Tag Archive for 'Kanye West'

FROM THE CMJ RELAY ARCHIVES: OURSTAGE PICKS VOL. 15

cmjdotcom_webWelcome to our fifteenth installment featuring CMJ’s OurStage Staff Picks from the CMJ Relay Blog. CMJ is well known for their industry leading New Music Report magazine, which contains music reviews, artist news and interviews with the best artists being played on college radio.

Sicarus

“Changing Faces”
Hard Rock
The strength of Sicarus’s “Changing Faces” lies not in its blistering guitar solos or insane bass pedal pumping, but in contrasting them with a powerful opening (and recurring) vocal riff.
RIYL: Mastodon, Rise Against, Saosin

Yung Papi

“Crown Me”
Hip-hop
Sampling the opening riff of Beethoven’s Edgemont Overture is an educated and compelling move that will go over most heads, but works brilliantly in this boisterous young rapper’s favor.
RIYL: Lil’ Wayne, Kanye West, Jay Electronica

Nicolay

“Grand Theft Auto (GTA)”
Hip-hop
The title says it all. This track is pulsing with a beat that generates enough adrenaline to take on the street racing, police helicopter evasion, gang wars, and girls described in the lyrics. Let’s see the 5.0 try and keep up with this!
RIYL: The Game, Young Jeezy, Lloyd Banks

THE COLLEGE TRY

The salad days of Clarias

The salad days of Clarias

What’s the quickest way to link Nickelback to Kanye West? It may be via a band from Boston named Clarias, who’ve shared the stage with both. This should give you two clues about their music:  (a) it can and will get epic on you and (b) it demands you shake whatever it is you’re working with.

For a band who started off as college rock, Clarias is as mercurial as hell. Take, for example, the song “Wonder/Wander” off their new album The Days of The Getaway. What starts off as  funk rock on hyper speed, complete with Doobie Brothers-worthy riffs, segues into frenetic pop rock with guitars that rear up and demand that you dance, like RIGHT NOW. Then there’s “WINOK” (an acronym for “What If No One Knows”), a poly-rhythmic, multi-part rock odyssey that shimmers and soars. Fans of Dave Matthews Band will find plenty to like here. Oddly enough, Clarias hasn’t played with those guys yet. Maybe next tour.

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FROM THE CMJ RELAY ARCHIVES: OURSTAGE PICKS VOL. 3

cmjdotcom_webWelcome to our third installment featuring CMJ’s OurStage Staff Picks from the CMJ Relay Blog. CMJ is well known for their industry leading New Music Report magazine, which contains music reviews, artist news and interviews with the best artists being played on college radio. The New Music Report contains top played charts compiled from college radio stations all across the US. CMJ is also well known for hosting the CMJ Music Marathon & Film Festival , a city wide festival in New York featuring the best emerging artists and film makers.

Val Broeksmit/Bikini Robot Army

“Fragile Things”
Acoustic Channel
This is a great throwback to the classic rock era. The song takes its sound from a decadent time when intoxicating psychedelic funk flooded the airwaves.
RIYL: Steppenwolf, War, T. Rex
WEB: http://www.myspace.com/bikinirobotarmy

Five Foot Nine

“Jardin Du Luxembourg”
Indie/Alternative Channel
Male and female vocals light up the song along with organ and glitchy bleeps that lay down an outline for everything else to fit into place.
RIYL: Paul Simon, Talking Heads, David Bowie
WEB: http://www.fivefootnine.net/index.html

Edgar Allen Floe

“The Righteous Way To Go”
Hip Hop Channel
Accompanied by orchestral samples and laid-back beats, Edgar Allen Floe’s rhymes are as literate as his name suggests.
RIYL: Kanye West, Nas
WEB: http://www.myspace.com/eafloe

BETTING ON GAMBLE

gamble
When it comes to hip hop, Chi-Town has been good to us. Common, Kanye West and Lupe Fiasco make up the upper echelon of Second City rappers, with plenty of young talent vying to join them. Pay attention to one voice in the chorus of many. His name is Keith Gamble, and he’s got the chops to storm the gates and rock the city.

Exhibits A & B: Songs like “Heads High” and ”Am I Supposed To Be Here” — both of which showcase sleek production, deft beats and tons of lyrical braggadocio. Some credit goes to Keith Harris, producer for Black Eyed Peas, who Gamble teamed up with for his record and who puts a radio-ready sheen on many of the tracks. But Gamble holds his end up as well—whether he’s recounting his single parent upbringing, lamenting the loss of a lover or chronicling life on the streets. The rapper may not break the mold, but he definitely breaks away from the pack by showing his mastery of the game.


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STRIPPING THE BED: QUIETED DOWN COVERS

Ever since Kris Allen covered Kanye West’s “Heartless” on

Kris Allen on Idol

Kris Allen on Idol

American Idol, I’ve been wondering “can you totally change the feel of a top song and still make it better?” In West’s case, “Heartless” has already been covered by 3 major players;  Mia Carruthers of MTV’s Taking the Stage, A.I’s Kris Allen, and The Fray.  It seems every where I turn I am hearing songs I know with a totally different sound because simple versions of radio’s hit songs are taking over the airwaves and Internet.  Personally I want to switch out the over-synthesized versions for these stripped down, straight up awesome songs. So, clearly the answer is “yes.”

Boyce Avenue performing live!

Boyce Avenue performing live!

Is Madonna madness slowly killing your soul? Try Boyce Avenue’s version of “4 Minutes”. Love Rhianna but her songs too high energy for every occasion? Never fear, you can still enjoy “SOS” by The Last Shadow Puppets. Is Alicia Keys a little too soulful for you? Then maybe The Honorary Title’s cover of “No One” is more up your alley.

Max vs. Katy: You Decide!

Max vs. Katy: You Decide!

Perhaps you’re more into a guy singing about kissing a girlno worries, Max Vernon’s version of Katy Perry’s breakout hit reverses roles.

I’ve never been one for the bells and whistles. For me, there’s nothing like listening to an original spin on a popular work. That way I the rare bird communications major and resident country girl here at OurStage actually has something slightly “underground” or “emerging” to talk about around the water cooler. I feel a sense of pride when using lingo like “acoustic” and “cover.”  You see, my pop culturalized knowledge of music is comparable to a child coming into an anatomy class only knowing “Head, Shoulders, Knees and Toes” because they heard it at nursery school a zillion times. Having said that, I can truly appreciate songs that are a little lesser known, but still relevant. These cover songs are like the covers on my bed, making me feel secure and warm in a cold world of music majors and teenyboppers.

Later this week, you’ll be seeing a blog about songs composed by extraordinarily large bands written by my Community comrade, Aidan. He may argue the point that bigger is better. But I beg the question, “Isn’t less more?”. If something is good, its good, PLAIN and SIMPLE. No need to overcompensate with frills, bows and electric guitar. Stay tuned and see.  I’m sure you’ll be siding with me.