“A Stax Records vibe with an indie twist.” This is what Jordan Corey, our Artist of the Week, set out to achieve with her most recent recordings, and she has succeeded admirably. Truthfully, this has long been her vibe, but she just keeps getting better at it. And with the recent release of her Trilogy – a fan-funded trio of songs, each with an accompanying video – she has surpassed “throwback” to create original and insistently modern music.
It’s that magical time of year when we get to hear all of our favorite Christmas and holiday classics. In honor of this festive occasion, we decided to review one of the most popular and highly anticipated holiday albums that came out this season, CeeLo’s Magic Moment by R&B singer CeeLo Green.
By now you are probably sick of hearing all the same old carols over and over, but if there’s anyone to breathe new life into these standards it’s CeeLo. As you can imagine, he brings a certain element of class and glamour to each track, while also introducing some fitting originals. However, the first half of the 14-track record is about all you need to get into the Christmas spirit. After that, it gets a bit boring.
Though needless to say, CeeLo has captured this “magic moment” the one way he knows best, with nostalgic soulful 70’s style flair mixed with contemporary pop sensibility. His duet with fellow The Voice judge Christina Aguilera on “Baby It’s Cold Outside” is surprisingly reserved and charming, whereas one might have expected the two powerhouse singers to overdo it. Don’t get me wrong; there are plenty of rifs and runs between the two, but they manage to balance them dynamically with the smokey jazz club vibe.
To continue this feeling, CeeLo follows up with a cover of Donny Hathaway‘s “This Christmas.” With smooth basslines, orchestral brass accents, and subtle strokes of clean guitar , the 70’s homage sounds like it was recored in the same era in which it was written. Of course, this must lead into a smooth downtempo version of “The Christmas Song,” which sounds like it easily could have been the work of R. Kelly. Yet, there’s something uniquely comforting about Green’s voice that makes this track an instant standard for holiday radioplay. In fact, many of these renditions are so respectfully executed that I am sure they will be welcomed into the ever-growing repertoire of iconic holiday classics. With the slick production quality and “sexy” R&B/jazz vibe, I can picture this album being the soundtrack to some high-class New York penthouse Christmas party.
There are plenty of fun tracks for the whole family, though. “All I Need Is Love” is an upbeat original featuring none other than the jolly old Muppets themselves. While the song is a bit awkward, upon listening, you can tell it was clearly made for the video, which is fun and hilarious. Believe it or not, however; the track that follows is probably the most interesting and unusual piece on the record. Green teams up with the all-male a capella group Straight No Chaser for a comically theatrical rendition of “You’re A Mean One Mr. Grinch,” interspersed with excerpts from the original Dr. Seuss text.
This is about where the album reaches its peak. Some of the songs that follow are more obscure, like “River” and the heavily religious “Mary, Did You Know?,” both of which are beautifully performed, but just a little too solemn. Almost too typically, Green tackles Mariah Carrey‘s “All I Want For Christmas,” without straying too much from the original, making for a pretty blasé listen. Of course, not to be short on cameos, Green throws in one last duet with renowned adult contemporary singer Rod Stewart and the famous Trombone Shorty. Still, the impact is not nearly as lasting as the first half of the album. However, he elegantly closes with possibly the best cover on the record. Green’s version of “Silent Night” is soothing and poignant at first, building in dynamics with a marching rhythm, multiple modulations, and an uplifting orchestral and choral arrangement to finish.
Although there are plenty of Christmas albums that come out every year, CeeLo’s Magic Moment strikes just the right balance of fresh and traditional, without being too cheesy. Whether you like it or not, these songs are here to stay and will likely become a regular addition to annual Christmas shopping playlists.
If you like CeeLo Green, then you might also like Ourstage’s own Jasper Sawyer.
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With all those Grammys she won in early 2012, it comes as no surprise that powerhouse soul/pop singer Adele has been dubbed Entertainer Of The Year by Associated Press. Not just singer of the year, or musician, but entertainer. That means she even beat out that guy down the street with the flaming hula hoop and the unicycle! And let me tell you, that guy is one hell of an entertainer. AP readers and staff rated her far above other major entertainers and celebrities such as Taylor Swift, E.L. James (author of Fifty Shades of Grey), PSY, and the entire Twilight cast. Now that’s some high praise.
While she did not release a new album or do a world tour this year, Adele’s singles from 2011 still remain among the most highly played tracks on radio, television, in movies, and more. We seemingly can’t get enough Adele. Her most recent accomplishment, apart from delivering a baby, of course, is the single “Skyfall,” written to be the title theme of the new James Bond film. According to Billboard, “The song recently received a Golden Globe nomination. No Bond theme has ever won the best original song Oscar, but given Adele’s awards success thus far, it wouldn’t be a stretch to think she has a chance of changing that.” Regardless of whether she wins or not, Adele has still achieved more in one year than most entertainers do in their lifetime.
If you like Adele, then check OurStage artist Brittany Campbell.
