Here at OurStage there are few things that we enjoy as much as music, but one of our obsessions that comes pretty damn close is our love of food. So imagine our delight when several musicians announced new, culinary side projects. Train released a Petite Sirah wine that will finally let fans know what “Drops of Jupiter” taste like, AC/DC announced a line of fine wines named after their hits”including “Highway to Hell” and “You Shook Me All Night Long””and former Blur bassist Alex James is now selling his cheeses in the UK.
We did a little digging and as it turns out, the relationship between musicians and foodies is very strong. Yes, plenty of artists offer ways to get your drink on like a rock star (Sammy Hagar has his own brand of tequila), but many are restaurant owners, chefs and even critics! From giants like KISS Coffeehouses and Jimmy Buffet‘s Margaritaville Cafes to smaller, quainter cafes like Moby‘s adorable Teany in New York City, artist-owned eateries have been popping up all over the place. Even J. Lo got into the restaurant game a few years ago; unfortunately, the Mexican eatery “Madre’s” closed its doors in 2008 after six years. (Still better than Britney‘s joint “Nyla,” which lasted less than a year.)
That’s because the husband-wife duo, who are ready to release their first alt country-rock album in February, spent the holiday in New York. The occasion was the famous Macy’s Day Parade where the duo and their 8-year-old daughter Olivia joined Sarah Lee’s dad, Arlo Guthrie, on a float. Crowds screamed and cheered as some of the folk legend’s well-known songs”including “Alice’s Restaurant,””played.
“It was a little crazy and very exciting,” said Sarah Lee Guthrie who noted Olivia was the toast of her school because of the event. “We saw a lot of familiar faces in the crowd, people who have been coming to our concerts for years. It was a fun way¦to celebrate family and share it with other people.”
Chances are good that there will be plenty more celebrations ahead especially after February 22nd when Sarah Lee and Johnny release their second full-length album Bright Examples.
Written primarily by Johnny with two songs by Sarah and another the result of a collaboration, the February 22nd release is a musical step away from the more folk-tinged sound fans have come to know. Although Sarah Lee is obviously the product of folk and honors her heritage, she grew up on rock, as did Johnny whose past musical groups include Queen Sarah Saturday.
“Neither of us came from folk background influences,” said Sarah Lee, whose grandfather was the legendary Woody Guthrie. “As a kid I loved rock ‘n’ roll and I love pop music. Johnny has always had a pop sense. We embraced a lot of folk¦.but that was to spring off like a diving board. We are entering a new realm of exciting music.”
And then some.
The album, produced by Vetiver’s Andy Cabic and Thom Monahan, known for his work with Vetiver, Devendra Banhart and Chris Robinson of the Black Crowes (who introduced Guthrie and Irion), are filled with an electric country rock sound that’s part psych-rock thanks to plenty of guitars, part alt country as evidenced by pedal steel guitar, part folk and pop”especially in the lyrics” and indie rock.
“I’m very rooted in the indie rock world,” said Irion. “This was definitely a move to create a sound scape for Sarah Lee’s and my vocals.”
Although U2’s The Edge was originally interested in producing the album, Irion thinks that Cabic and Monahan brought out points in the song that wouldn’t have come out with other producers.
“It’s a culmination of folk, indie rock, classic pop, alt country, all the worlds coming together,” he said. Some producers aren’t players and have a hard time and just stay on the knobs. With Sarah Lee and I, we need to sit down with guitars and play. It’s all very organic. I’m glad [it didn’t work out with] The Edge. Tom Monahan has the best ears in business right now and made all kinds of great stuff.”
What really impressed Irion was that Tom didn’t back down on the sound he wanted from each song.
“I called him Captain Monahan because trying to change his mind, well, it wasn’t going to happen,” said Irion. “If I said, ‘I thought this one would rock,’ he’d say ‘No, you have to lay back. Then it will be better.’ [The music came about because of] a solid team that just all pulled together.”
That’s also obvious on Sarah Lee’s song “Butterflies” that the duo originally worked up as a bluegrass-flavored song. The producers changed elements of the song so it’s not what Irion describes as “ethereal and floating.”
“When we started doing it [his way] we really liked it,” said Irion. “It works and it makes the record come together. It makes the record a piece of art.”
For more about Sarah Lee and Johnny, check their site.
By Nancy Dunham
Nancy Dunham writes about music for Country Weekly, AOL Music’s site The Boot, The Washington Post, Relix and other publications.
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