If you’d told me a few years ago that The Replacements OR Neutral Milk Hotel would be playing anywhere for any reason, I would have punched you in your damn face for lying so hard. But the new reality in 2014 is that both beloved bands are performing at the fall edition of Boston Calling Music Festival, to be held September 5-7 on City Hall Plaza. The spring edition is happening in May.
In addition, the festival will host The National, whose Aaron Dessner has contributed to the curation of prior incarnations of Boston Calling, as well as Lorde, Nas with The Roots, Childish Gambino, The 1975, Spoon, Girls Talk, Future Islands, Volcano Choir, Sky Ferriera, plus Boston’s own Lake Street Dive. AND MORE.
Learn more at the Boston Calling website. Watch the announcement video here:
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Michael Stipe will induct Nirvana. Makes sense. Kurt Cobain expressed his deep admiration for close friend Stipe on more than one occasion.
Bruce Springsteen will induct his E Street Band. The Boss is already in the Hall solo. No-brainer.
Tom Morello will induct KISS, because someone has to do it.
Chris Martin will consciously couple the Hall of Fame with Peter Gabriel. OK?
Glenn Frey will induct Linda Ronstadt. That’s a good one – the Eagles started out as her backing band.
Questlove will induct Hall and Oates, which is pretty cool. The Roots’ mainman and walking music encyclopedia will hopefully shine a nice light on the often overlooked rock and soul duo.
Peter Asher, of ’60s duo Peter and Gordon, as well as a noted producer (of James Taylor, among others), will induct Beatles manager Brian Epstein and Rolling Stones manager Andrew Loog Oldham.
Salman Rushdie will induct Cat Stevens. No, I’m kidding, no word yet on who has that honor.
The ceremony will take place on April 10th and will be aired on HBO on May 31st. (h/t CoS)
The Bee Gees‘ Barry Gibb stopped by Late Night with Jimmy Fallon last night, just a few weeks after appearing with the comedian on the recurring Saturday Night Live sketch “The Barry Gibb Talk Show.” The two have a nice rapport, and Fallon is obviously a genuine fan, so it was great to see and hear them harmonize on a few refrains of Everly Brothers songs.
Gibb then performed “You Should Be Dancing” along with The Roots. He’ll be starting a 6-day tour starting May 15th. See dates below.
Barry Gibb Live:
5/15 “ Boston, MA @ TD Garden
5/19 “ Philadelphia, PA @ Wells Fargo Center
5/23 “ Wantagh, NY @ Nikon At Jones Beach Theater
5/27 “ Chicago, IL @ United Center
5/31 “ Concord, CA @ Concord Pavilion
6/4 “ Los Angeles, CA @ Hollywood Bowl
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Phony New Kids mania has bitten the dust: Boston is finally getting its own big time festival with Boston Calling, which will be held at City Hall Plaza on May 25-26. Look for fun., The Shins, Matt & Kim, Of Monsters and Men, The National, Young the Giant, Dirty Projectors, Cults, Andrew Bird, and more, in addition to local faves Caspian and Bad Rabbits.
UK folk that won’t bring you down: Skinny Lister, the good-time English folk stompers who recently joined us for an exclusive OurStage session, have just announced a bunch of U.S. tour dates, including an astonishing seven sets at SXSW and a stop at Coachella. More from our friends at Under the Gun.
Returning to the scene: Tyler, the Creator, whose rap collective Odd Future grabbed our attention with a debut on Late Night With Jimmy Fallon back in 2011, went back to the show last night to perform “TreeHome” and “Domo 23” with The Roots. It was something. Golf wang?
Please sit down and brace yourself for the shock before reading this news item: Alt-rock stalwarts Stone Temple Pilots have…fired Scott Weiland. Excuse me, they “terminated” him, presumably in a round of difficult downsizing. Weiland will be eligible for unemployment and will be able to stay on the band health insurance if he pays through the Cobra plan. This comes just a day after the singer promised to sing STP hits during his upcoming solo tour, slated to start March 1st.
After a four-year-long absence from solo performance, Justin Timberlake will finally take the stage this February 2 at a charity concert in New Orleans to benefit Shriners Hospitals for Children. The invitation-only “DirecTV Super Saturday Night” concert will also feature DJing from The Roots drummer ?uestlove. For those who were invited to catch this prime lineup, it’s going to be a pretty awesome weekend; Super Bowl XLVII will be taking place the following day in New Orleans at the Mercedes-Benz Superdome.
Earlier this month, Timberlake premiered “Suit & Tie,” the latest single from his forthcoming solo album The 20/20 Experience, the singer’s first solo outing since 2006’s FutureSex/LoveSounds. Check out the brand new lyric video for “Suit & Tie” here.
Check out OurStage artist Cameron Jaymes if you’re a fan of JT.
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If there were anything to make you want to go back to college again “ besides the socially acceptable binge drinking, sleeping until noon, and wearing sweatpants to dinner “ it would probably be taking a class with ?uestlove. Yes, that’s right. This spring, The Roots drummer will be teaching a two credit class on classic albums at the Clive Davis Institue for Recorded Music at NYU’s Tisch School of the Arts. The course’s tentative syllabus involves the analysis of time“tested albums such as Led Zeppelin IV and Michael Jackson’s Off The Wall in order to understand the many factors that go into making those select albums designated classics. Billboard reports that ?uestlove will be co“teaching the course in conjunction with Harry Weinger, the vice president of A&R at Universal Music Enterprises.
Okayplayer has existed in one form or another since 1987; the moniker originated from the self-given name of a loose-knit collective of artists that would go on to become The Roots. Since then, Okayplayer has been best known as an online music entity, though the company also dabbles in live events and media production.
