Today In Oasis Nonsense

2014Oasis_Getty85216701130314Oasis is the gift that keeps on giving. Years after their final performance, the ’90s Britpop giants continue to entertain, mostly for the Gallagher brothers’ often hilarious continued offstage sniping. Really, CBS should have made one or both of them an offer to take over the Letterman show. We would tune in regularly. But singer Liam Gallagher threw fans into a frenzy last night when he tweeted “OASIS” one letter at a time (and then helpfully summarizing, in a single tweet, “OASIS LG” (yes, he signs his tweets “LG”)).

Does this mean a reunion is in the works, as many have speculated? No. It means Liam was either screwing with fans or drunk or both. Paul ‘Bonehead’ Arthurs, former guitarist of the band, told NME he thought maybe Liam was just thinking out loud, so to speak, because the two had been out drinking together.

In reaction to the tweets, bookmakers suspended bets on Oasis headlining Glastonbury Festival. Yes, Liam Gallagher’s tweets caused such instability in the market as to suspend trading.

In any case, this is as good an opportunity as any to revisit, as NME did, the comedy gold that is Liam’s twitter account, as well as a recent viral hit – brother Noel‘s commentary on old Oasis videos.

“Oh, I was fucking drunk…in this video. Look how pissed I am there. That’s me really pissed.”

More like this:
Riffs, Rants & Rumors: Beady Eye Finds Life After Oasis
Sound And Vision: Why I Miss the ’90s
Sound And Vision: Celebrity Feuds ” Pop Is a Battlefield, World War II

Vs: 2011's Biggest Beefs

All month long you’ve been bombarded with year-end lists ranking the best albums of the year, songs of the year and the like. Here at Vs., however, we decided to give you a more unique year-end list; the year’s biggest music beefs. Feuding musicians is nothing new to rock and roll, but the advent of the Internet and sites like Twitter give artists an easy platform to take shots at each other”and we get to watch it all happen in real time. So without further ado, the music world’s biggest beefs of 2011:


4. Bon Iver vs. The Avalanches






This one all started back in February, when The New York Times held an interview with Bon Iver’s Justin Vernon. There was an unpublished excerpt in the interview regarding the GRAMMYs, where Vernon called them “ridiculous” and “not important,” and also slammed any artist who was hoping to win a GRAMMY. But after Bon Iver was nominated for four GRAMMY awards, the unpublished excerpts leaked online. Electronic group The Avalanches took offense to these comments, especially since Vernon is appearing in ads for Bushmills whiskey. The band said via Twitter, “a musicians ˜art is compromised’ if he/she desires a grammy .but endor$ing a product with proven devastating health risks is ok? a product which kills 100k p/a in the US kids look up to you. #rememberwhenitwascoolNOTtosellout.” While the Avalanches do bring up some good points about the dangers of alcohol and how Vernon’s appearance in the ads might possibly affect the younger members of his fan base, their comments about selling out seem a bit over dramatic. With record sales dwindling it’s become common practice for indie artists to license their music for advertisements in order to make a living. Artists like The Black Keys, Vampire Weekend and countless others have done so in recent years while maintaining their artistic integrity. Our advice to the Avalanches? Quit trying to pick fights with other bands and finish your second album already! We’ve only been waiting eleven years….


Sound And Vision: Celebrity Feuds — Pop Is a Battlefield, World War II

“Take back Vanessa Redgrave
Take back Joe Piscopo
Take back Eddie Murphy
Give ’em all some place to go”

” Tom Petty, “Jammin’ Me” (1987)

“Fuck Tom Petty!””Eddie Murphy

Oh, those crazy stars! What will they say next? And will they ever learn? What a tangled web they weave when they start to take pot shots at each other.

Celebrity feuds have existed since before the dawn of the pop charts. Eminem owes much of his early notoriety to cutting down to size the likes of Britney Spears, Christina Aguilera, ‘N Sync and Moby in videos and on record. Meanwhile, off the record (though always totally for attribution), Katy Perry has never met a fellow chart-topper she wouldn’t slag off.

But lately, stars keep colliding and disturbing the peace in the music galaxy. Liam Gallagher just filed suit against his brother Noel over the latter’s claim that Liam pulled out of a high-profile Oasis gig in 2009 due to a hangover and over comments Noel made blaming Liam for the demise of the band. But then brothers in arms have engaged in verbal”and occasionally, physical” combat since the heyday of the Kinks, which featured the dueling Davies, Ray and Dave. Chris and Rich Robinson of the Black Crowes, William and Jim Reid of the Jesus and Mary Chain, and Kings of Leon‘s Followill brothers have the battle scars to prove it.


Wednesday, August 31, 2011

Friday, August 19, 2011

Thursday, June 2, 2011

Liam Gallagher And Odd Future: A Match Made In Blog Quote Heaven

Let it be known that this might be the only time one of the Gallaghers and Odd Future share headline space.

Liam Gallagher, to the surprise of no one,  has been in the news recently for propensity for making outlandish statements. Whether he’s blasting Radiohead, defying the Strokes, ripping on Jay-Z’s clothing line or dissing Twitter, the younger Gallagher is still railing on like he has been for years. In fact, it would be fair to say that what Twitter is to communication Liam Gallagher is to baseless verbal attacks. And while Noel was historically the more ranty of the brothers, it seems like Liam has been picking up the slack for him in the past few months.

