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Love and War
posted: July 30, 2012
EarlyRise There’s nothing wrong with being different, Orly Lari sings on Wasteland over a torrent of guitars and drums. And being different, to EarlyRise, means raging against the powers that seek to tear us down.
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Code Red
posted: July 23, 2012
Blameshift’s steady rise to the upper strata of commercial music is the product of not just talent, but serious marketing mojo. First the band became road warriors, criss-crossing across the country in a bus fueled
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Soldier On
posted: June 20, 2012
It takes a mighty presence to hold an arena-sized audience captive. And though Kat Robichaud, who fronts Raleigh-based band The Design, has spent the bulk of her career on smaller stages, she’s the kind of
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All About It
posted: May 28, 2012
There’s a pantheon of music constructed of staccato guitars, thrashing drums, and searching, volatile vocals. Some call it emo, some call it pop-punk, some call it alternative. The name itself isn’t important. What matters
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The Amazing Race
posted: October 19, 2011
If you can judge a band by the number of big names it’s affiliated with, then Man On Earth is doing OK. A feature in TIME magazine, gigs with Perry Farrell and The White
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Riders on the Storm
posted: September 19, 2011
Everyday I is a nice cliffhanger of a name, an invitation to fill in the blank as you will. For the Orlando band, the obvious ending is rock. That’s what Everyday I sets out to
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