This week I got the chance to catch up with dubstep producer/DJ Datsik a.k.a. Troy Beetles. The 24-year-old Canadian native recently shared a lot about his performance and production techniques with DJTT, so we focused our conversation on the broader end of the spectrum; discussing the direction of EDM, breaking down the BPM wall, and collaborating with Wu-Tang-Clan.
OS: Like most of the “new generation” of EDM stars; you’ve rocketed to the top in just a couple years, and you’ve spent a good amount of that time out on the road. But electronic music is such a studio-based genre, how do you find the time to keep putting out new music?
TB: Well honestly I tried working on the road a little bit, and it works…but at the same time I love my studio. It gives me a reason to be stoked to come home…other than my girlfriend of course [laughs]. But obviously when I’m on the plane I’ll make patches, or if I’m sitting at the airport I’ll bring my phones and my laptop and just try to jam out ideas. For anything concrete though, I usually wait until I’m home to finalize it.
OS: Your “Fix You” remix from the Mellow-Step EP is a lot different than most of the stuff you have done recently. Do you see yourself doing another EP like that?
TB: It’s always good to do something different from time to time, I think instead of doing a full EP of that kind of sound, it’s more so about integrating that into the stuff I’m already doing. So in one track, you have the very light stuff, and then this crazy drop thats really dark and heavy. Just trying to combine the two a little bit more. I feel like right now I’m going through a weird transition where, you know, I’ve been doing the same thing for a while, and it’s starting to feel… stale. I’m just really stoked to explore different avenues, different tempos, and that has been the most exciting thing for me. I’m working on this 100 BPM track right now that’s really cool, and kind of touches back to my hip hop roots. I’m excited about making stuff again. I’m really stoked about 110 [BPM] right now, and I think I have more fun making that than dubstep. So I’m going through a transitional period which is really cool, as I’m starting to learn different production techniques, and really spread my wings.