However, there has been one recent development for Gallagher that sets his most recent clump of remarks apart from his more historic comments and that is that Liam Gallagher is losing his relevancy. That’s not to say that Beady Eye’s new record hasn’t been a moderate success in both commercial and critical terms but it’s no (What’s The Story) Morning Glory. He’s ranting at the same pace he has for years but his level of contemporary distinction has been shrinking, not growing. How is he still able to get away with this? More on that in a minute, but let’s take a look at a group which is also known for their controversial statements.

Kids, let’s rap about Odd Future for a minute.

In case you’re not familiar with shock rap wunderkinds Odd Future you can familiarize yourself with the group here, or here, or here, or here or if reading’s not your thing, watch their infamous Jimmy Fallon performance, their first real taste of the mainstream spotlight.

We still have you? Good. Group ringleader Tyler, the Creator has been the center of the spotlight during the group’s rise to prominence and the kid has a bit of a mouth on him. Like a young Eminem, his raps consist of clever wordplay and pop culture references mixed in with dashes of ultra violence, absurdity and the occasionally heartbreaking confessional.  His Twitter is comedic gold and probably the main source of the quotable Tyler outside of his incredibly explicit songs. Despite being so green as a rapper, Tyler has even played out his first feud!

In his lead single “Yonkers” off upcoming album Goblin Tyler states his intention to “crash that f***** airplane that that f***** n***** B.o.B is in and stab Bruno Mars in his g****** esophagus”. Two weeks later, B.o.B released diss track “No Future” aimed at the OF kids. At least we assume so because B.o.B never mentions Tyler or the group by name instead claiming that whoever the intended target of his rhyme is”They keep f***** with me, they ain’t gonna have no future”. Tyler’s response?

Let’s compare and contrast. An aging rock star writes his pop songs but uses his public persona as a pulpit to take pot shots at his chosen targets, of which there are many. A young rapper known for his confrontational and controversial lyrics in his songs but comes off as a fairly amicable human being. One has seen his glory days and is waning and the other is surging, just beginning an exciting career. Neither one of these guys is speaking very softly, but it should be clear who’s carrying the bigger stick.

Tuesday, March 8, 2011

Riffs, Rants & Rumors: Beady Eye Finds Life After Oasis

Fame is seldom more of a double-edged sword than when you’re trying to sneak your way around it. Such is the dilemma faced by Beady Eye, the band that was created when the chronically fractious relationship between Oasis‘s battling siblings Liam and Noel Gallagher finally imploded for good in 2009. Beady Eye is basically Oasis minus frontman Liam, and try as they might, it seems highly unlikely that they’ll be viewed otherwise. On some level, that’s fair. Noel was, after all, the main songwriter in Oasis, and beyond coming up with a different name”which was probably a legal necessity”he hasn’t exactly gone out of his way to distance himself from that legacy, continuing on with the same musicians and remaining in the same general Britpop bag. He’s even abandoned the guitar so he can stand out front, bent over at the waist, with his hands behind his back a la Liam.

On the other hand” the one that’s held out in a futile attempt to stop the British press’s ludicrous comparisons between Beady Eye’s debut, Different Gear, Still Speeding, and early Oasis”this is not Oasis, anymore than, say, New Order was Joy Division after Ian Curtis departed this mortal vale. The one thing both Gallagher brothers might conceivably agree on is the fact that Oasis can’t exist without both of them. And while few new indie bands”Different Gear is out on the band’s own label in the UK and the small Dangerbird imprint stateside”without Beady Eye’s pedigree would get as much attention, even fewer would face as many lofty expectations and harsh comparisons.

Whichever side of the question you come down on, in the end there’s really only one salient question to be asked: What does the album sound like? Well, it should surprise no one on either side to learn that it’s no Definitely Maybe or (What’s the Story) Morning Glory, but it’s also considerably more fun than Oasis’s swan song, Dig Out Your Soul, and on its own merits it’s not half bad. Without the Oasis name hanging over his head”in theory, at least”it’s possible for Noel to leave some of the baggage behind. He no longer sounds like he’s trying to maintain the title of England’s Greatest Band; when he sings I just wanna rock & roll on Beatles & Stones (ironically one of the album’s least Beatlesque tracks), it’s easy to believe him. While there are plenty of undeniable Oasis touches here and there, Different Gear feels lighter, capable of achieving higher velocity with less fuel intake; in other words, the rockers have some roll to them for a change, and it seems like Noel and company are actually having fun.

The pop hooks that have always been a mainstay of Gallagher’s trickbag get more breathing room as well. Steve Lilywhite‘s work here serves as a reminder that the super-producer was at the helm of The La’s legendary debut album, widely regarded as one of the greatest power-pop records of the ˜90s, not to mention later releases by similarly sparkling popsters such as Crowded House and Guster. For Anyone is a perfect, breezy, two-minute pop gem that would have been right at home on The La’s lone album, while Kill For a Dream could have found it’s own room in a Crowded House. That said, Different Gear is no slamdunk; the Beatles reference points that pop up throughout the album seem almost obligatory at this point, while the glam-rock side of Noel’s influences bears less fruit than his poppier inspirations. And while a fair amount of Oasis-esque fat has been trimmed away, the tendency to repeat the chorus ad infinitum at the end of a song remains an annoying habit.

All in all, though, there’s more to be said for the album than many are likely to admit. In terms of Different Gear‘s eventual reception, the US never really got the Gallaghers to begin with, so it’s unlikely that they’ll start now, and the three singles released in advance of the album in the UK didn’t exactly set the charts aflame. If England’s uncertain response thus far is an honest reaction to the music itself, that’s one thing; if it’s born of an insistence upon Beady Eye living up to past glories that even Oasis itself could no longer manage, then Noel”for perhaps the first time in his high-flying career” is being shortchanged.

Tuesday, March 1, 2011