Another dazzling new video from Kat Robichaud and the Darling Misfits, “The Apple Pie and The Knife” is from her recent self-titled LP (which we reviewed here). The song and video are both intended to stand against the slut shaming of women, especially by other women, and they hit the mark brilliantly. “You call me a whore because I’m not a man…You want the apple pie, but I’m the knife too sharp to swallow.” It’s so good.
Filmed by the same creative team (and apparently in the same session) that produced Kat’s last video, “Why Do You love Me Now,” this one shares some aesthetics with the earlier video but has a completely different energy. Watch it here:
Kat Robichaud and the Darling Misfits released a fantastic album back in January. The self-titled LP is blazing with big, powerful pop and glam rock songs, including “Why Do You Love Me Now,” a plaintive piano ballad that explodes with the force of Robichaud’s voice. Couple that with this mesmerizing, shot-in-one-take video, and you’ve got a winner.
The new album from Kat Robichaud and The Darling Misfits is out today, January 27th. An impressive, ambitious, and confident collection of dramatic rock and pop songs, the eponymous record was funded by fans earned by Robichaud throughout her time as front-woman of The Design and, most famously, during her thrilling run as a contender on The Voice.
There are no shortage of artists today aiming for the grand and theatrical, inspired by Lady Gaga, Dresden Dolls and the like – and surely these are influences on Kat Robichaud as well. But what makes this a special record, and Robichaud a special artist, is her natural edge. We would not hesitate to classify this as a rock and roll record, despite its polished pop production, purely for the non-stop intensity and the sheer force of the singer’s will. More Queen and Foxy Shazam than Gaga, really.
On top of this, the LP is beautifully bizarre. It is funny, clever, defiant, and plainly well-written. Sound collages recur throughout, sometimes to create or enhance a vibe, and occasionally just for a laugh. Yet this is no novelty. Veering between wrenching balladry and dynamic, piano-pounding epics, this is the sound of an artist going for broke, being completely true to herself and discovering her own essence, having tested her limits and finding only those that are self-imposed.
December’s winners (and more) are featured on the OurStage show streaming now on AmazingRadio.com. Listen in to hear music from Adios Mafia, Jesi Jones, Ju’not, Jillian Valentine, Space Walk, The Delta Riot, Sho Skrilla, Summerlyn Powers, Late Cambrian, Annalise Emerick, Yellabird, The Figgs, Kat Robichaud, and Shotty.
While you were mentally blowing off work in anticipation of your vacation, Yahoo Music was premiering the new official lyric video for Kat Robichaud and the Darling Misfits‘ “Somebody Call The Doctor.” The propulsive lead track from her upcoming album (January 27th) hit the web on December 23rd. Sure, it’s not all mistletoe and eggnog, but with all that out of the way, it’s time to focus on how spectacular this song sounds, and how entertaining the Doctor Who-themed video is. We’ll have more about the full-length soon, but until then, please enjoy:
The opening scenes of an audition on The Voice are always tense. Four judges sit with their backs to the singer, each one waiting to discover their next protege. As Kat Robichaud belted out the words to the Kiki Dee Band‘s “I’ve Got The Music In Me,” judge after judge turned their chair around to watch her ferocious performance, before battling it out. In the end Robichaud chose Cee Lo Green to be her partner in crime. You can watch the whole thing unfold below. (more…)
It takes a mighty presence to hold an arena-sized audience captive. And though Kat Robichaud, who fronts Raleigh-based band The Design, has spent the bulk of her career on smaller stages, she’s the kind of heavyweight performer who could shake the rafters of a stadium. Armed with a muscular contralto, the singer powers through theatrical rockers that harken back to the ˜80s. Young America is the soundtrack to defiance, a stomping gutter groove for those with their jaws firmly jutted out. But even protestors like to take things to the dance floor now and then, and Sing, Girl, Sing provides the chunky rock guitars, a funk bass line, and angular percussion to get things moving. Still, The Design is a band that thrives on dissent, and nowhere is their unrest more palatable than on Burn” a rallying cry sounded by syncopated drums and a salvo of gnarly guitars. I will not be found wanting, Robichaud warns. No, ma’am. Absolutely not.