Tag Archive for 'slipknot'

METAL MONDAY: WHY PEOPLE LIKE TO HATE SLIPKNOT

Metal Monday OurStage Blog

Slipknot, the band so many metal fans love to hate while others hate to love, created a schism among nearly all metal listeners upon the band’s inception in 1997. Troves of angst-ridden, mall-invading teens adopted Slipknot as their patron-saint back in 1999 (when the band’s self-titled debut came out), instantly earning the band a “mallcore” seal of disapproval by their critics. But for every teen fan that continues to support the band, there is a metal fan who continues to see Slipknot as “illegitimate,” for even the most trivial reason (check out the shoutbox for Slipknot’s Last.fm page). The most curious thing about the people who hate Slipknot is the extent to which they put forth effort to voice their hatred for the band, not to mention their efforts trolling the Internet to try and rile up the die-hard fans.

Here are a few arguments (taken from the Last.fm shoutbox) often used by the “haters” :

“Their new album Maybe Having All 9 People in Our Band Playing at the Same Damn Time Will Hide the Fact that Nobody Has Real Talent will come out in 2012. Can’t wait for it dang.”
“Slipknot ain’t metal [username], it’s Cancer. Learn your facts.”
“slipknot sucks. It is a stupid mainstream nu metal band, they call it metal but it hasn’t got anything to do with metal and many listeners are stupid emo teenagers trying to be “hard”(i know a few of them)”
“they look like retards in those stupid masks”

Here’s what fans say (also on Last.fm shoutbox):

“there will never be anything more metal than this band”
“concerts are some crazy [beep] for this band”
“Vol. 3 is a lot more creative than most people would like to admit. Even some of the hard-to-please (like AMG) critics admit it’s a masterpiece.”
“No doubting that there a great band, talk about being unique.”

Slipknot, with the newer masks

Slipknot, with the newer masks

On the Internet it is difficult to find many detailed points about the reason why people dislike Slipknot’s music or why they feel is it is unworthy of listeners. Looking at the album ratings by people at MetalStorm.ee, a global online metal community, each of Slipknot’s albums receive an aggregate rating of at least 7/10. Reputable sources such as allmusic have nothing but good things to say about Slipknot, giving each effort at least a 3/5 rating. On Sputnikmusic, every Slipknot album has averaged at least a 3/5 rating as well. Being that Slipknot are the fan-appointed leaders of nu-metal/mallcore/etc., it’s no stretch of the imagination to think that the hatred towards the band is born out of stigma or a general hatred toward the entire style of music, the same view that coined the term “mallcore”. Bands such as Korn, Godsmack and others share similar attitudes toward their music by being branded with the “nu metal” tag, the black-sheep of heavy music.

Slipknot, with the old masks

Slipknot, with the old masks

The reality is that both the fans and haters are right most of the time. Few arguments between the two touch on the same areas of Slipknot’s music. Most of Slipknot’s music is technically simple, and rarely involves guitar solos —things that many metalheads deem necessary to be part of the metal community. Many of the lyrics in Slipknot songs are simple as well, and fed off the angst and hatred that many adolescents feel (making it instantly connectable). As David Fricke of Rolling Stone Magazine says, “Iowa is not just the first great record of the nu-metal era—it’s better than that. In fact, Slipknot’s second album may be the only platter of its day and subgenre that, in five or ten years, we call ‘classic,’ with the same awed breath we reserve for Black Sabbath’s early monsters, Metallica’s Master of Puppets and Rage Against the Machine.” Slipknot were, are, and always will be the kings of Nu Metal. If you don’t like Nu Metal, chances are you won’t like Slipknot. People who dislike the entire Nu Metal genre and claim “Slipknot sucks” are, in truth, saying more about their ignorance then the actual legitimacy of the band.

Slipknot at the GRAMMYs

Slipknot at the GRAMMYs

Whether it is the masks, the jumpsuits, the fans or the subject matter, Slipknot have remained true to their unique sound and that is something that should be respected. Hate them or love them, there is a reason that Slipknot became famous and adored by many. In the same way that people who grow up in small country towns can’t always relate to hip hop songs about ghetto life, the music of Slipknot surely misses the mark for much of the older metal community. And similar to the way that famous metal acts were protest against by the PMRC in the great censorship war of the 80s, Slipknot is being targeted by those who feel that Slipknot is ruining something beloved to them— metal. Those who feel the need to diss Slipknot really need to understand that Slipknot won’t destroy all that is good and great about metal; Slipknot promotes the greater good of metal bolstering the numbers of those who enjoy heavy music. Now who can hate on that?

