Perhaps more so than the last handful of years in metal music, 2012 has been pretty crazy, especially when considering the density of phenomenal albums released so far. In typical music fashion, there have been blockbusters, surprises, let downs, newcomers, and game-changers. Thankfully, most of the surprises (for me anyway) have been good ones. Many of the albums and bands covered below have already been featured in Metal Monday this year”if you’re following along, then you’ll be familiar with most of these acts already.
Both Cannibal Corpse and Dying Fetus released strong albums that largely feature more of the same from the two bands. Fear Factory‘s follow-up to Mechanize further cements their comeback, of sorts, and shows that they’re still the same old Fear Factory. Shadows Fall dropped an album that doesn’t particularly change their mold either, but is good none-the less. The real surprise from a more high-profile act was High On Fire, whose De Vermis Mysteriis was a huge step up from their last album, Snakes For The Divine. Job For A Cowboy‘s Demonocracy also featured more of the same, but a bit better this time around (not surprising, given the quality of the Gloom EP from a few months prior).
Your average music listener might assume that metal bands are all the same in the instrument department”guitar, drums, bass, maybe piano or keyboards”but what about the flute, didgeridoo, saxophone, trumpet, lute, bagpipes, fiddle, berimbau, Whamola, or hurdy gurdy? As unlikely as it seems, there are metal bands that incorporate less mainstream instruments into their sound. Apocalyptica, for example, is comprised of four cellists and a drummer. Among folk, progressive, avant garde, and experimental metal subgenres (and even some mainstream acts), listeners can find all sorts of neat uses of unusual instrumentation. We’re going to share ten of our favorite nontraditional metal songs with you”see if you can guess what the instruments are!