A while back, The 1975 and Vevo teamed up to record the band’s sold-out performance of “Sex” at Brixton Academy in London. The video features black and white footage and a short intro from the band, before they break into their hit. The performance may be less than five minutes long, but it’s enough to catch the impressive vibe of an obviously charismatic live show. You can check it out for yourself below, and catch the band on their North American tour this spring. (more…)
This isn’t the first time Taylor Swift and Ed Sheeran have teamed up for a surprise duet, nor is it the first time that the audience has responded with a deafening roar of applause. But on February 1st, as Swift played the 02 Arena in London, she teased fans with a new performance, and before long Sheeran had taken over the stage. Check out the performance below, and catch Swift on the last leg of her Red tour in London and Berlin this February.
Who would have thought that Bon Jovi, Taylor Swift, and future king of England, Prince William would share the stage for a weird, yet oddly compelling version of “Living On A Prayer”? At Monday night’s charity gala for Centrepoint at Kensington Palace in London, the three did just that. Performing for celebrities that included Colin Firth and Downton Abbey‘s Michelle Dockery, the three belted out vocals for an endearing unplugged rendition. You can check out a short clip of the action right here.
After a week and a half of speculation, Fall Out Boy have revealed they are in fact planning to make a comeback in 2013. What no one saw coming, however, was just how prepared they were to take on the world of rock once more. Not only did the boys from Chicago announce their return this morning, but they also released a new single and revealed plans for a new album and North American tour later this year.
“My Songs Know What You Did In The Dark (Light Em Up)” marks the official return of Fall Out Boy with a bigger-than-ever sound that picks up right where Folie A Deux left off. The song will be featured on Save Rock And Roll, which is due in stores May 7 through Decaydance Records. You can stream the single below. (more…)
From Sweden to London, England, with nothing but her guitar, a few clothes and a heart of gold, Charlotte Eriksson AKA The Glass Child has poured countless hours of blood, sweat and tears into her craft. Spending sleepless nights on the floors of generous strangers, scraping by for change to make it to the next city, and singing her heart out to audiences every night, Eriksson knows the life of a struggling artist.
With several Top 40 achievements on OurStage and an incredibly strong, captivating voice, The Glass Child is an obvious example of passion, hard work and dedication come to life. Listen to Best Part Of Me below.
The Church Studios is a storied recording facility in London’s delightfully named Crouch End neighborhood. Housed in a gothic chapel, the studio has hosted sessions for Bob Dylan, Radiohead, and Elvis Costello, amongst others. However, the studio’s days may be numbered.
According to the Evening Standard, current owner and UK pop singer David Gray is looking to divest himself of the property or have most or all of the site converted into “flats.” “David would be delighted to sell the Church Studios,” noted a spokesperson for the singer. “But given the current upheaval in the music business and the repercussions on commercial recording studios, it is only prudent to explore other avenues, including redevelopment.”
- This is like a Reader’s Digest version of the internet.
- Get ready to hide that browser window, office workers.
- It’s unclear whether Ryan understands that he is, in fact, the machine.
- One thing Stapp won’t reveal: why Creed was ever popular.
- “Where’s Waldo?” for the post“punk set.
- At least be thankful you were spared from Bellamy’s sparkly suit.
The current line-up of Guns N’ Roses will take the stage later tonight at London’s O2 Arena, finishing up a string of drama-filled UK tour dates. Just make sure you don’t show up in your classic Slash Tee.
NME caught up with a Guns N’ Roses fan who attended last nights show at the O2 Arena, shirtless. That’s right, when 18-year-old James Revell showed up, ticket-in-hand and shirt-on-back, security requested that he remove the offending shirt or he would not be allowed to attend the concert. NME quotes a venue worker at last night’s show as saying, “We were told by the management not to allow anyone into the O2 Arena who is wearing a Slash T-shirt and we are asking anyone who is to remove it and if they refuse they will be turned away.”
Wow. We knew Axl‘s beef with Slash cut pretty deep, just not to the point of enforcing a reverse dress code.
In the words of the surprisingly mature James Revell, “…I think that Axl Rose doesn’t appreciate his fans or anyone for that matter, he needs to grow up and stop acting like a child.”
OK, so I think we can all agree that getting a closer look into the lives of our favorite celebrities is pretty awesome. Whether or not we choose to admit it, most of us have that one famous person (or maybe more) who keeps us fascinated with every tiny detail of their life. The wonderful world of Twitter has made it incredibly easy to stay up-to-date”no paparazzi or gossip magazine required. Celebrities simply share what they want to share, and we eat it up. Sometimes they’ll even respond to their followers and answer their questions! It’s all good fun, except when it’s not. It looks like some celebrities, especially musicians, just aren’t ready for the responsibilities of being famous and having all of this technology right at their fingertips.