METAL MONDAY: SUMMER FESTIVAL OVERVIEW

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Everyone knows that summertime is festival season, and whenever people think of music festivals, they think of events like SXSW and Bonnaroo. Unless they are metalheads. For hardcore rockers, popular summer festivals include Wacken and Hellfest. But, most of the time when music journalists or bloggers write about the summer touring and festival season, metal does not get its due. Sure, metal bands are in on some of these festivals, like Bonnaroo, but they certainly are not the focal point of the events. So, here is a nice summer festival overview for all you metal junkies out there:

Wacken Open Air – Wacken, Germany

Arguably the most famous and premier event in the history of metal festivals, this past Wacken Open Air celebrated its 20th birthday. Mötorhead reportedly put on one of the best shows in recent memory, and all the other old school metal rockers followed suit. Among these great performances were the band formerly known as Black Sabbath (Heaven & Hell) as well as Saxon. Beyond the seasoned veteran bands, word is that doom metal troop Cathedral really won the crowd over (unsurprising, since the band is led by ex-Napalm Death vocalist Lee Dorrian).

Hellfest Open Air – Clisson, France

The second-most famous metal festival on the globe, Hellfest shared only a couple acts with Wacken this year—notably Heaven & Hell who again “wowed” the crowd. The fest’s the buzz bands seemed to be Brutal Truth and “the loudest band on Earth” Manowar, with Manowar having a slight edge (despite reports that Brutal Truth could be heard over Manowar’s set at times). Strangely, little was said about hometown giants Gojira, though there were sparse mentions of a solid set.

Bloodstock Open Air – Catton, UK

Rounding out the big three for metal festivals, this year’s Bloodstock was fodder for great stories. None more awesome than the hilarious/horrible bottling of Cradle of Filth in which the band stopped their set and left the stage without finishing the set. Blind Guardian, Carcass, Amon Amarth and the thrash bands garnered the most props for absolutely bringing it on stage.

MetalCamp – Tolmin, Slovenia

As usual, the bands who headlined this festival are the same bands that headlined the other big festivals. That’s just the way these things work. After scouring the ‘net for any opinions or reports of the festival, I only came to the conclusion that there was no real standout performances, though people were largely unenthusiastic about the lineup as a whole (Mind-boggling, really, since Amon Amarth, Blind Guardian, Dimmu Borgir, Satyricon and more were on the bill). The disappointment might have been due to the lack of great underground bands (beyond the huge names), as well as the completely unknown acts from the second stage—except Warbringer, who played before a band with only 1,000 MySpace friends. For shame.

Download Festival – Donington Park, UK

Download Festival, the “least metal” of all the summer metal festivals, was filled with the “nu metal” acts of yesteryear and all the things the kids dig today. So there was a huge variety of musical styles on this bill. No band got as much credit as Faith No More, who put on a performance referred to as “brilliant” by most attendees. Mötley Crüe, Slipknot and Steel Panther also received favorable reviews. On the opposite side of things, a lot of festival goers hated Marilyn Manson, Limp Bizkit, Attack! Attack!, Pendulum and Parkway Drive. Unsurprisingly there was little said about the more “extreme” bands there like Suicide Silence, Meshuggah and God Forbid—the bill did not exactly cater to those fans. What is surprising is that I have found nothing about Opeth and Dream Theater’s sets.

In case you did not make it out to any festivals this summer, or just want to know what is coming up for metal festivals in the near future, here are two of the bigger events on the list:

New England Deathfest – Providence, RI

While not the biggest metal festival, New England Deathfest is having some of the most legendary Death Metal bands headline this year: Neuraxis, Cephalic Carnage and Quo Vadis. Also on the bill is Revocation, touted by many as “the next big thing” in metal and recently signed to Relapse Records. If you’re in the New England area, $50 for this weekend filled with death is well worth it.

Ilha Do Ermal Festival – Viera do Hinho, Portugal

Because I don’t speak Portuguese, it is hard to say much about this festival other than the fact that Blind Guardian is headlining it, which is almost enough reason to go regardless of who else is playing. The fact that Sepultura, Obituary, Firewind, Textures and Hatesphere are also on the bill certainly does not hurt. At 60€ ($85.35), that is a great price for three days of pure metal goodness.