Industrial Revolution: "Grey's Anatomy" Killed The Radio Star
It’s official. TV is the new radio. Television is now the primary medium through which casual and even passive listeners with a general interest in music stand the greatest chance of discovering new music and artists.
Whether through serial dramas, sitcoms, commercials, or reality programming, television is absolutely soaking up hip indie rock bands and singer-songwriters as well as unsigned and often unknown artists. Sometimes it lends them cache “ a coolness factor that comes from being associated with something that sounds new. In the case of some higher-profile bands, like the ubiquitous Black Keys, this can cost them a chunk of change. Subaru and HBO, among others, are shelling out to feature the fresh-retro sound of a band like the Black Keys, which appeals to both young, in-the-know music fans and to an older generation who are so excited to hear something familiar-yet-new that they jump online (or, depending how old they are, to¦the record store) to find the genesis of this sound. Other times, and this is best case for the television show or advertiser, they spend relatively little on an unknown song from a licensor’s roster that either sounds fresh or sounds like another act they can’t afford or don’t want to pay for.
In both cases, it’s a win-win. The unknown artists get the kind of instant and national exposure that they wouldn’t get even if the biggest commercial radio station in their town started playing them. And the TV shows are getting these artists cheap, so they’re cramming more music into their shows AND often giving them a credit somewhere during or after the show. The bigger acts, meanwhile, are benefiting by getting bigger “ in the course of six studio albums, the Black Keys have only in the last year or so, with an increase in song licensing, jumped out of a comfortable cult status and into the consciousness of people who are neither savvy toward new music discovery nor particularly interested in getting savvy. Even if they really like good music, they know they don’t need to work that hard to find it. Just wait for the new iPod commercial, do a Google search, and, boom, you’ve discovered The Submarines. Bands, likewise, no longer have to pander, as in years past, to the corporate powers-that-be at major commercial radio. If you have that one song that perfectly captures the ennui that apparently comes standard with having a medical degree, you might get yourself on an episode of Grey’s Anatomy”ladies and gentlemen, The Fray (whose success on that show’s soundtrack has led to more and more such opportunities, many of which the band reports turning down for fear of overexposure).
And bands no longer grapple with the concept of selling-out. Television has always needed music, but bands used to be reluctant to accept offers to have their music synced with a commercial or any images they don’t control. Now, that wall has come down. For bands, getting on television is not only an acceptable way to distribute your music, but an enviable achievement. A band with a song on MTV’s The Real World will remind their friends and fans on Facebook to tune in, posting it as they would a good review. And they see instant results. YouTube views hit the thousands literally overnight even after a brief clip on such a high-profile show. And the next check from iTunes or CDBaby might be a nice surprise.
There are still quality commercial radio stations out there but, over the last ten years, many have become stale and afraid to take chances on untested music. Some major commercial stations began testing alt-rock hits from the mid-90s on listeners, finding that they liked them”they still liked them” and so they put Stone Temple Pilots back into heavy rotation, fifteen years later, rather than risk valuable airtime on a relatively unknown artist.
Well, it’s their loss and the beneficiaries are the TV shows and the artists. The world would be a slightly better place if commercial radio were more adventurous and compelling, but in the meantime, at least there is a new and effective outlet for bands. Television has a broader reach and a more engaged audience to pitch to. Unlike radio listeners, people watching TV aren’t driving or reading or playing with their kids. They’re watching TV, so shut up, dammit, I’m trying to Shazam the song in this Target commercial.