Instead of Artist of the Week, this post should be titled, Artist You Are Hearing All Over Commercial Pop Radio. Unfortunately, making that latter a reality is not directly within our powers. It’s also a little wordy, and so we announce that our Artist of the Week is the incomparable Brittany Campbell.
Campbell is a singer, songwriter, and producer from New York. Sure, that describes a hundred thousand people. Campbell is better than them. Her music is the perfect storm of pop, soul, R&B, and rock. She cites Amy Winehouse, Blondie, Joni Mitchell, and Jimi Hendrix as influences. Do you really not want to get on that train? Is that how you want to live your life? Get it together, do the right thing, and listen to these songs.
Think you’ve heard it all from the world’s most revolutionary axeman? You’re not totally experienced yet. On March 5, a previously-unreleased collection of Jimi Hendrix songs will finally see the light more than 40 years after they were initially put to tape. The album, People, Hell and Angels, will contain songs originally intended for First Rays of the New Rising Sun, the unfinished double album that Hendrix was working on just before his death in 1970. Supposedly, the lost tracks will feature Hendrix dabbling in horns, percussion, and keyboards, expanding his already adventurous style into new sonic territory. In the meantime, fans can check out limited-time screenings of the guitarist’s legendary set at Woodstock in celebration of the 70th anniversary of his birth.
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What’s underneath those beards, anyway? Anyone who has ever lent an ear to the legacy of long-lived boogie rock legends ZZ Top can tell you that there’s a fair share of Texas blues in the band’s background. But as an elegantly appointed new boxed set makes clear, the backstory of Billy Gibbons”the Top’s singer and guitarist since their ’69 inception”also boasts a heaping helping of psychedelia.
Moving Sidewalks “ The Complete Collection, just released by reissue specialists Rockbeat Records, chronicles the journey of a young Billy Gibbons through the Houston music scene of the mid-to-late ˜60s on his way to forming the band that would become a rock & roll phenomenon. If you’ve ever yearned to peek beneath the fulsome facial hair of the famous frontman, either literally or figuratively, all you have to do is open up this enticing package. Not only does the photo-laden 54-page booklet offer up images of a clean-shaven, baby-faced Billy in his teens as a member of The Coachmen and then the Moving Sidewalks, the two CDs encompass the entirety of both bands’ output. (more…)
Nikole Texidore grew up listening to her father, jazz percussionist J. Habao Texidor, tell stories about sharing the stage with Miles Davis, Charles Mingus, Led Zeppelin, Frank Zappa, and Jimi Hendrix. It didn’t take long for that rich heritage to awaken Texidore’s own talents, which are considerable. NikTex is the product of those talents, a collaboration between Texidor and her musical partner, multi-instrumentalist Manjinder Benning. Together, the duo composes poppy, ethereal folk melodies flecked with jazz and Eastern influences. Red Guitar combines a lulling little guitar line with the scratch of guero and Texidore’s luminous, multi-tracked vocals for a jazzy, off-kilter melody. On This Too Will Pass a simple acoustic guitar line leads to a thicket of textures: running water, chirping birds, shaken percussion. NikTex are adept at braiding together different sounds, like on Pantyhose, which features tabla, muted synth sequences, guitar, and languorous, sleepy harmonies. Next stop: blissful oblivion.