Finally getting into the game, the CW is set to launch the newest TV singing competition The Star Next Door. The show is going to feature Gloria Estefan and John Rich as well as Queen Latifah, who is co-producing the show with Dave Broome (creator of The Biggest Loser).
But what makes this show different from all the other competitions out there? The official press release says, “In this new take on the music competition genre, superstar mentors, including pop legend Gloria Estefan and country star John Rich, will travel to where the talent is, immersing themselves in the lives and towns of these local performers and preparing them for a chance to represent their home city on stage, live, in front of America.” The Star Next Door is set to air sometime this summer. We’re all just going to have to wait a little longer for Just Wright 2.
Mark Wahlberg already knows a thing or three about reinvention. When he first burst onto the entertainment scene in 1991 as the leader of Marky Mark and the Funky Bunk”a two-hit wonder from whom nobody expected any kind of longevity, and afterwards as a Calvin Klein underwear model”few probably thought he’d be likely to succeed past the mid-decade mark.
Yet two decades later, he’s still here. He’s a movie star and a respected actor, a successful producer (of the TV series Entourage and Boardwalk Empire, and of last year’s Best Picture Oscar contender, The Fighter) and an Academy Award acting nominee (Best Supporting Actor for 2006’s The Departed).
His next project: making Justin Bieber a film star. “I see the guy and spent time with him, and you see what he does and how he does it,” Wahlberg told MTV News last year, “and then you actually have a conversation with him, and it’s there.”
Picture this (because Wahlberg already has): Bieber in a The Color of Money-type film, which Wahlberg is developing for Paramount Pictures, with basketball replacing pool. Bieber would take the Tom Cruise role, and Wahlberg would cast a formidable screen legend like Robert DeNiro, Robert Duvall or Jack Nicholson as the grizzled vet, the Color of Money archetype that finally won Paul Newman an Oscar in 1987.
It sounds like a dream job”for someone else. If Will Smith, Queen Latifah, Justin Timberlake, Tim McGraw and Wahlberg himself have taught us anything, when making the transition from music to movies, it’s best to start small. Both Britney Spears and Christina Aguilera tried to fulfill their film-star fantasy by starring above the title the first time out (in Crossroads and Burlesque, respectively), and thus far, neither one’s Hollywood dream has come true.
Enimen has yet to find a follow-up worthy of his debut starring role in 2002’s 8 Mile; the Hollywood heat surrounding The Bodyguard star Whitney Houston, set to test the acting waters again in a 2012 remake of Sparkle, quickly cooled after three films; Beyoncé has gotten plenty of acting work, but her Hollywood career has yet to generate any kind of major excitement; and Evita aside, Madonna has been most successful onscreen in supporting roles (Desperately Seeking Susan, Dick Tracy, A League of Their Own). Former American Idol contestant Jennifer Hudson won an Oscar her first time out for Dreamgirls, but what has she done for us lately?
That Bieber’s 2011 documentary/concert film, Never Say Never, was a major box-office success ($73 million in North America) indicates that movie-ticket buyers will shell out bucks to see him on the big screen. And he’s already had a guest-starring role in C.S.I.: Crime Scene Investigation. But pop stars are always booking cameos and story arcs in hit TV shows, and in Never Say Never, Bieber was literally playing himself. If Wahlberg is going to guide him through the Hollywood jungle, he’d be wise to pull out the map that he himself used.
For now, let somebody else drive. Don’t even let him ride shotgun just yet. Bieber would be better off in the backseat, cast in an ensemble movie where he doesn’t have to do all of the heavy lifting (see Taylor Swift in Valentine’s Day”on second thought, don’t).
When Wahlberg landed his first major starring role, in 1997’s Boogie Nights, he was directed by Paul Thomas Anderson (There Will Be Blood) and surrounded by highly esteemed talents like Julianne Moore, William H. Macy, Phillip Seymour Hoffman, Don Cheadle, John C. Reilly and a soon-to-be-briefly resurgent (and Oscar-nominated for the first time) Burt Reynolds.
Even after Boogie Nights, Wahlberg’s most notable films”I Heart Huckabees, The Departed, The Fighter”have featured plenty of Oscar-caliber talent. And in The Departed, it was Wahlberg, not costars Leonardo DiCaprio, Matt Damon or Jack Nicholson who walked away with the Oscar nod.
