Tag Archive for 'women in music'

SASSY KRAIMSPRI: NORWAY’S HOTTEST POP-METAL-PUNK ROCKER

Scandinavia has given the world some wonderful gifts over the years: saunas, IKEA, The Muppets’ Swedish Chef (who I still argue is really Danish or Norwegian because of the conspicuous letter Ø that often appears wherever he does.) Now we can add Sassy Kraimspri (pronounced “crime spree”) to the list. This rocker was born, and still lives, in Norway though much of her youth was split between both New York City and Sydney, Australia.

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Sassy’s music is inspired by many different genres while speaking to the ghosts of the riot grrrl movement. She even made our Women in Rrrock playlist a while back. Self-described as “pop-sensibilities choked on Norse Black Metal roots, mixed with a love for 40s blues and old school punk,” Sassy Kraimspri is a force to be reckoned with. Her vocals can be both sweet and powerfuljust like her personality letting everyone know who’s in charge when she takes the stage. Multiple Top 20 finishes in rock, pop, hard rock, and punk, attest to her ability to vary her sound and cross genres. Check out this playlist of Sassy Kraimspri’s OurStage music. “Toy Boy” is my favorite pick!

KNOW YOUR ROOTS: MUSIC HISTORIES THAT WON’T PUT YOU TO SLEEP

You’ve heard of The Ramones and The Sex Pistols, but how much do you really know about punk? Or hip-hop? Or even reggae? Here’s some recommended reading for those of you looking to find out more about you favorite genre of music and learn some kick ass music trivia:

cindarellas-big-scoreCinderella’s Big Score: Women of the Punk and Indie Underground by Maria Raha – How many female punk rockers can you name? What about indie rockers? Contrary to what most “Best of” and “Crucial Album” lists would have you believe, the punk and indie scenes are full of women who can rock just as hard as the boys. How many women? Enough to fill a rather large book, actually. Raha gives lady rockers from the Runaways to the Raincoats the recognition they deserve. The back of the book even contains full discographies for many of the women profiled.

6a00c11413e997819d00e398b789cd0001-500pi1Please Kill Me : The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain – The story of the birth and death of punk from the people who were there. Unlike most histories, which focus mainly on the musicians involved, Please Kill Me includes interviews not only with musicians but also with venue owners, producers, managers, journalists and fans. While some of the people featured attempt to debunk the mythology surrounding punk’s explosion in the the music world, others try to add to it. This book makes it clear that punk, like most music movements, was about people who wanted their voices to be heard.

cantstop1Can’t Stop Won’t Stop: A History of the Hip Hop Generation by Jeff Chang – At some point in my educational career, I realized that if I was going to major in music industry, I needed to know more about hip-hop. A casual listener, I didn’t know much about the origins of the music or the culture that surrounds it. Enter Can’t Stop Won’t Stop. While it’s clear from page one that this is as well-researched as any music reference book, it reads less like a text book and more like a page-turner. The reader gets a thrill from watching Chang piece together the political, social and economic climates that came together in a perfect storm to create what we know now as hip-hop culture.

roughguidereggaeRough Guide To Reggae by Steve Barrow and Peter Dalton – The title of this book is a little misleading. The Guide actually covers Jamaican music from the 1950s to the present day, running the gamut from mento to ska to rocksteady to dancehall. In addition to pictures and information on the genre’s stars, it offers recommendations of artists’ best records and records that best represent the genres. The Rough Guide music books are a great way to discover lesser-known but talented artists in a genre you are already a fan of.

MY TAKE ON WOMEN IN RRROCK

Am I the only one who’s sad that the Riot Grrrl movement is over? Alright, so I’m a bit too young to remember all of it. But if we’re going to split hairs here, then I’m also too young for Nirvana, which basically means my life is over. So let’s agree: no hair-splitting. 

Kat in her mid-90's grunge glory

Kat in her mid-90's grunge glory

I just wish I could have witnessed the riot in the flesh: Kat Bjelland blowing people away with her screaming vocals in Babes in Toyland. Nowadays, a girl in a rock band is a novelty. If I had a dollar for every “Looking for female bassist/guitarist/drummer” Craigslist ad I’ve seen for an otherwise all-male band, I could buy a new bass.

Really, what is it that makes us grrrls in bands some type of rare bird, present only for others’ amusement? Or, even worse, an object to be watched and critiqued with every pound we gain or lose?  Women in rock bands are often seen as the same thing: a pretty face to be watched closely in an otherwise “boys only” picture. But last time I checked it wasn’t 1950.

"You're pretty good for a girl." "Thanks? You're pretty nice for a jerk."

"You're pretty good for a girl." "Thanks? You're pretty nice for a jerk."

Not to sound too cynical but mainstream female musicians aren’t helping matters. Ask the average 15 to 20-year-old female to name the first “girl rocker” that come to mind, and I bet you’ll hear Avril Lavigne (she says she writes all her songs but her writers say otherwise), Gwen Stefani (is she still a rocker? or maybe a designer? or just a holla back girl?) or even Ashlee Simpson (she lip syncs and there’s nothing punk about that).

Now the question is, “what can we do to change people’s perceptions of women in rock?” The answer is simple: don’t tell people, show people. The only way to get deserving rocker chicks the RIGHT kind of attention is to share their songs and let the music do the talking. Check out the playlist below for starters. This short but sweet list of songs was hand chosen from my personal favorite OurStage ladies. And it’s not about production value or rankings, just rock.

*Note: Andrea from Tunnlvision isn’t the singer, she’s responsible for that killer bass intro in “On the Fly.”

Want to check out the coolest chick guitarist you probably haven’t seen before? Watch Boris guitarist Wata shredding.