Lauren Alaina may not have won the two Teen Choice Awards for which she was just nominated ” Choice Female Country Artist and Choice TV Female Reality Star for American Idol ” but she’s got plenty of other successes to celebrate.
Not only is she looking ahead to joining Sugarland‘s “In Your Hands” tour in support of her debut album Wildflower, but her new single “Eighteen Inches” has been released to radio with great success. The song, written by Carrie Underwood, Kelley Lovelace, and Ashley Gorley, which references the space between a person’s head and heart, is something which resonates strongly with Alaina.
Recently the 17-year-old American Idol season 10 runner-up and Georgia native took time out of her schedule to talk about her music, her idols, and just what she learned from recording with American Idol judge and Aerosmith frontman Steven Tyler.
OS: Let’s talk about your album and how you chose such great songs like “Eighteen Inches.”
LA: In the process of making the album I was listening to quite a few songs. I had to narrow them down to what what was going to go on the album. When I heard [“18 Inches”] that reminded me so much of my mom. She has literally gone through the exact same thing as the song. Eighteen inches is the distance between the head and the heart. It delivered such a beautiful message. I remember being very proud of being the person who sings it.
OS: I know you admire Carrie Underwood very much. Was that another reason you liked it so much?
LA: I didn’t know she wrote it [when I first heard it]. I think [my team] didn’t tell me on purpose.
On second thought, don’t.
That might have been what Justin Bieber was thinking in March when he found out he might be facing legal action for tweeting a fake phone number minus one digit to his 19 million Twitter followers, resulting in more than 1,000 phone calls being made to a man and a woman in Texas who threatened to take him to court. (The potential plaintiffs’ requests: an apology, concert tickets, free publicity and financial compensation for out-of-pocket expenses.)
It was a harmless enough prank, yes, but the next time Bieber tweets something, he might want to consider doing what so many pop stars are doing and tweeting it to someone who’s also famous”like his new BFF Carly Rae Jepsen, the recipient of several recent Bieber tweets, including one wishing a happy easter to his fellow Canadian and fellow Top 10 resident on Billboard’s Hot 100 (Bieber with Boyfriend, Jepsen with Call Me Maybe).
Who else is connecting on Twitter? I love you, you cray, Katy Perry tweeted on March 31 to Rihanna, who made news when she began following her ex Chris Brown on Twitter. Rihanna’s sometime collaborator Nicki Minaj had a brief war of words with Cher last November on Twitter over a third party’s misinterpretation of Minaj’s lyrics: “@cher did you know that b***h @NICKIMINAJ dissed you in her song DID IT ON EM.” Cher flipped. Minaj fans flipped, too, explaining that it was a “rap metaphor,” not a jab. Cher conceded defeat. Minaj offered, simply, “@Cher #stopit5.” Case closed.
“I get high with a little help from my friends,” Ringo Starr sang on the Beatles‘ 1967 classic. These days, so do many of music’s top stars. Two’s company, and so is three and sometimes four. The more the merrier, the higher and higher they get.
On the charts, that is.
In the Top 40 of Billboard’s Hot 100 for the week ending December 10, seventeen songs were collaborations between separate recording entities. Four of them featured Drake, and three apiece featured Rihanna and Nicki Minaj, who both appeared on tracks with Drake and with each other. But will.i.am featuring Jennifer Lopez and Mick Jagger”and debuting at No. 36 with “T.H.E. (The Hardest Ever),” which the threesome performed on the November 20 American Music Awards”was probably the one that nobody saw coming.
Old-school Rolling Stones fans must be cringing at the idea of Jagger going anywhere near Lopez and will.i.am so soon after Maroon 5 featuring Christina Aguilera went to No. 1 by invoking his hallowed name on “Moves Like Jagger.” But for a sixty-something legend like him, hit records”even if in name only, a la Duck Sauce‘s GRAMMY-nominated “Barbra Streisand”are a near-impossible dream unless they’re in tandem with other, often younger, stars.
Taylor Swift, Tim McGraw, Sugarland and other big-name country musicians makes it easy to overlook some of the considerably less flashy but incredibly substantive performers”and that’s really a shame.
Consider Jason Boland & The Stragglers that surely embody the heartfelt country sound”for lack of a better term”and spirit of such artists as Waylon Jennings, Merle Haggard, Willie Nelson, Ray Wylie Hubbard and Jamey Johnson.
Ever notice that the myriad of country music award shows almost never even give a nod to the aforementioned artists, despite their virtuoso playing and heartfelt, often profound, musical offerings?
Perhaps that’s a conversation for another day, but the point is that only the drive-by fan should turn to such all-star entertainment extravaganzas to completely guide their music choices.
Before readers throw up their hands in disgust, please note the term “completely.” I enjoy mainstream artists as much as the next person, but I’m likening them to exclusively eating one type of food”such as meat. Aren’t you glad you also know about grains?
That’s where Jason Boland and his band, perhaps one of the best-kept secrets out of Texas, come in. Although he and his band are well known on the Texas circuit, they are hoping to expandbeyond with their latest album Rancho Alto.
“We went in there and tried to get live tracks,” said Boland of the eleven-track album. “A lot of current music today is overdone. We try to get live drums, live bass, and [other live instrumentation] in there.”
Every summer music fans across the world flock to outdoor concerts and festivals to enjoy fresh air and good tunes. This summer, however, the fun has been tinged with tragedy due to a number of outdoor stages collapsing from strong winds and severe weather conditions. First, the stage of the Ottawa Bluesfest collapsed while rock band Cheap Trick was performing. Earlier this month, the Flaming Lips’ stage collapsed before they were scheduled to take the stage in Oklahoma. Luckily, no one was seriously injured in either of these accidents.
Unfortunately, the same can’t be said for the two most recent tragedies last week. The stage collapsed at the Indiana State Fair right before country group Sugarland were set to take the stage. Six people have been reported dead from the accident. Just days later, the stage at the Pukkelpop Festival in Belgium collapsed, which resulted in four deaths with seventy-five additional people injured. Indie rockers Smith Westerns were performing on the stage moments before it collapsed, and they offer their perspective on what happened in an interview below.