News of Okayplayer Records’ relaunch was accompanied with word of some upcoming releases from the label for 2012. Rapper Danny!, who has been working with Okayplayer since 2006, is slated to have his sixth studio album, Payback, come out on September 25th. Payback will mark the end of an eight year gap between releases from Okayplayer.
It was also announced that Young Guru, the studio wiz responsible for engineering ten of Jay-Z’s 11 albums, will be releasing Young Guru: Essentials Vol 1, his all-beats debut album, through Okayplayer as well. Essentials Vol 1 is also the first in a planned series of albums from Young Guru, so fans shouldn’t worry about the lights at the Okayplayer Records offices going out any time soon.
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Back in February we covered how Twitter and Facebook had proved that the Dave Matthews Band and Steve Lillywhite were back in the studio for the first time since 2000’s failed Lillywhite Sessions. Five months later, Steve Lillywhite continues to engage curious fans through Twitter, and the perennial touring juggernaut that is DMB is back on the road debuting new songs from their upcoming release, which fans can expect September 11th. I got the chance to catch their two-night stand in Hartford, Conn. Also in attendance both nights was none other than super-producer Lillywhite himself. Lillywhite had been teasing fans for weeks about listening to the new album in his rental car, and even Tweeting a picture of the burned disc.
Road trip listening !! twitpic.com/9orwub
” Steve Lillywhite CBE (@Sillywhite) May 24, 2012
Quite the brave move, considering the leak of his last studio effort with the band nearly led to their demise, and a decade long producer/band drought. Nonetheless, Lillywhite grabbed a couple of hardcore DMB fans while leaving the Hartford shows, and invited them to his car to give the album a listen.
” Corey Manicone (@coreymanicone) May 26, 2012
The DMB fan community erupted with excitement as the news started to trickle out that someone had heard the new album, and suddenly Corey Manicone was a micro-celebrity. Over the next few days he answered as many fan questions about the album as he could remember; most importantly confirming that the new songs being played on the tour up to this point were all on the album. And later confirming the fourth and final new song to be on the album as well.
Read on to watch live performances of the four new album songs debuted thus far, and check out the full tracklist.
When I first heard the news about Amy Winehouse‘s passing (on Twitter, naturally), the comment that stood out most was one by Winehouse herself in an interview that the singer had done a few years ago with my former Entertainment Weekly colleague Chris Willman. In it, Winehouse jokingly made a prediction that, in hindsight, isn’t very funny at all.
In 10 years, she said, “I’ll be dead in a ditch, on fire.” Sadly, for her many fans who had rode shotgun as she drove down the path of self-destruction, the “dead” part of her premonition was no joking matter. It was a distinct possibility, if not a certain probability, and one that came to pass on July 23, when Winehouse, who had infamously battled drug and alcohol addiction and had been in and out of rehab in recent years, was found dead in her London home.
The first thing I thought, after spending a moment to grieve for her family and loved ones, was that the world would be cheated out of so much great music. With Back to Black, her 2006 breakthrough album, Winehouse did so much more than show great promise. Hers already was a talent in full bloom. Back to Black was destined to go down as one of the all-time masterpieces. I was living in Buenos Aires at the time of its release, and I knew people who didn’t speak a word of English who could recite every line from every song.
It’s better to burn out than fade away. Live fast, die young. Leave a beautiful corpse. We’ve also all heard the one about how dying (especially before one’s time) is the best career move. I don’t know how beautiful Winehouse’s corpse will be, but she is guaranteed a spot in the pantheon of musical greats who left the party too soon.
Chillingly, she’ll be right beside the musical icons that she seemed to want to emulate most: Janis Joplin, a blue-eyed soulful precursor to whom she was often compared; Jimi Hendrix; Jim Morrison; and Kurt Cobain, all of whom died when they were the same age as Winehouse. If ever there were an unlucky number, it would have to be 27.
Unlike the legends who preceded Winehouse to an early grave and left behind so much incredible, indelible music, Winehouse bequeathed us with relatively few musical gifts. There are her two albums, 2003’s Frank and Back to Black, as well as a handful of one-off guest appearances on other people’s songs (Mark Ronson, Quincy Jones, and Tony Bennett, whose Duets II album in September will feature Winehouse). Sadly, her final impression will be a June concert in Belgrade, Serbia in which the apparently bombed singer stumbled and slurred her way through a few songs before being booed off the stage.
She had reportedly been working on new music for years, and at one point, was said to be on the verge of working with Roots drummer ?uestlove and producer/performer Raphael Saadiq on a project that had been delayed because of Winehouse’s trouble securing a U.S. travel visa due to her 2007 drug arrest for marijuana possession in Norway. So from here to eternity, all we’ll have to remember Winehouse by will be masterpieces of melancholy like “Love Is a Losing Game” and “Tears Dry on Their Own.” We’ll sing along, we’ll cry, we’ll look for clues to what was going on inside her troubled mind, to figure out why she was such a lost soul.
For you I was a flame
Love is a losing game
Five story fire as you came
Love is a losing game
From this day forth, Winehouse’s world-weary look of love will make Adele’s 21 sound like feel-good music. Speaking of Adele, Winehouse should have been where the “Rolling in the Deep” singer is now, reaping continued financial and critical benefits after a first rush of success. Now who’s going to fill her f**k me pumps (to quote the title of one of her early songs)?
Surprisingly, for all of her Grammys, accolades and albums sold, Winehouse only had one single resembling a hit in the U.S., “Rehab,” which went to No. 10 on Billboard’s Hot 100. I’ll never again be able to listen to the song in quite the same way, as a statement of bad-ass defiance. Now it will just sound like the words of a sad, desperate woman in denial and on the brink of collapse. If only she’d taken their advice.