Not too long ago, Niño Lobos (translation: Wolf Boys) were just two guys, delivering tortillas by night and taking college courses by day. But then they decided to start a band. Now, like Michael J. Fox in Teen Wolf, they’ve become something fierce. The Boise band’s youthful blend of hip hop and electro pop claws into your brain with hooks upon hooks. Hey Girl has got a fat funk bass line, stabs of reverb guitars and some serious girl problems. She got me like Stiffler in ˜American Pie’ / Scratch me up like Wolverine. But it’s Taking Over Stereos that could be and should be a monster hit. Part dance rock, part hip hop, the track is a free-flowing, adrenaline-fueled blowout. Over a compressed, percolating beat the duo name-checks anyone from Cypress Hill and Jonah Hill to Lupe Fiasco, Mr. T, Gorillaz, Run-DMC and more. If Niño Lobos keep dropping tracks like this one, some of those dudes will be name-checking them.
Jenna Bryson isn’t your typical rising talent. You won’t find a long-winded backstory or moment of musical revelation in her bio”just Jenna, her songs and her humble personality. It’s these traits and more that helped the LA songwriter rise the ranks of the June Artist Access Premium Member Competition on OurStage, eventually landing her a mentoring session with one of the music industries most sought after resources”IMO president/ founder and former Sony Music and Columbia Records chief, Don Ienner.
In the nearly forty years of working in the music industry, Ienner has helped further the careers of legends like Springsteen, Dylan, Leonard Cohen, Billy Joel, Pink Floyd and has guided the passage of talents like John Mayer, Dixie Chicks, Alice in Chains, Jeff Buckley, Beyoncé, Matisyahu, Franz Ferdinand, Nas, Lauren Hill, Cypress Hill and many, many more.
Bryson and Ienner recently sat down for a chat in NYC and, well, we’ll let her tell you all about it herself. Check out Jenna’s video below”featuring a performance of her winnings song Happy and a personal recount of her mentoring session with Don Ienner. Want a mentoring session with industry powerhouse Rob Stevenson? Sign up for OurStage Premium Membership and enter the August Artist Access Competition now!
The San Bernardino hills were alive with the sound of music (and the smell of some serious ganja) for the eleventh annual Cypress Hill Smokeout Festival, presented by Guerilla Union, this past Saturday. Forty thousand fans turned out for a day of food, music and of course”marijuana. This marked the first year that certified medical marijuana users were able to consume pot at the show in designated smoking areas. The festival featured a Medical Marijuana Expo that included voter registration booths, product samples and speaking panels on related issues like cultivation, Prop 19 and other relevant issues.
Authors Shirley Halperin and Steve Bloom led a discussion of their new book, Reefer Movie Madness, and hosted a day of stoner movies including Dazed and Confused, Friday and Pulp Fiction. Jeff Dowd, the real-life The Dude himself was on-hand to introduce The Big Lebowski.
Despite all the Prop 19 propaganda, the real attraction of the day was the music. Over 26 acts performed on three stages including MGMT, Los Rakas, Slightly Stoopid, Paul Oakenfold and Living Legends.
Nas showed no signs of stress from his current label feud when he joined Damian Marley for a high-energy performance on the main stage, looking and sounding better than he has in years. Damian’s floor-length dreads swung behind as he commanded the crowd to light up during his set, yelling, I heard this was a smokeout¦Everybody SMOKE-OUT!!
Legendary hip hop group, and the festival’s hosts, Cypress Hill hit the stage with Travis Barker on the drums, delivering a power-packed set of their hits I Wanna Get High and Stoned Is The Way. B-Real and Sen Dog sounded as good as they did when the group burst onto the scene almost 20 years ago. After a beat battle between Barker and DJ Muggz, the crowd went wild for a rendition of their classic, Insane In The Brain.
The real showstopper of the evening was Erykah Badu. The crowd waited with baited breath as Badu hit the stage in a blonde wig and plaid poncho that covered her from neck to knees, later revealing a seventies style shift dress. She opened her stellar set with her 2008 hit The Healer, emphasizing the politically peppered evening with a raised fist and animated delivery. After introducing her band, The Cannabinoids, she followed up with her throwback hit, On And On before performing mostly new material sprinkled with fan favorites like Tyrone.
By the end of the night, throngs of mellow music lovers gathered at the main stage to watch Incubus end their 18-month hiatus. Despite a lack of fresh material, save for the track “Surface To Air,” they wowed the crowd with classics like Drive and Stellar to close out the night on a high note.
As the first festival to formally blend fans’ love of music with their love of marijuana, only ten arrests were made (all misdemeanors such as public intoxication). Show sponsors and artists begged the question: Can pot smokers be united and assemble peacefully? Furthermore, is there a chance in hell Prop 19 supporters could see success on the November ballot? The answer, written across signs and t-shirts throughout the festival, was a resounding: Yes We Cannabis.”
See fan video of Incubus, MGMT, Slightly Stoopid and Deadmau5 performances from Smokeout 2010 here.
Cortney Wills is a pop culture journalist born and raised in Los Angeles, California. She has lived in LA, Chicago and NYC and enjoys all things entertainment.