Michael Stipe will induct Nirvana. Makes sense. Kurt Cobain expressed his deep admiration for close friend Stipe on more than one occasion.
Bruce Springsteen will induct his E Street Band. The Boss is already in the Hall solo. No-brainer.
Tom Morello will induct KISS, because someone has to do it.
Chris Martin will consciously couple the Hall of Fame with Peter Gabriel. OK?
Glenn Frey will induct Linda Ronstadt. That’s a good one – the Eagles started out as her backing band.
Questlove will induct Hall and Oates, which is pretty cool. The Roots’ mainman and walking music encyclopedia will hopefully shine a nice light on the often overlooked rock and soul duo.
Peter Asher, of ’60s duo Peter and Gordon, as well as a noted producer (of James Taylor, among others), will induct Beatles manager Brian Epstein and Rolling Stones manager Andrew Loog Oldham.
Salman Rushdie will induct Cat Stevens. No, I’m kidding, no word yet on who has that honor.
The ceremony will take place on April 10th and will be aired on HBO on May 31st. (h/t CoS)
Questlove may not be the first person you think of when considering sources of major music rumors, but this morning The Roots’ drummer finds himself in the limelight after possibly leaking details about Justin Timberlake’s next release. No, not The 20/20 Experience, which arrives in stores Tuesday, we’re talking about the one after that. (more…)
After a four-year-long absence from solo performance, Justin Timberlake will finally take the stage this February 2 at a charity concert in New Orleans to benefit Shriners Hospitals for Children. The invitation-only “DirecTV Super Saturday Night” concert will also feature DJing from The Roots drummer ?uestlove. For those who were invited to catch this prime lineup, it’s going to be a pretty awesome weekend; Super Bowl XLVII will be taking place the following day in New Orleans at the Mercedes-Benz Superdome.
Earlier this month, Timberlake premiered “Suit & Tie,” the latest single from his forthcoming solo album The 20/20 Experience, the singer’s first solo outing since 2006’s FutureSex/LoveSounds. Check out the brand new lyric video for “Suit & Tie” here.
Check out OurStage artist Cameron Jaymes if you’re a fan of JT.
More like this:
Okayplayer has existed in one form or another since 1987; the moniker originated from the self-given name of a loose-knit collective of artists that would go on to become The Roots. Since then, Okayplayer has been best known as an online music entity, though the company also dabbles in live events and media production.
News of Okayplayer Records’ relaunch was accompanied with word of some upcoming releases from the label for 2012. Rapper Danny!, who has been working with Okayplayer since 2006, is slated to have his sixth studio album, Payback, come out on September 25th. Payback will mark the end of an eight year gap between releases from Okayplayer.
It was also announced that Young Guru, the studio wiz responsible for engineering ten of Jay-Z’s 11 albums, will be releasing Young Guru: Essentials Vol 1, his all-beats debut album, through Okayplayer as well. Essentials Vol 1 is also the first in a planned series of albums from Young Guru, so fans shouldn’t worry about the lights at the Okayplayer Records offices going out any time soon.
More like this:
We haven’t heard the last of Amy Winehouse yet, folks.
The BBC reports that Lioness: Hidden Treasures will be the third and potentially final release from the tragic singer. Coming out in December”just in time for the holidays”the twelve-track collection consists of assorted curios; b-sides, demos, covers, reworks and outtakes. Lioness supposedly shows fans where Winehouse was going with her sound at the time of her death and includes some unreleased material that gives the listener a true sense of her musical identity and influences. The project was curated by members of Winehouse’s family along with producers that Winehouse had worked with in the past, and though there is “a trove” of live performances from which to cull more material for future releases, this appears to be the final studio offering of the late singer.
When I first heard the news about Amy Winehouse‘s passing (on Twitter, naturally), the comment that stood out most was one by Winehouse herself in an interview that the singer had done a few years ago with my former Entertainment Weekly colleague Chris Willman. In it, Winehouse jokingly made a prediction that, in hindsight, isn’t very funny at all.
In 10 years, she said, “I’ll be dead in a ditch, on fire.” Sadly, for her many fans who had rode shotgun as she drove down the path of self-destruction, the “dead” part of her premonition was no joking matter. It was a distinct possibility, if not a certain probability, and one that came to pass on July 23, when Winehouse, who had infamously battled drug and alcohol addiction and had been in and out of rehab in recent years, was found dead in her London home.
The first thing I thought, after spending a moment to grieve for her family and loved ones, was that the world would be cheated out of so much great music. With Back to Black, her 2006 breakthrough album, Winehouse did so much more than show great promise. Hers already was a talent in full bloom. Back to Black was destined to go down as one of the all-time masterpieces. I was living in Buenos Aires at the time of its release, and I knew people who didn’t speak a word of English who could recite every line from every song.
It’s better to burn out than fade away. Live fast, die young. Leave a beautiful corpse. We’ve also all heard the one about how dying (especially before one’s time) is the best career move. I don’t know how beautiful Winehouse’s corpse will be, but she is guaranteed a spot in the pantheon of musical greats who left the party too soon.
Chillingly, she’ll be right beside the musical icons that she seemed to want to emulate most: Janis Joplin, a blue-eyed soulful precursor to whom she was often compared; Jimi Hendrix; Jim Morrison; and Kurt Cobain, all of whom died when they were the same age as Winehouse. If ever there were an unlucky number, it would have to be 27.
Unlike the legends who preceded Winehouse to an early grave and left behind so much incredible, indelible music, Winehouse bequeathed us with relatively few musical gifts. There are her two albums, 2003’s Frank and Back to Black, as well as a handful of one-off guest appearances on other people’s songs (Mark Ronson, Quincy Jones, and Tony Bennett, whose Duets II album in September will feature Winehouse). Sadly, her final impression will be a June concert in Belgrade, Serbia in which the apparently bombed singer stumbled and slurred her way through a few songs before being booed off the stage.
She had reportedly been working on new music for years, and at one point, was said to be on the verge of working with Roots drummer ?uestlove and producer/performer Raphael Saadiq on a project that had been delayed because of Winehouse’s trouble securing a U.S. travel visa due to her 2007 drug arrest for marijuana possession in Norway. So from here to eternity, all we’ll have to remember Winehouse by will be masterpieces of melancholy like “Love Is a Losing Game” and “Tears Dry on Their Own.” We’ll sing along, we’ll cry, we’ll look for clues to what was going on inside her troubled mind, to figure out why she was such a lost soul.
For you I was a flame
Love is a losing game
Five story fire as you came
Love is a losing game
From this day forth, Winehouse’s world-weary look of love will make Adele’s 21 sound like feel-good music. Speaking of Adele, Winehouse should have been where the “Rolling in the Deep” singer is now, reaping continued financial and critical benefits after a first rush of success. Now who’s going to fill her f**k me pumps (to quote the title of one of her early songs)?
Surprisingly, for all of her Grammys, accolades and albums sold, Winehouse only had one single resembling a hit in the U.S., “Rehab,” which went to No. 10 on Billboard’s Hot 100. I’ll never again be able to listen to the song in quite the same way, as a statement of bad-ass defiance. Now it will just sound like the words of a sad, desperate woman in denial and on the brink of collapse. If only she’d taken their advice.