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Sound and Vision: Is Gotye This Year's Foster the People?

Here today, gone today, one-hit wonders make the world of pop go round”but never for long.

The late ˜70s gave us a plethora of short-term disco stars who lived”and quickly died”by the groove, while the Tacos, the Kajagoogoos and the After the Fires of the early ˜80s, arrived wielding synthesizers and tressed for fifteen minutes and less of success. More recently, in 2005 and 2006, sensitive singer-songwriter guys Daniel Powter (Bad Day) and James Blunt (You’re Beautiful) helped usher out the pre-Rihanna/Katy Perry/Lady Gaga phase of pop.

In 2009, as a higher number of headlining newcomers than usual ascended to the summit (Lady Gaga, Jay Sean and Jason DeRülo, among them), at least one, Owl City”the act behind Fireflies”was bound to never fly anywhere near those heights again. And last year, with dance music dominating the airwaves more dramatically than it had since the aforementioned disco age, we got indie-pop with a beat for exactly one massive hit single, courtesy of Foster the People, who went all the way to No. 3 with Pumped Up Kicks.

Which of 2012’s first-timers so far are most likely to not still be succeeding by their next single? fun., the rock trio that recently spent six weeks at No. 1 with “We Are Young”? Or Gotye, who rode a quirky song and an even more oddball video all the way to the top?

At a quick glance, Gotye seems to have all of the trappings of a one-hit wonder. Interesting name that one might need a pronunciation key to get right? Check. Song that sounds unlike anything else on the radio? Check. A colorful video that jumps off the screen for reasons that have as much to do with the high concept as the song itself? Check.

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Rock 'n' Roll Call: Punk Goes Pop, Volume 3

It’s been ten years since the release of Punk Goes Metal, the first of a nine-disc set of cover compilations released by Fearless Records. Today, the tenth installment in the series, Punk Goes Pop, Volume 3, hits shelves.

Upon first view of the tracklisting, you may be surprised to see which artists appear on this record. While the early Punk Goes… albums featured scene staples like Yellowcard, The Starting Line, Thrice and Taking Back Sunday, Punk Goes Pop, Volume 3‘s lineup includes few artists that the average music listener would know (and certainly no bands that truly qualify as “punk”). The question from here on out, then, is: Can the underdogs pull their weight?

The album starts off with a cover of Jay Sean‘s “Down” by “crunkcore” duo Breathe Carolina. Unfortunately for Breathe Carolina, the very mention of “crunkcore” will be enough to keep many from giving this track a chance.

Crunkcore duo Breathe Carolina open the record with their cover of Jay Sean's "Down"

“Down” does set the tone for most of the record, though, which reflects the hottest trend in pop rock: the electronic-meets-screamo style made famous by bands like Attack Attack! and 3OH!3. If this doesn’t sound like your cup of tea, be warned: you probably won’t like most of Punk Goes Pop, Volume 3.

The third track, a cover of Lady Gaga‘s “Bad Romance,” comes to us from OurStage band Artist Vs Poet. Though it’s been covered a million times already, this is a solid version of it and remains very true to the original.

Another highlight of the record is Mayday Parade‘s cover of Jason Derülo‘s “In My Head.” Vocalist Derek Sanders can hit all the high notes without relying on autotune, and the track as a whole is refreshingly straight forward and not overproduced.

We Came As Romans' cover of "My Love" might just give JT a run for his money

After the harmony-laden pop vocals of Sparks the Rescue‘s cover of “Need You Now” by Lady Antebellum fade out, you may be caught off-guard by the growls of We Came As Romans vocalist David Stephens. Romans’ cover of “My Love” actually ends the record nicely, though, with clean vocalist Kyle Pavone’s Justin Timberlake-like croon going head-to-head with breakdowns and synth riffs.

Unfortunately, covers do not always do the original song justice (you’ll probably find yourself skipping The Ready Set‘s bland version of B.o.B and Hayley Williams’ “Airplanes”), but if you’re a fan of teen “popcore,” you’re likely to be pleasantly surprised with this collection.

Pick up Punk Goes Pop, Volume 3 in record stores and online today and check out Mayday Parade’s cover of “In My Head” below!

Tracklisting:

1. Breathe Carolina – “Down” (originally recorded by Jay Sean ft. Lil Wayne)
2. Woe, Is Me – “Hot ‘N Cold” (originally recorded by Katy Perry)
3. Artist Vs Poet – “Bad Romance” (originally recorded by Lady GaGa)
4. Mayday Parade – “In My Head” (originally recorded by Jason Derülo)
5. Asking Alexandria – “Right Now (Na Na Na)” (originally recorded by Akon)
6. This Century – “Paper Planes” (originally recorded by M.I.A.)
7. The Word Alive – “Heartless” (originally recorded by Kanye West)
8. Family Force 5 – “Bulletproof” (originally recorded by La Roux)
9. Of Mice & Men – “Blame It” (originally recorded by Jamie Foxx ft. T-Pain)
10. Miss May I – “Run This Town” (originally recorded by Jay-Z ft. Kanye West and Rihanna)
11. The Ready Set – “Airplanes” (originally recorded by B.o.B ft. Hayley Williams)
12. Cute Is What We Aim For – “Dead And Gone” (originally recorded by T.I. ft. Justin Timberlake)
13. Sparks The Rescue – “Need You Now” (originally recorded by Lady Antebellum)
14. We Came As Romans – “My Love” (originally recorded by Justin Timberlake ft. T.I.)