Tag Archive for 'Japan'

KB’S DIARY OF CLARIAS TOUR: MT. FUJI, JAPAN

OSBlog_Clarias

We arrive at Camp Fuji after a 3 hour bus ride from Tokyo (2 of those 3 hours are spent driving side by side the world’s largest city). Clarias and I are very excited to go to the military base that borders one of the most beautiful and most climbed mountains in the world.

View of Mt. Fuji from Camp Fuji (Marines)

View of Mt. Fuji from Camp Fuji

To say that Mt. Fuji majestically soars above the US Marines training camp is almost an understatement. But, scenery aside, we quickly realize just how depressed (and how young) the soldiers stationed at the camp are. In fact, all of their military-produced television programming is filled with PSA’s on topics such as PTSD, suicide prevention, depression, the need to prepare a will, etc. We know that the 650 men and 2 women stationed here need a friendly reminder of home.

Soundcheck

Soundcheck

As the band loads into Roadhouse, the base’s entertainment venue, we discuss a game plan for the evening. I overhear soldiers talking about the show and basically anticipating that the band is going to suck. With all the testosterone flowing, I know it is going to be a really tough audience to win over. My recommendation to the band is to place a drum solo at the front of the set as well as a guitar solo towards the end. I also suggest that the band back off from performing ballads and keep the set list adrenaline-heavy.

Luckily, these suggestions pay off. Jordan’s drum solo (complete with a military drum roll) receives hoots and hollers and earns the band masculine cred. Paul also gets props for his guitar solo which helps secure the band a captive audience of about 75 soldiers (although about 150 catch glimpses of their set). When the set is over, the members of Clarias get off the stage and take my cue to go up to the soldiers as opposed to waiting for the soldiers to approach them. What ensues is the ultimate bro down. The servicemen are extremely appreciative of the band’s American made rock ‘n’ roll. Overall, the night is a success (of course there is always room for improvement).

Back at the billet we debrief. The band admits they were all initially intimidated by their audience, which explains the weak attempts to connect with the soldiers while on stage. My advice on how to overcome audience intimidation is three-pronged: 1. Display confidence even when you don’t feel it—this will earn you immediate unspoken respect. 2. Show your audience how to engage with you and how to praise you. (Stepping up to the front of the stage during soloing, making eye contact, leading hand claps, etc. are all ways to engage). 3. Above all else, have fun. Fun is contagious and no one will ever fault you when they see your enjoyment on stage.

Next stop Yokota, where we’ll see if the feedback pays off.

-KB

KB’S DIARY OF CLARIAS TOUR: NEXT STOP GUAM

OSBlog_Clarias
By the time you read this, I will be on my way to Guam with a pop rock band from Boston called Clarias. In my past music industry life I was the Director of both the Boston Music Awards and NEMO Music Festival, and as such I would run into the band from time to time. The band fell off my radar for a spell but they got my attention when they ranked number one in the “MTV Best Breakout Artist–Boston” music channel on OurStage (although Gentlemen Hall ultimately took home the MTV win).

The track that they entered into the contest—”Wonder/Wander”—is hooky as hell with the polish of seasoned talent. Some of the track’s secret ingredients come courtesy of the experienced production skills of Matthew Ellard, who produced and engineered Clarias’ third studio release, The Days Of The Getaway. Matthew and I have been friends ever since he produced recordings for a couple of bands I managed several years ago. I got in touch with Matthew to compliment him on the track and share the news of the band’s success on OurStage. It was at this time that he asked—well maybe pleaded—that I meet up with the band and give them some advice on what to do with their new recording, a project that he was very proud of. I immediately agreed to do it.

When I met with the band, it didn’t take long to realized that Clarias—like many others in their position—needed direction.  Years of hard work resulted in nothing more than spinning wheels and career plateaus following spikes of success. During our conversation I couldn’t help think about how many times I’ve had this same conversation with an emerging artist, and how I wish I could sit down every new band and spell a few things out for them.

A lot of artists seem to get overwhelmed with the business side of their art even though some things are common sense. I think many bands would greatly benefit from some frank industry discussions, tough love as well as encouragement. As I left my initial meeting with Clarias I said to myself, “I’m going to offer to mentor this band and I’m going to film all our meetings so I can share the insights with other bands in their position.” So that’s exactly what I am doing. Don’t know when or in what format the footage will air but the cameras are rolling.

Clarias and I have been getting together on a weekly basis for the past six weeks or so. As time went on, I was able to pinpoint a few reasons why the band had yet to reach the next level. While we are on tour, we are going to work on some of their “weaknesses” such as the live SHOW (they are great performers but that is not enough—people want to see showmanship) and the ability to make fans. These are key components in any artist’s success but many musicians take these two aspects of their artistry for granted.  So while Clairas is on tour they will be in rock ‘n’ roll boot camp, and I will be the drill sergeant (minus the motivational screaming).

It’s getting late and I have an early morning flight. If you want to read a little more on the behind-the-scenes antics, go HERE. Otherwise I hope to blog post performance at Anderson Air Base.

And remember, the ultimate goal is that by mentoring one band I can virtually mentor others. Will share the things I’ve learned along the way.

-KB

OURSTAGE MODEL U.N.- JAPAN

Tigarah is Tokyo's Ambassador of Electropop

Tigarah

Japan is a veritable treasure trove for good music. Be it the adorable ukulele duo of Petty Booka or fist pumping riffs of Boris – the land of the rising sun’s music scene is just as diverse as the one in the good old U.S. of A. There aren’t a whole lot of Japanese acts on OurStage right now but the few that are members of the community are worth checking out:

Free Cube is a jazzy duo specializing in sultry females vocals over relaxing bossa nova rhythms – a good eastern counterpart to Bitter:Sweet.

Orsenna is a rock group with electro and shoegaze influences. The band is based out of Osaka and has a French ex-pat on vocals.

Hailing from Tokyo there’s electropop singer Tigarah. Her track “Let Me Plug USB Stick In” is sure to be a hit with fans of Norwegian singer/DJ Annie.

Last but not least, there’s the avant-garde folk pop group Yellow Peril. Their track “Somnia” draws upon influences from EELS and Beck’s acoustic works.

For a sampling of these artists from Japan you can check out this playlist while eating your favorite supermarket sushi – try to take it easy on the wasabi.