Perry was in Las Vegas on Saturday, May 11, and went with some friends to The Rolling Stones ’50 and Counting’ tour stop at the MGM Grand. During Beast of Burden,” Perry appeared on stage with the band and even did a bit of grinding on sixty-nine-year-old Mick Jagger. Fans in attendance lept at the chance to capture the moment on their smartphones, and now we can all experience the combo of RS and KP by clicking play on the video below.
Speaking with MTV Hive recently, Pusha discussed his desired collaborations if money and time were not an issue. The first person on his mind? None other than “Skyfall” Oscar winner Adele.
I feel like I could get Kanye to do the track of all tracks and I could get Adele to sing the soul of all soul on one of my most introspective records ever, that would be it.
We have to agree with Pusha on this one. After building a career on his own story of struggle and perserverence, the only thing that could take Pusha’s emotional depth any further would be the angelic-yet-heartbreaking voice of Adele. Whether or not it will happen is anyone’s guess, but it’s not like a superstar guest appearance would be the most insane thing someone working with Kanye West has ever done, right?
Now that would be an interesting combination. Can you imagine both bands competing with one another to create the most futuristic modern indie rock explosion? Think of the light show they’d need if they performed together. The crowd would go blind! Well perhaps we’ll see (or not see, rather) sometime in the near future. According to NME, The Killers frontman Brandon Flowers says they would like to collaborate with Muse. The two bands have “become good friends” and they’d “never rule out working together.” Whether this will definitely happen is uncertain, but you can bet that the result would be either absolute “Madness” or “Glamorous Indie Rock and Roll.”
If you like Muse or The Killers, you should check out OurStage artist A Lion Named Roar.
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Electronic dance music and hip-hop have been the two musical forces occupying the headspace of American listeners in recent months. Both genres have been the soundtrack to many a summer shindig, there’s a great deal of crossover between the two respective fandoms for the musical styles, and both cultures surrounding the respective genres share similar interests”like women and drugs and partying”so it would make sense that the two forms would eventually come together.
Hip-hop and electronic music have had a tangled history in the U.K. And we’re going to have to turn our sights back onto dubstep, this obscure little genre that you’re probably not familiar with. Grime”the precursor to U.K. dubstep and, by extension, the precursor to U.S. dubstep”is a style of music born into the disadvantaged parts of London. As we’ve mentioned in our discussions of the origins of dubstep before, the genre takes rhythmic elements from rap and dub music and marries them to intense sub bass and slow bpms. From there the minimalist, nuanced genre was pumped full of steroids and shipped off to the U.S., where it has been soundtracking college parties and sporting events ever since.
Good music comes from different sources. But when two artists come together in a collaboration, what takes precedence? Who writes the melodies, and who keeps the lyrics fresh? Nowadays, it may seem that mainstream music has grown increasingly diverse, and yet more and more we are hearing from new and unexpected partnerships between genres spanning from funk to opera and beyond. This is why, through Superlatones, we are creating our very own directory”a musical wish-list, if you will”of artists who have yet to join the collaborative bandwagon.
The Dynamic Duo
Florence + The Machine and Calvin Harris