Rock And Roll Hall Of Fame Presenters Announced

Rock-and-Roll-Hall-of-Fame-LogoWe already knew the artists who will be inducted into the Rock and Roll Hall of Fame for 2014, but now we know who will be inducting them.

Michael Stipe will induct Nirvana. Makes sense. Kurt Cobain expressed his deep admiration for close friend Stipe on more than one occasion.

Bruce Springsteen will induct his E Street Band. The Boss is already in the Hall solo. No-brainer.

Tom Morello will induct KISS, because someone has to do it.

Chris Martin will consciously couple the Hall of Fame with Peter Gabriel. OK?

Glenn Frey will induct Linda Ronstadt. That’s a good one – the Eagles started out as her backing band.

Questlove will induct Hall and Oates, which is pretty cool. The Roots’ mainman and walking music encyclopedia will hopefully shine a nice light on the often overlooked rock and soul duo.

Peter Asher, of ’60s duo Peter and Gordon, as well as a noted producer (of James Taylor, among others), will induct Beatles manager Brian Epstein and Rolling Stones manager Andrew Loog Oldham.

Salman Rushdie will induct Cat Stevens. No, I’m kidding, no word yet on who has that honor.

The ceremony will take place on April 10th and will be aired on HBO on May 31st. (h/t CoS)

Tuesday, October 16, 2012

Tim Commerford Hints At New Rage Against The Machine Album

In possibly the most pleasant exchange that has ever resulted from TMZ accosting a celebrity on the street, former Rage Against The Machine bassist Tim Commerford has shyly hinted at a possible new album from the funk metal pioneers. When asked if the defunct group were working on a new album, Commerford quietly answered, “Maybe¦maybe.” Since the band’s breakup twelve years ago, vocalist Zack de la Rocha has worked on a string of collaborations with various artists, while the remaining three Rage members “ Commerford, guitarist Tom Morello, and drummer Brad Wilk “ formed Audioslave with Soundgarden frontman Chris Cornell. Though Rage have performed several festival dates since their official breakup, there has been no substantial news about a new album yet. The vague TMZ interview with Commerford provides the most information that fans will get about a new album thus far. That, and his apparent appreciation for Gucci Mane’s facial tattoos and his penchant for “removing teeth” as a fashion statement.

More like this:

Wednesday, January 18th, 2012

Friday, May 13, 2011

Enter Your Next Record With Travis Barker Competition Before It's Too Late!

It’s not too late people”there’s still time to enter your song in Guitar Center’s Your Next Record with Travis Barker Competition on OurStage! One Grand Prize winner will join the ranks of the many killer artists that Barker has lent his talents to over the years including Tom Morello, Raekwon, RZA, Slash and Game. How might you ask? The best way he knows how: by rocking out on the drums of course.  The Grand Prize winner will receive the ultimate rock star prize package including a trip to Los Angeles to record a 3-song EP with Barker at the Red Bull Studios and a $10,000 shopping spree at Guitar Center. Barker will play drums on one single from the EP, which will be distributed worldwide by TuneCore. It’s pretty much your one-way ticket to rock super-stardom, so enter your best track by April 30, 2011 for your chance to win!

Fans can also join in on the rock ‘n’ roll party by judging in Guitar Center’s Your Next Record with Travis Barker Sweepstakes. Judge in the competition by May 15, 2011 and you could win an OCDP snare drum autographed by Travis Barker himself! Help the best artists get their big break, and you could walk away with a priceless piece of rock history. Everyone goes home happy. Cruise through the playlist below to check out some of the hottest artists in the competition.

Riffs, Rants & Rumors: Robbie Robertson's Rootsy, Rockin' Return

Those whose hearts palpitate in time to the songs of Robbie Robertson”both his Band-era milestones and solo hits such as Broken Arrow and Somewhere Down The Crazy River” have had to endure a long period of silence from the legendary singer/songwriter/guitarist. Robertson’s last album was Contact From the Underworld of Redboy, a 1998 release informed by the electronic sensibilities of producer Howie B. But just a couple of weeks ago, the thirteen-year silence was broken by He Don’t Live Here No More, the first single from Robertson’s fifth solo album, How To Become Clairvoyant, which is scheduled for an April 5 release. The single, like much of the album itself, bears a deep, swampy, blues-rock groove and a natural-sounding, lived-in feel that has more in common with Robertson’s early solo outings than his last couple of releases, which boasted a more modernized approach. The production style proves to be the perfect complement to the tunes, which share a retrospective, even nostalgic purview. I can’t think of one song on the record that doesn’t have that quality, affirms Robertson, during our conversation about Clairvoyant.