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All you City And Colour fans out there, get ready for Dallas Green’s next installment of folksy sorrow through soulful singing. According to the Canadian singer-songwriter’s Instagram, recording for the new album is finally done “right before the final #alexisonfire tour!” For those of you who don’t know, Green’s former post-hardcore band Alexisonfire, who broke up last year, are about to embark on a long overdue farewell tour starting on December 2nd in London, UK. While it is sad to see them go, the world has a lot to look forward to with City And Colour’s newest release.
If you like City And Colour, then you might also like OurStage’s own Justin Branam.
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Given that President Barack Obama had the hip-hop vote pretty securely in the bag, it’s only fitting that the day after his re-election is awash in a wave of celebratory tracks from artists big and small. Here are three notable songs paying tribute to Obama’s second term that range from the inspiring to the incomprehensible.
Young Jeezy “ “We Done It Again”
The newly minted Senior Vice President of A&R at Atlantic Records manages to cram Trayvon Martin, Hurricane Katrina, and the trillion-dollar deficit into a mere two and a half minutes. In the spiritual successor to his 2008 track “My President Is Black,” Jeezy sends out his message to “every ghetto in the world / Every little boy and little girl.” Though the new track is more cautiously optimistic this time around (“Waiting on a savior, maybe Barack”), it still a clear show of the rapper’s full support of the president.
Or maybe it’s more apt to liken his attitude to that of someone who worked and worked and then finally solved the New York Times‘ Saturday crossword puzzle ” in ink, first time through. Sure Lucero has always had a cool punk, alt-country sound that won them fans well beyond the band’s Memphis, Tenn., home base. But now think of Lucero’s punk, alt-country sound as super charged, thanks to the addition of new players and instrumentation. You can hear it all on the band’s new release Women & Work, on ATO records, home of the Drive-By Truckers, My Morning Jacket, and other like-minded musicians.
“When we [recorded] Women & Work all eight pieces had been on the road for a couple years,” said Nichols of the group’s cohesive musical direction. “We had time to gel, as a complete unit and it was the first time everyone had been involved [in recording a Lucero record] since day one. We had discovered what was possible and went into this record knowing exactly where we stood and exactly what sound we were going for.”
Not that Nichols and the other original members of the 14-year-old band didn’t have the determination or talent or enthusiasm to find that musical sweet spot before. It’s just that, like solving a puzzle, they needed to find the key to the tricky questions. In this band’s case, it was how to whip Otis Redding soul into Lucero’s punk country sound and have a pleasing result.
Philly-based R&B / soul / pop songstress Suzann Christine is officially on her way to Miami. Christine was hand selected by the judges as the Grand Prize Winner of the Citi Trends “The Big Break Talent Search” Competition with her song “Closed Casket“, which ranked third out of over 1400 entries! She’ll be joining the official One Fest lineup in Miami on July 7, 2012 alongside T.I., Wale, Fat Joe, Waka Flocka Flame and Kirko Bangz. Check back to the OurStage Magazine for our recap of Suzann Christine’s performance at One Fest.
Remember the days when R&B and hip hop was the sound of pop? From the ˜90s to the mid ˜00s, music’s most dependable hitmakers”Mariah Carey, Whitney Houston, Toni Braxton, Boyz II Men, R. Kelly, Usher, Brandy, Monica, Alicia Keys, Destiny’s Child and Beyoncé, among them”specialized in crossover soul, climbing both the R&B charts and the Hot 100 in tandem.
But lately, something strange has been happening on Billboard’s R&B /Hip-Hop Songs chart: A hit is no longer necessarily a hit. Just because a song is big in the R&B sphere doesn’t mean it’s big anywhere else. For the week ending April 7, 2012, only one song in the R&B/Hip-Hop Top 10”Tyga’s “Rack City””had managed a comparable placing on the Hot 100.
The song at No. 1, Beyoncé’s “Love on Top,” which had been there for multiple weeks, was way down at No. 54 on the Hot 100. (It briefly entered the Top 40 last September, debuting and peaking at No. 20 after Beyoncé performed it at the MTV Video Music Awards.) Meanwhile, there wasn’t a single R&B diva in the Top 40 aside from Janelle Monae, who got there by guest-singing on rock band fun.’s No. 1 hit We Are Young.
What happened to pop’s soul? There’s a disconnect between the pop and R&B charts that hasn’t been so pronounced since the days when Michael Jackson’s label, CBS Records, threatened to pull all of its artists from MTV if the then-fledgling network didn’t play Jackson’s “Billie Jean” video.
Admit it. You’re a sucker for a good piano melody. No matter what genre of music we’re listening to, the sound of a piano is always nice to hear. Well, guess what? It’s National Piano Month, so we recently asked all of you OurStage artists to submit your awesome songs (featuring the piano, of course) to our “Kick Up The Keys” Competition, and now it’s time for all you piano lovers to judge!
Head over to the “Kick Up the Keys” Channel to discover some new favorites and judge the music you love! There’s something for everyone, from R&B to indie pop to traditional country. You can start right now, but remember that judging ends on September 30th. So to all of you who love the keys, show us what you like”your picks could end up on our “Kick Up The Keys” Playlist which will be available to download for free!