circa Survive and Anberlin
Feb 26 Brisbane, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
Feb 27 Sydney, AU- Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 4 Melbourne, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 5 Adelaide, AU- Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
March 7 Perth, AU – Soundwave Festival w/Iron Maiden, 30 Seconds to Mars & more!
Tina Fey gets all googly over J-Biebs
If you didn’t catch SNL this past Saturday night, you (A) probably have a better social life than we do, and (B) missed a hee-larious sketch in which Tina Fey fantasizes about our little Canadian pop dauphine, Justin Bieber. Watch him toss his feathery mane while Fey goes weak at the knees. That is, unless you’ve got something better to do ¦ AGAIN.
MIA gives Lady Gaga the what-for
It’s always upsetting when two powerful female performers turn on each other. Kind of makes you feel like the sad kid whose parents are fighting. In this case, playing the part of the Mean Parent #1 is MIA, who gripes about the success of Lady Gaga in a recent NME interview. Here’s one of a handful of verbal missiles she launches at LG: She’s not progressive, but she’s a good mimic. She sounds more like me than I fucking do! That’s a talent¦ but she’s the industry’s last stab at making itself important.” Sounds like sour grapes to us. Maybe MIA’s just jealous she didn’t think of cigarette shades first.
In which Shaquille O’Neal wears a wig and sings Rick James
Look, no offense and all, but Shaq in a wig makes the Wayan Brothers in White Chicks look like total babes. Almost scarier than the NBA star’s foray into cross-dressing is his inability to lip sync in time with Rick James Fire and Desire. It looks like some sort amalgamation of low-budget Kung-Fu and tranny Chatroulette. Which is why we know you’ll love it.
New Scissor Sisters record out June 28
Rihanna joins Lillith Fair
Ben Folds collaborates with Nick Hornby
Coachella scheduled released
Kevin Eubanks leaves Tonight Show
Bieber topples Usher on Billboard charts
Britney releases untouched photos
Here at OurStage we pride ourselves on being all things music, and music videos are no exception. With so many great artists contributing video content every day, and the growing global popularity of YouTube and other video-sharing sites, we’ve decided to beef up our video discussion for your viewing pleasure. So tune in every Thursday to get the hottest video content and news around”for your eyes only!
Chances are by now you’ve heard of the internet phenomenon Chatroulette, the Web site that pairs up totally random strangers and allows them to chat via webcam. Either user can choose to leave the chat at any time by moving on to another random connection. Chatroulette is a testament to the ability of web content to go “viral,” making the jump from 500 visitors per day to 50,000 per day in just one month.
The huge appeal of Chatroulette has to be the ability to connect with a complete stranger from anywhere in the world and move on just as quickly. As with any chat vehicle on the Internet, whacky characters are to be expected. But what about rock stars? Enter Ben Folds, front man for the alt rock band Ben Folds Five, who recently utilized the Web site for a purpose different than “casual encounters.” And we think its pretty cool.