Pop diva Cher has finished her follow up to 2001’s Living Proof, and both her and the rest of the music world owe a great deal of thanks to Scissor Sisters frontman Jake Shears. Got to down & Finish last song ! Then it DONE !! Jakes here putting some parts down & a Harmony ! Cher said Saturday on Twitter, before she announced the album’s completion this morning.
For those following along, Cher’s new album was actually due to be released in March, but production delays have pushed the album to later in 2013. There were rumor at one time that the record would feature creative collaborations with the likes of Timbaland and P!nk, but whether or not those efforts will make their way into the final product remains to be seen. For now, click below and enjoy a Cher classic. We still believe in life after love, do you? (more…)
One of the best releases of 2012 to date is Boys Don’t Cry, an album of covers recorded by Anglo-Pakistani singer-songwriter Rumer (nee Sarah Joyce). As a vocalist, Rumer is soothing and smooth, strictly middle-of-the-road enough to earn her an invitation from U.S. President Barack Obama to perform at the White House in May, the month her album came out ” but that’s not to say she doesn’t have a slightly subversive streak.
After all, who chooses to release a collection of remakes for their second full-length studio album. (Rumer’s 2010 debut, Seasons of My Soul, earned her widespread acclaim, two Brit Award nominations, and a platinum certification in the U.K.)
Then there is the theme of Boys Don’t Cry (whose title was not inspired by The Cure song, which is not among the album tracks): Everything on it was written and performed by male artists in the ’70s. Somehow Rumer makes quintessentially guy songs like Ronnie Lane‘s “Just for a Moment” (about an instant of clarity in a drunken haze) and Neil Young‘s “A Man Needs a Maid” (title: self-explanatory) sound strong enough for a man but made for a woman.
Every superstar worth his or her weight in durability (See: Cher, all-time queen of the comeback) has been up, has been down, has seen fire, has seen rain, has had one of those full-circle careers that’s come around and around again and again. Professional fluctuations is a part of Hollywood life, and those who can weather those particular storms, come out in a better place, because as Kelly Clarkson sang on her recent No. 1 hit, what doesn’t kill you makes you stronger, stronger.
And just how stronger is current comeback queen Jennifer Lopez these days? She may not be quite the tabloid draw she was a decade ago, but if you’ve watched American Idol during the past two seasons, or heard her 2011 hit “On the Floor” on the radio, on TV, on YouTube or, well, on the floor, you know that she’s flexing again.
Forbes magazine just ranked her atop its 2012 Celebrity 100 (up from No. 50 in 2011), which lists the most powerful people in entertainment. With an estimated income of $52 million in the last year, Lopez came in ahead of last year’s champ Lady Gaga (No. 5), Oprah Winfrey (No. 2) and Adele (No. 24).
Forbes‘s criteria for its 2012 appointment: being hotter than the rest (23,000 press mentions, 46 major magazine covers) and most sought after by fans (530 million YouTube views for “On the Floor,” 12 million Facebook “likes” and more than 6 million “followers” on Twitter). Not bad for someone who was so over”or so everybody thought”just a few years ago.
In Gregg Allman‘s new autobiography, My Cross To Bear, the man who has helmed The Allman Brothers Band since their inception in 1969 reflects on the wins, losses and draws he has experienced in his four decades of rock stardom. Having Allman’s history put into this kind of historical focus provides an excellent opportunity for slightly less objective parties (ahem) to tally up the home runs and strikeouts Allman has racked up in his long reign on the Southern rock throne. Some of them are as obvious as the beard on Gregg’s mug, but a few of them just might come as news to you.
1. The Hour Glass
Allman hit the ground running with The Hour Glass, the band he formed with his guitar virtuoso brother Duane. Their first album was released before Gregg was even out of his teens, and both of the band’s records featured an appealing blend of soul and psychedelic rock, including everything from an R&B-soaked take on Carole King‘s “No Easy Way Down” to a paisley-patterned adaptation of Edgar Allen Poe‘s “The Bells” alongside original material.