With all those Grammys she won in early 2012, it comes as no surprise that powerhouse soul/pop singer Adele has been dubbed Entertainer Of The Year by Associated Press. Not just singer of the year, or musician, but entertainer. That means she even beat out that guy down the street with the flaming hula hoop and the unicycle! And let me tell you, that guy is one hell of an entertainer. AP readers and staff rated her far above other major entertainers and celebrities such as Taylor Swift, E.L. James (author of Fifty Shades of Grey), PSY, and the entire Twilight cast. Now that’s some high praise.
While she did not release a new album or do a world tour this year, Adele’s singles from 2011 still remain among the most highly played tracks on radio, television, in movies, and more. We seemingly can’t get enough Adele. Her most recent accomplishment, apart from delivering a baby, of course, is the single “Skyfall,” written to be the title theme of the new James Bond film. According to Billboard, “The song recently received a Golden Globe nomination. No Bond theme has ever won the best original song Oscar, but given Adele’s awards success thus far, it wouldn’t be a stretch to think she has a chance of changing that.” Regardless of whether she wins or not, Adele has still achieved more in one year than most entertainers do in their lifetime.
If you like Adele, then check OurStage artist Brittany Campbell.
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The 007 Effect: What getting cast as the main theme for one of the James Bond film franchise’s 23 official entries can do for a song. Alas, the results of being Bonded can be as mixed as the songs themselves.
Adele‘s brand new theme for Skyfall, aka James Bond XXIII (in U.S. theaters November 9), sure to be Top 10 or rapidly approaching that hallowed chart vicinity by the time you read this, is the first James Bond song to become a hit since the Pierce Brosnan era (1995-2002). That was when Madonna‘s Die Another Day, from the 2002 Bond film of the same title, went to # 8 on Billboard’s Hot 100. (more…)
For at least another year or two, all of the U.K.’s up-and-coming sisters (and brothers) with voices will have their work cut out for them. As if it’s not already tough enough to rise above the pop pack, they’ll also have to contend with all of those inevitable Adele comparisons.
Is she (or he) the next Adele, the future of U.K.-bred pop talent hoping to achieve global domination?
Admit it: You wonder, too”every time a great new voice emerges from the British music scene. With the ruling pop diva of the last two years now between albums (perhaps she’ll be back in the autumn singing the theme for the next James Bond film, Skyfall) and expecting her first child with boyfriend Simon Konecki, the battle is on for the keys to the kingdom that the princess hasn’t even yet vacated.
If you’ve got a great voice and/or a slightly unconventional pop sound and/or look, if you’re more substance than style, to the front of the line you go. It’s the latest greatest aspiration in pop since the days when it was all about being the next Amy Winehouse, whether you sounded anything like her or not. Challenging Adele might be as scary a proposition as walking in the late Winehouse’s scuffed shoes might have been (terrifying for reasons that had everything and nothing to do with Winehouse’s talent), but at least fans are in for some great music. Recently, I heard a Rumer (the off-the-beaten-pop-path singer behind 2010’s Seasons of My Soul and this year’s Boys Don’t Cry), and my first thought was “Is this it?”
Rumer isn’t the only talented singer who’s making me listen and wonder. Here are three others:
Emeli Sandé (Current hits: My Kind of Love and Next to Me) In June, a friend sent me the video for Sandé’s recent single, Next to Me, on Facebook, with a short and sweet message: love… After watching the clip, my first impression was Sara Bareilles with a really dated look. White on black is so mid-˜90s! My second impression: How is it that everybody all over the world doesn’t already know her name (which, incidentally, is actually Adele Emeli Sandé)? (more…)
Taylor Swift has yet to top Billboard’s Hot 100, but who needs a No. 1 pop single when you’ve sold more than 20 million albums (as of March of 2011), been named Entertainer of the Year twice in a row by the Academy of Country Music (in 2011 and 2012), been awarded the 2010 Hal David Starlight Award by the Songwriters Hall of Fame (an honor previously bestowed upon John Mayer and Alicia Keys) and won an Album of the Year GRAMMY (in 2010, for Fearless, her second album)? She makes every princess of pop this side of Adele seem like an underachiever.
At the age of twenty-two, Swift has accomplished what it takes some icons entire careers and then some to achieve. (Neither Bruce Springsteen, nor the Rolling Stones, nor Aretha Franklin, nor Madonna, nor Eminem, has yet to win an Album of the Year GRAMMY.) But it’s Swift’s latest honor, being the frontrunner for the role of Joni Mitchell in the upcoming film Girls Like Us, a biopic based on Sheila Weller’s book about the lives of Mitchell, Carly Simon and Carole King in the late ’60s, that has her detractors”and some fans even”protesting “Too soon!” and wondering “Who? Her?” (more…)
Let’s face it, sometimes the past should stay dead. But when an awesome musical artist fades from popularity, their fans later wonder, Where are they now? You may not know it, but many artists you loved in the past are still hard at work writing new albums or preparing to tour once more. Fortunately, you now have Second Coming to reintroduce you to some of your favorite acts of the last few decades and give you the scoop on what you can expect from them in the future!
THEN: During the alt-rock boom of the mid-90s, Garbage were in their prime. Their single “Stupid Girl” garnered numerous award nominations (including two GRAMMYs), and their debut album earned multi-platinum status in several countries. Garbage’s follow-up album, Version 2.0, was equally as successful as their debut. They were once again nominated for two GRAMMY awards and were even comissioned to write the new theme song for the James Bond film, The World Is Not Enough. Unfortunately, the band’s third record”released in 2001”was not as well received, which eventually lead to the band’s breakup in 2003. Though they were able to re-group in 2007 and release a fourth album, Garbage went on hiatus before their first tour back was even finished. Drummer Butch Vig continued to pursue his love of recording; after working with the likes of Nirvana, Smashing Pumpkins and Sonic Youth, he had become one of the most sought-after producers in rock. Meanwhile, frontwoman Shirley Manson began work on a solo record, which is yet to be released.
NOW: Garbage reunited again in 2007 to release a greatest hits album, but it wasn’t until 2010 that they returned to the studio. The band decided to release their fifth album independently through their brand new record label, STUNVOLUME. In an October 2011 interview with Billboard, Butch Vig said: “We’re looking at this as free agents. We’re out of all our corporate responsibilities from the past, and initially we thought that was terrifying but now we think it’s liberating. We’re going to put the record out on our own label and just figure out how to license it and market it because we want it under our control.” A recent press release from Garbage’s publicist states that the record is being recorded “in a basement in the Atwater Village of Los Angeles,” proving that this band is pretty serious about going back to DIY. Glad to see they’re still keeping that 90s alternative rock mentality!
Fun fact: the video for “Stupid Girl” was inspired by the opening sequence of David Fincher’s film Se7en. Enjoy!