OurStage, Guitar Player magazine, and Ernie Ball are teaming up this summer to offer aspiring guitarists a chance to win the ultimate Grand Prize. Enter the Guitar Player “Take The Lead” Competition by August 17 for your shot to win your very own feature in Guitar Player magazine, a year’s supply of strings and accessories from Ernie Ball, and more! Throughout the competition, we’ll be bringing you exclusive editorial content fresh from guitarplayer.com”enjoy!
“When Carolyn Wonderland took the stage at Yoshi’s in Oakland, California, the crowd didn’t know exactly what to make of her at first. She appeared somewhat shy and unassuming, armed with a Tele, a lap-steel, and a tiny Fender combo. As the band went into the opener, the first thing listeners were struck by was her singing voice, an amazing instrument unto itself, with uncommon power, dynamics, and range. Comparisons to Janis Joplin are inevitable, but Wonderland possesses a purity of tone that is all her own.”
Published by Matt Blackett, Guitar Player Magazine
OurStage, Guitar Player magazine, and Ernie Ball are teaming up this summer to offer aspiring guitarists a chance to win the ultimate Grand Prize. Enter the Guitar Player “Take The Lead” Competition by August 17 for your shot to win your very own feature in Guitar Player magazine, a year’s supply of strings and accessories from Ernie Ball, and more! Throughout the competition, we’ll be bringing you exclusive editorial content, fresh from guitarplayer.com”enjoy!
Certain people are very mental, ” says legendary guitarist Carlos Santana, “they need to have rules and concepts and directions and scales and theory in order to play. But that’s not what music is about. Music has the same significance as beams of light coming out of the clouds and giving information to plants. Every note should be like a beam of light. You’re giving information to the listener, and you’re reminding them they also have light and significance. That’s improvising to me. The other stuff is just like going ˜da-da-da-da-da.’ It’s nothing.
-Published by Matt Blackett, Guitar Player magazine
Brothers Nicholas and Lucas James may have had a wholesome upbringing”home school, Quaker school, Connecticut suburbs”but they didn’t let that corrupt their rock and roll souls. The brothers stood by their hot sauce-lovin’, God-fearin’, skinny jeans-wearin’ values, joining up with likeminded brethren Kevin Clymer and Dean Miller to form Ula Ruth in 2011. Their rock is steeped in distortion, with banged up and bruised grooves. Exhibit A: Empty, a stylish and subversive rocker with zig-zagging guitars engulfed in feedback. Exhibit B: Call To The Lonely, where handclaps, reverb riffs, guttural bass lines and throaty hollers combine for the New England version of Kings of Leon. I always open my mouth instead of walking away, Nick laments. Be glad he does”Ula Ruth’s rebel yell is worth the listen.
Prepare to sweat your weaves out, people. Coming straight outta the city of brotherly love is DaCav5, an electro-pop band armed with its own party rock anthems. Like LMFAO, DaCav5 specializes in crazed, pitch-bent beats that burrow down into your brain and command your body to move. Dirty Style has a whiff of Party Rock Anthem, kicking off with a big, fat, bassy beat. Add defiant mantras like I don’t care what people say, Ima party anyway, with a sexy female refrain and you’ve got yourself a hit. David Guetta, eat your heart out. Party Started does exactly what it proposes to do. The track gets underway with orchestral pulses and edgy vocal stylings. Bitch get back, you know the kid got swag. The kid definitely has swag. Make that all five kids. Now if you’ll excuse us, we have some partying to do.
Jules Larson used to be front-woman for the LA band Overnight Lows before striking it out on her own a few years ago. And so far, singledom’s been good to Larson. Her songs have made their way onto Kellogg’s commercials, shows like Army Wives, One Tree Hill and Grey’s Anatomy. There’s something about her soulful pop that works just as well on the army base as it does in the emergency room. My Little Drum is an easy and lithe melody reminiscent of the music of Brett Dennan or Jack Johnson. But don’t let the sunshine fool you, Larson is a bit of a hellcat. In the slinky, soulful Raise A Little Hell, she purrs, You’ve gotta raise a little hell to get to heaven. And on I Want It All she does just that, conjuring up a ˜60s rock-soul revival with reverb drenched guitars, tambourines and bleating sax. Raising hell never sounded so heavenly.