Robertson’s got some old friends helping out on the record too, including Eric Clapton and Steve Winwood. Eric and I first started talking about doing something like 10 years ago or more, Robertson recalls, and we got together, but we didn’t have anything specific in mind. We’re old friends, so we were hanging out and playing a little music and telling stories¦but it was just kind of dipping our toe in the water. Him and I did a few things probably over a three-week period when he was in Los Angeles. Some time later¦I came across the project that him and I had started, and I thought ˜Wow, there’s much more here than what I remembered.’ So I called him and I said ˜We’ve got some interesting stuff that we started,’ and he said ˜I always thought so.’ The next thing he knew, Robertson was on a plane to London at Clapton’s behest, to record a full-blown album. He was just a great friend in all of it, Robertson says of the British guitar hero, just being so supportive. He said ˜I just want you to make a record. If I can be part of it and be supportive in it, I’m just glad to do it.’ So that was nice inspiration too. Another old compatriot on hand for the sessions was Steve Winwood. I met Steve when I was 20-years-old and I was playing with Bob Dylan, and we were touring England, recalls Robertson. That was in 1966 I think, so I’ve known him that long.

But Robertson’s other musical endeavors elongated the production process of Clairvoyant. The London tracks turned out well, but Right after we cut them, Martin Scorsese asked me if I would help him figure out the music for Shutter Island, says Robertson. So I went off and did that. It was a more lengthy process than I thought, because for that soundtrack I wanted to use modern classical music, and although I knew something about what that was, I wanted to do more research. So the work on that¦it took a while. Then I came back to the record, and I finished it up by myself and with the other people that I brought in to work on it, like Trent Reznor and [ex-Rage Against The Machine guitarist] Tom Morello and Robert Randolph. So how did industrial-music icon Trent Nine Inch Nails Reznor end up in the mix? In this last little while, he’s been leaning in a cinematic direction, explains Robertson, and he did the music for Social Network. This song that Eric and I had written, Madame X, we had laid down a basic track, but what I was really looking for was¦something that had a timeless quality to it, but I wanted to put a new, modern kind of spin on it as well. I thought those two worlds would fit together really nice, so I asked Trent if he would do a treatment on this.

But despite the occasional presence of more contemporary-minded contributors like Reznor and Morello, How To Become Clairvoyant remains a rootsy, earthy piece of work, and the songs seem to touch on earlier phases of Robertson’s life. This Is Where I Get Off, for instance, deals with his split from his buddies in The Band, while Straight Down The Line celebrates pre-rock & roll-era artists’ insistence on standing their stylistic ground, regardless of changing trends. Robertson says the seed of the idea had to do with Mahalia Jackson. I had suggested a few years ago that she be inducted into the Rock and Roll Hall of Fame as an early influence, he says, because she was a complete inspiration, and she’s one of the greatest female singers of all time. And the answer back from her family was ˜That’s okay, we’d rather not.’ Because she always said ˜I do not play no rock and roll.’ [a key line in Robertson’s song] And Frank Sinatra, when rock and roll first came out, he was like, ˜Well this shit’s only gonna be around for six months anyway.’ I just like that attitude, some people were just bold enough to say ˜Nah, I don’t buy it.’

When The Night Was Young looks back wistfully on the idealism of the ˜60s counterculture that 67-year-old Robertson was part of. The youth of the nation, and the youth of the world, ultimately felt like ˜We’re not just gonna stand here and watch wrong things happen, we’re gonna stand up and we’re gonna make a difference.’ That war [in Vietnam] was called to a halt, because everybody said ˜We don’t want this,’ and it really was the voice of a generation telling the governments and the world ˜You’re gonna have to stop this.’ And they did. When we played at Woodstock, people were getting up saying ˜There’s a half a million of us here, and we’re all here today for peace, and we want this war to go away.’ And at that point people were saying ˜You know what, we’re gonna have to listen to some of this shit, we just can’t ignore it anymore.’ It was a powerful feeling, and we don’t have that now, we don’t really feel that in the air.

