I have to admit, I haven’t been one of those swept away by the recent Yeezus phenomenon, though Kanye‘s most recent album did receive some pretty high praise, including two Grammy nominations (though according to Kanye, he definitely deserved even more nominations. Two just won’t do.) But for those who felt Yeezus was snubbed by so few nominations, or who simply don’t want to see the album fade away, you won’t have to. Directed by Hype Williams (Belly), Kanye is bringing Yeezus to the silver screen. Unfortunately, the details are pretty scant right now, but you can check out a short trailer for the film here. Will you be seeing Yeezus when it hits theaters?
I imagine that there’s a certain feeling of flattery in being named one of the most illegally downloaded artists of the year. Musicmetric, which analyzes data from Bit Torrent, has revealed that at over five million downloads each, Bruno Mars and Rihanna earned the top spots in this category, while Justin Timberlake, Daft Punk, and Flo Rida rounded out the top five. Also in the top 10 were Kanye West, Jay Z, Eminem, Drake, and Pitbull.
Gregory Mead of Musicmetric reminds readers that the analytics “don’t condone piracy,” but rather help artists plan around where their fans are, in order to optimize tours ” similar to what Iron Maiden has started doing. Musicmetric also measures social media success, and found Taylor Swift to be the winner, with an added 29.5 million new followers in 2013, with Katy Perry close behind at an added 29.2 million new followers.
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Kanye West has found himself tangled in a lawsuit for sampling a vocal track of soul singer Ricky Spicer (The Ponderosa Twins Plus One) in his track, “Bound 2.” Spicer filed a lawsuit against West this past Monday, along with Roc-a Fella Records, Universal Music Group, and Island Def Jam Music Group, with Spicer seeking “an injunction and damages for alleged violations of New York civil right of publicity law (section 51), unjust enrichment and common law copyright infringement.”
The lawsuit states that after recording “Bound” with The Ponderosa Twins at age 12, Spicer went on to perform with acts such as James Brown and Gladys Knight. “For all his accomplishments,” the court papers state, “Mr. Spicer was not fairly compensated.” Check out the two tracks below and let us know what you think. (more…)
What a character Kanye West is. Sometimes he comes off totally bonkers, other times he appears to be an artist of a caliber so high that we can barely keep up with him. But the best is when both happen in one instance. Take his little impromptu speech at Harvard University last month, in which he veered from incoherent to highly-conceptual in the space of a single sentence. Now comes video of a November 8th performance in San Antonio, Texas, where Kanye has clearly had enough from some audience members who won’t stop imploring him to remove his Maison Martin Margiela-created mask – part of his stage costume.
He tells the fans that they can see his face “every motherfucking day on the Internet” before stating his chief problem: “I came here, I open up a mountain…and you tryin’ to tell me how to give you my art.”
You do not fuck with Kanye’s art.
He goes back to a freestyle explaining why he wears the mask, taking it all with a little humor, but then one woman continues to shout at him to take off the mask. He then signals to security to have the woman removed, to the delight of the crowd.
“Do I look like a motherfucking comedian? Don’t fucking heckle me. I’m Kanye motherfucking West.”
Kim Kardashian has nothing to do with this story, but now that I’ve mentioned her, way more people will read this. Hi, Kim fans!
Amid the avalanche of criticism aimed at Kanye West’s over-the-top, obviously green-screened, naked Kim Kardashian-featuring, fake motorcycle-riding new video for “Bound 2,” is one common complaint that just keeps recurring: the video is too damn cheesy.
And, yes, it is. Yes, it’s the visual equivalent of a romance novel you’d find in the supermarket checkout line, or a drunkenly ill-conceived artistic partnership between Lisa Frank and Thomas Kinkade. But, of course, when a video is this incredibly kitschy, it’s usually a signal that the people who created it must have done so intentionally. Other than a basic lack of self-awareness on the part of the director and star, how else could you explain why an idea so cheesy is executed so gleefully and without restraint?
And if you look at it as intentional, then maybe it’s possible to see the the video as a deliberately corny ode to the feeling of falling in love, to the understanding that the cheesy and stupid emotions that you never thought would ever possess you can be both surprisingly real and frighteningly in the driver’s seat when it comes to your decision-making; that the cheesiness of those emotions actually isn’t fabricated, but real, and might in fact be the only thing really worth championing in a world where so much else is fake and manufactured. This might explain why cheap green-screening takes the center stage in the video: as the visual equivalent of the inherent corniness that real, uncool, stupid-looking human love entails.
But, of course, according to Kanye, that’s not what he means. In an interview yesterday with The Breakfast Club on New York’s Power 105 FM, Kanye stated straightforwardly that his intention with the video was “to show you that this is The Hunger Games. I want to show you that this is the type of imagery that’s being presented to all of us, and the only difference is a black dude in the middle of it. Admittedly, this is a pretty vague statement, but his remarks later on in the interview clarify his position a bit, as he goes on to say: “We’re enslaved by brands¦We’re controlled by peer pressure. We’re controlled by the desire for a particular car.”