Nashville pop/funk band The Love Elektrik burst onto our charts just a few months ago, and have been featured on our radio show a couple of times already. They’ve now released their new single, “Supernatural,” a catchy, slow burner about which the band says, “We’re not 100% sure, but we think this song is about an encounter with a vampire stripper at an EDM festival. Listen and decide for yourself!” You know…that old chestnut. Listen below, and buy it here.
Nashville singer and songwriter Lauren Strange, along with her band the Pretty Killers, just released a cover of The Cranberries’ 1994 hit “Zombie.” Strange’s rendition of the song is faithful to the original, and allows the eclectic artist to showcase the more intense edge of her vocal spectrum, while the band stretches out on the driving backing track.
Strange has been a longtime presence on OurStage, racking up chart successes and placing as a finalist in our Intel Superstars competition. She also won the grand prize in the John Lennon International Songwriting Contest country category, among other awards. Follow her on Twitter @laurenstrange.
I always get really excited when I hear about an artist launching a Kickstarter. There’s nothing that quite compares to a fan’s dedication to their favorite artist, and Matt Bailie is about to prove that all over again. After all, he did take home the country prize for our 2010 Intel Superstars competition, and then emerge as the big winner of our 2011 OurStage Panel”there’s no doubt this artist has talent and a surging fan base to back him up.
With a dream to fund his sophomore release, I Wanna Live Like That, along with the music video for “Dress Down,” Bailie has launched a 30-day Kickstarter. Having worked with ACM and CMA award winning producer Darran Smith on the album, Bailie is seeking funds to cover the cost of everything from manufacturing to promotion, with the aim of getting the attention of industry giants CMT and GAC. Some of the pledge prizes include the new album, handwritten lyrics, recording session, cover video, and a full band house show. Check out the Kickstarter video below, and pledge right here to be a part of Bailie Nation. (more…)
There are a lot of reasons I have a burning desire to move to Nashville, not the least of which is the legendary music scene. In addition to the old school music business, and the attendant wealth of singer-songwriters, the city also boasts a history of cutting edge bands. Take for instance Satellites and Sirens. Citing influences like Jimmy Eat World, and 30 Seconds To Mars, these Nashville natives have perfected their craft well enough to earn themselves not only a sea of loyal fans, but a spot on the Rock Boat back in 2012, alongside acts such as NEEDTOBREATHE, and Bronze Radio Return.
But making music isn’t easy, and it definitely isn’t cheap, which is why the band has launched a 30-day Kickstarter to help fund their third full-length, One Noise. With a March 2014 release date, the band is offering some pretty cool prizes to help incentivize fans. Aside from the usual rewards of digital downloads, CDs, posters, etc., some of the more creative rewards include a phone call from the band, custom artwork on a guitar pedal, a Fender Telecaster, an in-home acoustic concert, or being flown out to be in the band’s next music video. You can check out their Kickstarter video below, and pledge here. The band is also currently giving away a copy of their last album, Frequency, which we highly recommend picking up. You can grab that here. (more…)
The members of Vermont’s Chamberlin haven’t just written an album about the difficult road back from betrayal and resentment. They’ve lived it. When founding members Mark Daly and Ethan West left for Nashville to write the band’s latest EP Look What I’ve Become, they took the Chamberlin name with them, informing bassist Chuck Whistler and drummer Jamie Heintz that they would not be playing on the EP. After recording the album, Daly and West realized the vital need to reconcile with their bandmates. Once they the band at their Vermont cabin, though, their keyboard player quit on the spot.
The second part of their Above The Valleys video series finds the rest of the group reunited at their Vermont cabin, describing their recovery from the setbacks that almost broke the band permanently. Over the melancholy strains of Maryland, the fourth track from their EP, Whistler recalls being dropped from the group for the album’s recording: I didn’t even say anything. I was “ pissed isn’t even the right word “ I was pretty hurt¦It took a little bit of repair to get back to where we were. Despite encountering the type of obstacles that would have derailed a less devoted band, the group looks like they have never been better. Every once in a while, West says, people bounce back stronger.
You don’t have to be stoned to be psychedelic. Sure, people tend to tag psychedelia as trippy, but that appellation has as much to do with the transporting quality of the best psychedelic music as it does with anything Timothy Leary ever espoused. After all, even Jimi Hendrix himself famously described the titular satori-like state described in Are You Experienced? as being not necessarily stoned, but beautiful. But if you’re after a more modern example, turn toward The Sufis, a young Nashville-based trio of psychedelic rockers whose driving force, Calvin LaPorte, observes, Bands who say they’re psychedelic but don’t really sound like they are, we encounter them all the time, and it’s pretty much guys who just smoke a lot of weed, and the music sounds better when you’re stoned. I think that’s what that kind of ‘psychedelic’ is, but we wanted to hone in more on the arrangement of psychedelic music.
Together with guitarist Jay Smith and drummer Evan Smith, multi-instrumentalist LaPorte pays homage to the swirling psych-pop sounds of the ˜60s on The Sufis’ self-titled debut album. And while his primary influences were making records before he was born, LaPorte comes by his inspirations naturally. He was first bitten by the paisley-patterned bug as a child, via his father’s record collection. I’ve been listening to that kind of stuff since I was six or seven, he recalls, The Beatles, I heard [Pink Floyd‘s Syd Barrett-fronted 1967 single] ˜See Emily Play’ really early on, seven or eight. And he [LaPorte’s father] had a lot of Beach Boys, that’s definitely one of the big influences. (more…)