Good luck to them both. They’ll need it. Wahlberg may have proven that he’s a miracle worker by going from rapper to underwear hunk to Oscar nominee, but Bieber holding his own with a DeNiro or a Duvall or a Nicholson sounds like an almost-impossible dream.
10 Music Stars Who Deserve a Hollywood Big-Screen Test
1. Lady Gaga
Best Performance in a Video: “Paparazzi”
2. John Mayer
Best Performance in a Video: “Who Says”
Best Performance in a Video: “Blow”
4. Mary J. Blige
Best Performance in a Video: “Be Without You”
Best Performance in a Video: “Glitter in the Air” (live at the 2010 GRAMMY Awards)
Best Performance in a Video: “Warwick Avenue”
7. Fiona Apple
Best Performance in a Video: “Fast As You Can”
8. Richard Ashcroft
Best Performance in a Video: “Break the Night with Colour”
9. Roisin Murphy
Best Performance in a Video: “Overpowered”
10. Brandon Flowers
Best Performance in a Video: The Killers’ “All These Things That I’ve Done”
Once you’re a hugely successful musician, with lots of people telling you how awesome you are, making the leap into acting (or painting, or politics, or baseball, or aviation, or molecular biology) must seem like a piece of cake. There are so many object lessons to teach us how untrue that is (Britney Spears’ Crossroads, anyone?). But there are a few double-threats out there who have successfully made the leap.
10. Queen Latifah
It’s pretty aggravating to see a talented actor take an opportunity to do quality work, wipe their ass with that opportunity and flush it down the toilet. Queen Latifah has done this a couple of times. She could have had a solid career as a supporting actress after The Bone Collector and Bringing Out The Dead, but then she kicked America in the crotch by being part of The Country Bears, among other debacles. She was then lucky enough to be cast in Chicago, and it was inarguably a star-making performance. Finding herself in that enviable position, she accepted roles in a bunch of utter garbage, including Taxi and The Perfect Holiday. Sigh. But dammit, she’s always fun to watch on screen, whether it’s comedy or drama, and I suspect she’ll continue to appear in quality movies from time to time. Just don’t expect consistency.
Women have played a critical role in the evolution of hip hop; Queen Latifah, Lil’ Kim, Missy Elliott, Lauryn Hill and Nicki Minaj, to name a few, have all left distinguishable marks. In 2008, the Hip Hop Culture Center in Harlem recognized their importance with its first annual tribute event called “The Impact of Women in Hip Hop”. Our very own fast-growing pool of female talent, living in the Hip Hop Channels on OurStage, also deserves some love, and we thought that featuring a playlist with a few of them was apropos.
One prime example is Nikki Lynette, who won our “NextMovie Review” competition just weeks ago with her upbeat, genre defying dance jam “Love U Crazy.” Check out her review of the new Pirates of the Caribbean movie for MTV’s NextMovie.com. And that’s not her first big moment on OurStage; Nikki was a finalist in OurStage and New Music Seminar’s “Artist on the Verge” competition last year. “I was competing against all male rock bands, she recalls, and I still managed to come in 2nd. Black girls know how to rock, too!” She’s lingered in the Top 100 of our Best of Urban charts for nine weeks this year, too, peaking at 11.
Another exciting artist to follow is @Ibtunes. This Houston sensation has opened for Drake, J. Cole and Wale and was featured as the Unsigned Band of the Month in this past March’s edition of High Times Magazine. She’s also been doing very well on OurStage this year; take a minute to check out some of her mixtapes here. I mean, c’mon, they’re free!
The Lyrical Maze is another one to keep your eye on. Given her childhood interest in writing and poetry, TLM is aptly named. Her confidence on the mic is not surprising either”she’s been competing in and winning talent contests since she was thirteen. More recently, she’s transferred these skills into live performances and even a headlining slot at the NWO Word Warriors Tour. This interview with Female First sheds some more light on the person behind the music.
Tracks by these women, along with other female artists, are included in the player below. We’re proud of their achievements, and we’re sure there’s something here for everyone. Do any of these tracks really stand out to you? Write us a comment and tell us why.