Most recently, rapper The Game sent the tweet heard ’round the world, causing so much chaos it almost got him in trouble with the law. His Twitter posted a phone number, telling his close to 600,000 followers that they should call it for an internship opportunity. Well, turns out the phone number was for the Los Angeles Sheriff’s Department and they were not happy; rightfully so, considering their phone lines were jammed for a couple of hours. The Game claims that someone hacked his account, but then went off on a rant about the police, saying “Yall can track down a tweet but cant solve murders !” The department planned to file a complaint but later decided against it after The Game gave a public apology.
M.I.A. is another celeb who recently took to Twitter, but ended up offending her own fans. In the wake of the London riots, she tweeted that she was “going down to the riots to hand out tea and mars bars”. Fans who follow her on the site replied with upset comments, not happy that she was supporting the violence.
You’d think that once a genre breaks into the mainstream, you’d be able to listen to it and tell someone what it is. I mean, what other genre could get coverage in a major online publication that admits that it doesn’t even know what the genre is in the title of the article? Dubstep has been growing in popularity for the past decade but has really come into its own, in the past three years. Most people in college will probably recognize dubstep as that REALLY LOUD bass-heavy dance music they’ve heard at some frat or house party or club venue. Also known as “wobbles”, this music is made to make you nod your head. But that’s not all there is to dubstep, although you would be forgiven for thinking otherwise.
The roots of dubstep can be traced back to UK Grime rap and 2-Step, growing out of the darker elements of drum and bass music in London. The earliest song to be released with many of the characteristics of the sound would be “Charly”. The sound of early dubstep reflects its urban origins; dark, claustrophobic and nervous created via very heavy subbass. The genre even had something of a home base in its early days. Big Apple Records, based in Croydon, South London, was a record shop specializing in jungle, techno and drum and bass releases throughout the 90s. It began to become the heart of the scene with Dubstep musicians Skream and Benga both working in the shop by day and DJing by night. At least one journalist also conjectured that dubstep had a parallel relationship with rising Ketamine use in the UK. Woah man, drugs and music? Slow down, you almost lost me.
Around 2002 and 2003, the term dubstep began to be thrown around to describe this new dance music. With the name came a jump from local scene to regional flavor and then quickly to national prominence. Much has been made as to how quickly dubstep has come to prominence. Probably doesn’t hurt that the music started out in one of the biggest and most international cities in the world.
Skream is a name that keeps coming up time and again through the growth of the genre. The release of his self-titled Skream! in 2006 with the unexpected UK hit “Midnight Request Line” proved to have a great deal of crossover appeal.
House producer Deadmau5 also debuted his first release in 2006. While not a true dubstep adherent, singles like “Strobe”, “Ghosts N Stuff ” and “Faxing Berlin” would prove popular to listeners on both sides of the Atlantic and introduced Americans to music like dubstep. Some wobbles here and there but very melodic and very digestable. Side note: Deadmau5 has started releasing little dubstep experiments on his Soundcloud page and through his Facebook as well. We’ve posted one below for your immediate listening pleasure.
The 2007 release of Burial’s Untrue, maybe the single most important release for dubstep up to that point if for no other reason than the reviews it received when it came out. Getting positive write-ups almost everywhere, it has since appeared in the Top 10 releases of the decade lists in FACT Magazine, Stylus Magazine and, most notably, placed Number 3 on Resident Advisor’s Top 100 albums of the decade. This brought to dubstep something is was sorely lacking prior; critical acclaim. No longer just the music of club kids and the tastemakers, Untrue proved that not only did dubstep have a dark, gritty, urban soul, but it could also have a brain.
Currently dubstep is bigger than ever. Rusko might have collaborated with Britney Spears on her latest album (“Hold It Against Me” definitely has a bass drop around the 2:40 mark), all around hip guy Diplo released a dubstep collection late last year and the Internet is polluted with a dubstep remix of every song ever made. The genre is not just an internet/pop culture phenomenon, however. For all the critical support as of late, perhaps the highest profile champions were the late legendary BBC Radio1 DJ John Peel and fellow BBC Radio DJ Mary Anne Hobbs. So outside of the basic characteristics of sound, dubstep has had one other stylistic attribute since it has come into greater prominence: it is a genre which exists nearly equally in both the mainstream and in the underground. For a form of music with such a large, young and dedicated following, with write-ups in major publications for years it was, at least until this moment, out of step with the greater continuum of mainstream music and culture in the US. It’s just too dirty for most people. Which, of course, is part of the appeal.