On How To Become Clairvoyant, the listeners who grew up with Robertson’s music will recognize pieces of their own past, but younger generations can still get a feeling for the sense of history that pervades the album. The tunes themselves, of course, come with no age requirements for their enjoyment, and Robertson’s followers can exhale at last, content in the knowledge that their pied piper is back at work. I choose to make records when I feel inspired to do so, he says, otherwise I’d rather not, and inspiration appears to have been a key ingredient in Robertson’s latest sonic statement.

Ernie Ball Winners Rock Out With A Year's Supply Of Free Strings

Every month, Ernie Ball selects one winner from one music channel to be the recipient of a years supply of free strings. Each month, a different genre is chosen and axe wielders of all shapes and sizes get the opportunity to win. We caught up with winners Fiction Reform and The Worsties to learn a little more about their playing style, major influences and favorite guitarists among other things. Check out their responses below:

Jesse Worstell (The Worsties)

Playing Style: “My style is a mixture between punk and riff rock. Lots of powerchords mixed with some riffy goodness.”

Favorite Players: Jimi Hendrix, Mike McCready, Tom Morello, Jack White, Prince

Major Influences: “I caught the music bug in high school so my biggest influence in the beginning was anything from the grunge era, especially Pearl Jam. A lot of the albums in the ’90s were easy to play along to, so they were pretty much my guitar teachers.

Currently Playing: “My main guitar is a black Gibson SG Standard. I also have an arctic white Fender American Telecaster and a white 1985 Japanese Fender Mustang.”

What was it like to win? “When we received the news that we had won a year’s supply of strings there was a lot of celebration, mostly because Ernie Ball was already my preferred string. It couldn’t have come at a better time. We’ve been on the road quite a bit and strings can be expensive, especially if you’re going through them so fast… and it’s not always easy to find a music shop while out playing shows. We don’t have to worry about that now for a while. It’s been one of the best prizes The Worsties have received for sure!”

Aaron Chabak (Fiction Reform)

Playing Style: “My playing style is mostly a blend of classic punk-rock power chording and blues licks that I picked up listening to Led Zeppelin and Black Sabbath. I like to stay minimalistic when possible because Brenna can really belt out the vocal melodies.”

Favorite Players: “My list of favorite guitar players is always growing. It started with Jimmy Page, Jerry Cantrell, Eddie Van Halen, all the guys in Bad Religion and Fletcher from Pennywise. Lately I’ve been into Matt from Muse, Zach & Tim from Rise Against and recently I’ve been going back over Descendents albums.”

Major Influences: “I can track most of my inspiration back to Dave Grohl. The first time I saw him play was with the Foo Fighters at Memorial Hall in Kansas City when they were promoting their first album. I’ll never forget how cool he was on stage. And that guy plays everything like a badass!”

Currently Playing: “Right now my main guitar is a Gibson Les Paul Standard and I recently got a goldtop LTD EC-400 that I’ve been really impressed with. The guys at Krank also turned me on to their new Nineteen80 series amp and it rips!”

What was it like to win? “Winning free strings is an awesome feeling! It’s easy to skimp on changing strings when you’re a starving musician and it’s horrible for your tone. Having a year’s worth of Ernie Ball’s keeps me sounding my best every night so I’m very thankful.”

You can check out the riffing of Aaron Chabak and Jesse Worstell in the playlist below:

Metal Monday: A Look at Metal Supergroups

OSBlog02_MetalMondays_MASTERImagine for a second that you’re Scott “Wino” Weinrich of Saint Vitus and The Obsessed fame, and you have had a shortage of musical projects to work on. Maybe you have a few friends and colleagues who are in a similar situation. Wouldn’t the obvious choice here be to form a band or project with those fellow musicians? Of course it is the obvious choice, and so that is exactly what Wino did.  A few years ago, he teamed up with Scott Kelly (Neurosis), Al Cisneros (Sleep) and Dale Crover (Melvins) to form the supergroup Shrinebuilder (although the exact point when the group went from speculated project to fruition is still a bit unclear). The group’s self-title debut came out in October of ’09 to much excitement and critical acclaim.

Read more about the successes and failures of metal supergroups after the jump