Carly Rae Jepsen is in luck. It looks like she won’t have to ensure the continuation of her celebrity run after Call Me Maybe falls from its current summit by relying on the hoopla generated by her own Nipplegate”nude photos that ended up being someone else’s.
Thanks to a call from Adam Young, the one-man band behind Owl City, Jepsen is about to relight the fire under her rising star the old-fashioned way: with a new hit. “Good Time,” her duet with Owl City, just debuted at No. 18 on Billboard’s Hot 100, which means that her breakout No. 1 single won’t forever be alone on her hit list.
It’s pop symbiosis at its most effective: He saves her from that pop purgatory known as one-hit wonderdom, where he had been languishing since 2009, when the Owl City single “Fireflies” hit No. 1 on the Hot 100, and she helps get him out of it. Sure Katy Perry could have accomplished the same thing in the middle of a dead sleep, but that hardly would have been a meeting of near-equals.
As the summer festival series approaches, and the EDM movement shows no signs of letting up; producers and DJs are in full swing pumping out their biggest tracks of the year in anticipation of the neon-clad, twenty-something crowds that will descend on fields and desert landscapes all across the US during the summer months. The rave scene in America is slowly morphing out of the awkward teenage years of the big beat ’90s and is beginning to solidify itself as a vibrant, respected aspect of the music industry. With this explosion of popularity, the production of these events has skyrocketed, which means no more illegal warehouses or abandoned airplane hangers. Now they’re out in the open for everyone to see. Featuring extensive light shows, interactive art exhibits, go-go dancers and even carnival rides, raves have become a multi-sensory experience like never before. And so, EDM artists have been forced to up their game in order to hold the attention of our instant-gratification-oriented generation.
The rolling loops of Fatboy Slim, sliced with clever recognizable a cappella’s are no longer enough. The music has morphed, along with the culture, into something that can stand on it’s own. No longer are dance tracks just loop-based building blocks for a DJ to create a set out of”these are legitimate songs in their own right. For this week at SoundTrax, I’ve put together a list of tracks that I think are bound to make huge waves at this season’s summer festivals. Porter Robinson and Madeon kick us off with my two personal favorite tracks from the past month. TheFatRat and Lenno infuse some disco sensibilities into the middle portion, while David Guetta proves that you can be the king of pop-house and still make some respectable dance tunes. Finally, U Tern‘s remix of Mark Ronson provides you with a jittery, down tempo tune to help release all the tension.
Insomniac Events has finally announced the long-awaited Electric Daisy Carnival New York City lineup. If you can take the day off, the newly added Friday, May 18th date (4pm- 11pm) will kick off the event, with top dogs Fatboy Slim, Armin van Buuren, and the YouTube/Beatport sensation Madeon. The remaining two days, Saturday and Sunday, will start at 12 pm and go until 11 pm. On Saturday, expect to see Avicii, Sebastian Ingrosso, legendary house music pioneer Carl Cox, and Steve Angello. Sunday will consist of a fantastic closing lineup, including acts such as Bassnectar, Afrojack, Nero, and Richie Hawtin. Click here to check out the full EDC NYC lineup.
If you live on the east coast, Insomniac Events just made your summer by adding an extra day to the NYC Electric Daisy Carnival and expanding the capacity for the original two dates. EDC NYC will now start on Friday May 18th and end on Sunday May 21st. If you already have tickets for May 19th and 20th, you can buy your tickets for the 18th tomorrow (Wednesday, April 11th.) According to the website, you will be sent an email containing a special invitation to get your tickets early. For the non-ticketed among us, tickets for all three days will hit the market again on Thursday, April 12th @ 12 noon EST. Now remember, on March 2, tickets for the initial May 19th and 20th dates sold out within a FEW HOURS. It will probably happen again this Thursday, so make sure you are in front of your computer and on Ticketmaster exactly when they hit the market @ 12 p.m.
In addition to this big news, Insomniac also released the official starting times for each day, as follows:
- Friday, May 18th 4:30 p.m. – 11p.m.
- Saturday, May 19th 12 p.m. – 11 p.m.
- Sunday, May 20th 12 p.m. – 11 p.m.
What do you listen to when the hour is late, the lights are low and careening power chords and wailing vocals just don’t suit the mood? Everybody’s got their own answer to that question, but those who dwell in the rarefied dominion of record geekdom are especially attuned to what makes a good after-hours mix, priding themselves on concocting the perfect combination of tracks to watch the wee hours drift by. That’s the idea behind the British Late Night Tales series, which brings in a different celebrity guest to curate each volume. In the past, LNT has tapped the talents of The Flaming Lips, Snow Patrol, Midlake, Arctic Monkeys, Fatboy Slim and many more, from varied stylistic sectors. Six years ago, indie-pop giants Belle and Sebastian were added to that list, and now they’ve got the rare honor of returning for a second round, delivering the latest Late Night Tales mix. To find out how the whole thing came together, let’s lend an ear to Belle and Sebastian keyboard man Chris Geddes, who was actually the main overseer of the collection. (more…)
Over the weekend, 160,000 ravers gathered in South Beach Miami for the 2012 Ultra Music Festival. Taking the crowd by surprise, the event attracted several iconic celebrities, all of which shared their appreciation for EDM.
For starters, Madona’s introduction of headlining DJ/EDM producer Avicii was quite memorable.”Electronic dance music has been a part of my life since the beginning of my career,” she told the crowd. “I can honestly say a DJ saved my life.” (A reference to Junior Vasquez.) Lastly, she proposed a question for the audience: “I have a few questions for you,” she shouted. “How many people in this crowd have seen Molly? Are you ready to dance? Are you ready for the next DJ, motherfuckers?”
19 year-old Porter Robinson and 17 year-old Madeon performed memorable sets as well. The YouTube sensation and glitch-electro DJ tore up the UMF Korea Stage. Despite their age, these youngsters have acquired an incredible fan base over the last year. Robinson alone has opened for Skrillex and Tií«sto, topping the iTunes dance chart, and sold out his own headlining tour.
Afrojack brought some celebrity buddies as well. During his awesome performance, rumored girlfriend Paris Hilton and rap buddy Lil’ John waved to the crowd and showed their support.
Fatboy Slim broke some local rules by mixing LMFAO‘s “I’m in Miami, Bitch” into his set. However, I’m sure most of the natives didn’t mind because the performance with inarguably amazing – as you can see in the video below.