Our friends at the KahBang Music & Art Festival last week announced a rather sudden change of venue, relocating the entire festival from Bangor, ME, where it has been held since its inception six years ago, to Portland. Organizers insist that the move was essential to the survival of the festival, and point to the advantages of the shift, including a significant increase in lodging options.
With headliners including St. Vincent, DMX, and Wheatus, not to mention our pals in Late Cambrian, those of us in the Boston area are not complaining much about suddenly being 130 miles closer to the festival, which also includes a film portion, to be held at Portland’s Longfellow Square, and an arts portion, to be held at the city’s Community Television Network. The music will be spread around familiar venues like the State Theatre, the Big Easy, and Port City Music Hall. (h/t Vanyaland)
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Nostalgia is everywhere this year, and a lot of it has to do with music. The first generation of people to grow up fully embracing the internet are now in their early twenties and pining for the simplicity of a decade before with tumblrs, tweets, status updates, gifs, instagrams, and pinterest boards dedicated to the things that we credit for making us who we are today. I too am guilty of aiding this obsession with the recent past, and today another modern classic hit a special anniversary.
Fifteen years ago today, DMX released his debut album It’s Dark And Hell Is Hot. The album featured the breakout single “Ruff Ryders Anthem,” as well as a number of additional fan favorites. At the time there was no other emcee in hip hop with the kind of aggressive flow X was bringing to the mic, and it was this released that went on to spawn a million imitations. Join us in remembering this classic and view one of its biggest videos below. (more…)
The road has been rough for Southern rapper, Yelawolf, whose Interscope debut, Radioactive delivered less than stellar sales and prompted his label to drastically diminish its promotional support. Health problems plagued the emcee as well, with a ruptured spleen delaying both his sophomore album and a much-needed promotional tour. To make matters worse, he’s currently not very happy with his label situation.
I don’t fuckin’ know anybody up there, not no one. I’ve never fuckin’ walked up in the building. The couple of people that I do know are friends of mine and that’s it, he told HipHopDX.
They obviously can’t have their hands on everything”there’s a lot of fuckin’ artists under the wings of a big label like that, so when you become part of a label or a situation that fuckin’ massive, you have to just really be smart about how you handle your business and make that your team in on-point with everything single thing and you’re paying attention to every single detail. If you lose that, then sometimes you get caught up.
Despite the difficult circumstances, the Alabama native has released two mix tapes; The Slumdon Bridge and Heart of Dixie. If all goes accordingto plan, he’ll do another mix tape with Travis Barker and Big K.R.I.T. He’s also set to drop his sophomore album, Love Story along with a sequel of sorts, Trunk Muzik Returns. He has had to take his business into his hands, but it’s been a reluctant transition.
I just don’t want to fuckin’ do business, man, what the fuck. I’m a rapper, I’m an artist. I pay my manager to handle all that shit. I don’t even like talking like this, I feel like a nerd to even be bothered with the business of it, he said. I want to be creative. I don’t want to worry with this shit. I want to fuckin’ make my music and tour and do what I do. Unfortunately, you have to pay attention to it, and that’s kinda like what I’ve been forced into this past couple years. All of that like, pent-up, ‘What the fuck is going on?!’ type of shit is gonna be coming out in my music and everything that I do. Even with the bad, it’s really fueling everything that I’m doing in a positive way because it’s only making me hungrier.
Machine Gun Kelly is ready to release his debut album, Lace Up in August. Last week, he revealed his thoughts on the first LP he’ll release from the house that Diddy built, and promised some serious support from collaborators like DMX, Bun B, and Tech N9ne among others.
I got legends on there. DMX. Me, Tech N9ne, and Twista on one track, the song everybody wanted to hear. Fuckin’ Eminem, I’m just playing. That would have been certified platinum¦Bun B. Everyone’s really like legends, he told VladTV.
Lace Up is a lifestyle. Everything I stand for, it’s everything my fans stand for. It’s tattooed on our bodies for life. It’s something I will never explain to the general public because it’s something beautiful that you have to discover for yourself. You have to find your own meaning in it, he said. “But the album is definitely one of the best albums of the decade and will be a problem at The Grammy’s 100 percent. Regardless if my singles haven’t taken off the way that we wanted them to it’s all a part of the journey because I believe that because I never caught that quick-winded hype I’ll be around for a long, long time.”
Once pitted against each other as competitors, it seems these two emcees have more in common than their skin color and affinity for rhyming. Yelawolf and Machine Gun Kelly will be wowing crowds with new music at Guerrilla Union’s ‘Rock The Bells’ Music Festival in August.
Let’s face it, sometimes the past should stay dead. But when an awesome artist fades from popularity, fans later wonder, Where are they now? You may not know it, but many artists you’ve loved in the past are still hard at work writing new albums or preparing to tour again. Fortunately, you now have Second Coming to reintroduce some of your favorite acts of the last few decades and give you the scoop on what you can expect from them in the future.
THEN: DMX (a.k.a. Earl Simmons) didn’t have a typical childhood. As a kid living in Yonkers, New York, he learned to steal money from drug dealers”a hobby that quickly landed him in group homes and juvenile detention. When he was off the streets, he turned to rapping and beatboxing to pass the time. After he was written about in a column about unsigned hip hop artists, DMX was signed to Columbia Records. The signing led to the young rapper scoring a few guest spots on the albums of hip hop heavyweights like LL Cool J, Mase and The LOX. When it came time to drop a single of his own in 1998, DMX did not disappoint. “Get At Me Dog” was certified Gold and the classic “Ruff Ryders Anthem” from debut It’s Dark and Hell Is Hot is still heralded as one of the best hip hop songs of all time. Later that same year, he released a second album, Flesh of My Flesh and Blood of My Blood, which followed Dark to a No. 1 Billboard debut, a feat only accomplished before by Tupac. After all this success, it was X’s third album, …And Then There Was X, that truly catapulted the rapper to star status. The single “Party Up (Up In Here)” has become an iconic anthem for every frat party and dance club rave since its release. Unfortunately, X’s following two albums couldn’t seem to match the sales or the commercial success of his third record. His last album was released in 2006.