Film soundtracks are often the most memorable part of the whole movie experience. Music can evoke emotion, hint at what’s coming next or simply create an appropriate backdrop for a critical scene. On the flip side, it’s possible to watch a movie and question the music choices. Take Juno for example: the soundtrack is either totally brilliant or totally repetitive depending on whom you ask.
In the name of Pulp Fiction, I’ve hand-picked some diverse OurStage tracks that should be included on a movie soundtrack. I dare you to disagree.
“Getaway” by Jean Claude Garner:
This song definitely belongs in a buddy cop flick right as the boat chase ends and the credits roll. Just picture it: the good guys think they’ve finally won but one lone bad guy is speeding off into the sunset (in his boat, remember). Obviously there will be a sequel.
“Super Bad Vampire Eyes” by Etcetera Etcetera:
WARNING: This song will get stuck in your head. I think it should have been featured in Forgetting Sarah Marshall because it sounds like a song Peter (the main character) would write about Sarah and how seeing her was driving him crazy. He’d definitely work this track into the Dracula-themed rock opera he was writing.
“Never Too Soon” by New City Lions
No summer is complete without a feel-good-get-the-girl-find-yourself teen flick. This track will pump you up and make you forget your worries so it should definately play during the inevitable party scene, when boy and girl are ignoring the world around them.
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