Chvrches have been rocking a myriad of covers lately, from Whitney Houston to Bauhaus. With each one, the Scottish trio inject that signature synthpop sound and crooning vocals for a truly unique experience. Adding the Arctic Monkeys to their hit list, the band recently did an in-studio session with Triple J to cover “Do I Wanna Know,” off Arctic Monkeys’ 2013 release, AM. You can check out the cover below. (more…)
There are few bands in the indie world right now with more Internet hype than CHVRCHES. Their synth-infused sound is all the rage in Pitchfork-influenced communities, and after the following cover they’ll certainly be on your radar as well.
While in the studio working on their recently released debut album, CHVRCHES recorded a few additional tracks to be used for promotional purposes. One of them, a cover of Whitney Houston‘s “It’s Not Right, But It’s Okay,” found its way online this morning. The original dance club production has been replaced with atmospheric-yet-driving synth work, and the results are sure to create even more buzz today. You can stream the cover at the end of this post.
Taking on a Whitney Houston classic is certainly cause for skepticism, but there is something so original about CHVRCHES take on the track that it’s hard to find fault. Comment below and let us know your thoughts on the cover.
Drake must be the luckiest guy in music. He’s got an enviable portfolio of assets: looks, talent, street cred, excellent connections, gold and multi-platinum. Now the Canadian rapper has a beautiful woman, too”at least a controlling interest in her legacy. But is ownership of the next posthumous phase of Aaliyah’s career one benefit too many?
That’s what some are wondering as we approach the 11th anniversary (on August 25) of the death of Aaliyah, who was killed in a plane crash in the Bahamas in 2001, at age 22, cutting short one of the most promising careers in music. Since then, there’s been scant new material issued under her name. I Care 4 U, a posthumous album released in December of 2002, was followed by nearly a decade of silence.
Until now. Earlier this month, Drake unveiled a new Aaliyah track, Enough Said, credited to Aaliyah featuring Drake and produced by the rapper’s Take Care collaborator Noah 40 Shebib. There’s more: Drake has promised a new Aaliyah album, executive produced by himself and 40, with 13 or 14 tracks, to be released later this year.
But is it a true Aaliyah album if key players in her life and legacy”namely her immediate family”are left out of it? Her brother, Rashad Haughton, went so far as to deny the family’s involvement on Aaliyah’s Facebook fan page. There is no official album being released and supported by the Haughton family, he posted on August 7, several days after Drake released the new single. (more…)
But this summer, as pop’s three hottest males”Usher, Chris Brown, and Justin Bieber“release new albums, the guys will be giving the ladies their stiffest competition in years. Are any of them most likely to succeed Michael Jackson as the new King of Pop, this season or in seasons to come? Read on….
Usher Vocally, Usher is without a doubt the most-talented man in pop, and he already has a hit list that’s long enough to guarantee his place in music history. Commercially speaking, though, he seems to be settling into middle age, a comfortable place where he’s still good for the occasional big hit single (2010’s No. 1 “OMG” and his recent David Guetta collaboration “Without You”).
But he’s hardly a chart shoo-in anymore. “Climax,” the first single from his new album Looking 4 Myself, which was released on June 12, peaked at No. 17 on Billboard’s Hot 100, 16 notches lower than “Yeah!,” the premiere single from 2004’s Burn that spent 12 weeks on top. Meanwhile, after one day in stores, Looking 4 Myself was projected to sell only up to 130,000 copies in its first week, some 200,000 less than 2010’s Raymond v. Raymond. (more…)
YouTube and music have gone hand in hand for a while now, helping break new stars (Gotye), and giving music lovers one more place to stream poor quality versions of their favorite songs. But perhaps YouTube’s greatest contribution to the music industry all started with the Chinese Backstreet Boys and their hilarious rendition of “I Want It That Way,” the video that spawned a sensation.
Six and a half years later, YouTube is no longer just a teenager, but hilarious lip syncing videos can still win over the crowd. Another sports team has lip synced another top 40 gem and have become mini-superstars themselves.
We did a little round up of some of the best/funniest/most clever music-centric vids on the web, read on for the rest: