Archive for the 'Country' Category

COUNTRY CATCH: BRANAN LOGAN

country catch

 

Branan Logan

Branan Logan

Look out Country Channel! Branan Logan is here and he’s ready to take over the country community. His twangy voice and classic country lyrics team up to make his songs something worth tuning into. The potential for stardom is both  tangible and undeniable for this songwriter. Branan’s tunes have garnered so much attention in Nashville that his tunes have been pitched to superstars like Brad Paisley and Rascal Flatts. His sound is totally his own, and he is sure to be noticed for his unique approach to country music.

You don’t have to be certifiable in order to appreciate Branan’s catchiest diddy “Borderline Crazy”. With a Phil Vassar sound and Kenny Chesney island-themed lyrics, its only a matter of time before everyone blasts this tune through their speakers. Logan tells his 60-hour weeks “Adios!” but the only thing I see country fans saying him is “Hola!” and  “Muchas Gracias!” for making such great new music.

 

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COUNTRY CALL ‘EM: NOVEMBER CD RELEASES YOU SHOULD BE EXCITED ABOUT

osblog_countrycallem_trial03Every November, my family gathers around our Thanksgiving table and takes turns explaining what they are thankful for. This year, I can imagine my turn sounding a little something like this: “Right now, I’m especially thankful for… the best month in country album releases this year!” Despite the stunned look on my family’s faces, I stand by my some-what shallow decision. And once you hear the three upcoming CD’s debuts, I’m sure you’ll be revising your Thanksgiving monologues as well.

Look for this in the CD aisle!

Look for this in the CD aisle!

For our first course of November music bliss (arriving November 3rd), we have the delicious Carrie Underwood serving up her third album, Play On. Having mastered the art of balancing  ballads of heartbreak with upbeat toe tappers, Underwood’s new release will not let fans down. Her recent single, “Cowboy Casanova” is a small glimpse of what this power-packing diva has to offer country radio with her new album. Underwood began making waves after winning American Idol in 2005, but her ten Number 1 singles and Academy of Country Music’s Entertainer of the Year award, proves she is the real deal. With Play On, we can only hope that she continues her streak as the reigning queen of country music.

Up next is a dish best compared to your aunt’s new casserole recipe that she is “testing out” on

Can she hack it in country?

Can she hack it in country?

your Thanksgiving table. On November 10th Michelle Branch, who has dabbled in pop as well as country, is coming out with her first solo country record, Everything Comes and Goes. During her stint in The Wreckers with friend Jessica Harp, Branch achieved a Number One country single with “Leave the Pieces” so her future seems promising. Since the duo’s demise, both members of the pop-rock/country duo have plunged head first into solo careers in country. The first single off the record, “Sooner or Later” certainly has the potential to garner Michelle new fans, while hopefully proving she can stand on her own in the country music community. Maybe her CD will become a staple for long car drives, study sessions,or party mixes, just as your aunt’s recipe could become a new family favorite.

 

 

Country gold, Josh Turner

Country gold, Josh Turner

Now for dessert. How about a helping of soul food? Just take a taste of Josh Turner’s soulful baritone with his new album, Haywire, also due out November 10th.  With two of his three albums already achieving certified Platinum status, Josh is no stranger to quality work. On this new record, songs like “Why Don’t We Just Dance” indicate that Turner is getting back on the Platinum pony. Turner has proudly stated that this album is the first one that he feels truly explores his vocal range. But, from what I can tell, the entire album will be one continuous, successful high note.

No matter what you choose to feast on this month, from cooking to country, make sure you truly savor your selection. With such a fine buffet of available treats, there is no reason your ears, or taste buds, should be left unsatisfied.

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COUNTRY CALL ‘EM: TWO IS BETTER THAN ONE

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Sharing the spotlight is something very few superstars are willing to do. Unless of course, you’re a country singer gearing up for an unforgettable duet. In an industry that celebrates teamwork with awards like “Musical Event of the Year,” “Duo of the Year” and “Group of the Year,” synergy is an art form that always succeeds in the ears of country fans.

The duo singing in the video

The duo singing in the video

In what I see as the pinnacle of duet dynamite, we have Brad Paisley and Alison Krauss’s “Whiskey Lullaby”. The combination of Krauss’s soft, melodic voice with Paisley’s sharp but complementary vocals made this duet memorable long after its 2004 release. Whether it was the blend of two finely tuned voices, or the devastating lyrics that could draw a tear from the toughest cowboy, this song rose all the way to Number 3 on the Billboard Hot Country Singles chart, and won CMA awards for “Musical Event of the Year” and “Best Music Video.”  Krauss, who is often credited as the accompanying pipes on many a’ country duet (like “When You Say Nothing At All”, a duet that emerged after layering her solo version with that of the original singer, Keith Whitley), truly has the voice of an angel, able to capture emotion and beauty with as single note. Alison released a compilation CD of both her most successful solo performances, and the plethora of duets she has contributed to, called A Hundred Miles or More: A Collection. Paisley is no stranger to stellar duets either. Brad  worked with icon Dolly Parton on  “When I Get Where I’m Going”, a song about what they each hope happens when they reach the afterlife. Most recently, Brad earned another CMA nomination for “Musical Event of the Year” for his 2009 duet “Start a Band” with country rocker Keith Urban. It seems whatever song either one of these Nashville hit-makers touchs is sure to turn to Billboard and award show gold.

Performing the duet live

Performing the duet live

How about picturing this kind of musical gold—a bad-boy rocker breaking down in a song of heartbreak with one of Nashville’s most beautiful voices. That’s what happened when Kid Rock teamed up with Sheryl Crow for their chart-topper “Picture”. Both of these artists are a little bit country and a little bit rock ‘n’ roll, so the song is a butt-kickin’ ballad chock full of gritty voices and raw emotions. The track was the first country single either had released, and it proved to be more successful than any either had achieved before. Peaking at Number 4 on the Billboard Hot 100 and being nominated for a CMA “Vocal Event of the Year” in 2003, the song received accolades for its vocal and instrumental perfection. Clearly this duet was the missing piece to the puzzle of both Kid Rock and Crow’s burgeoning country careers, as both have taken off and continue to produce amazing singles that carry on their legacies as Nashville success stories.

Mr. Chesney

Mr. Chesney

The Nashville hit-making title may belong to Mr. Kenny Chesney. So what happens when you

Mr. Matthews

Mr. Matthews

 combine his signature style with that of fan favorite Dave Matthews? You get a laidback duet that screams Number One of course. “I’m Alive” has been hitting the airwaves in full force recently, and not only are the vocal stylings inspiring, but lyrics like “And today you know, that’s good enough for me. Breathing in and out’s a blessing can’t you see. Today’s the first day of the rest of my life. And I’m alive and well” truly make this a song anyone can stand behind. You can always leave it to Kenny to remind us what is important in life, and paired with Dave Matthew’s songwriting chops, this song reaching the top spot is inevitable.

 

It seems that no matter who these stars pair themselves with, hits are sure to follow. From country legends to novices on the charts, teamwork is proving to be a sure-fire way to success. We all know that two heads are better than one, and these country duo’s are proving that two voices are clearly better as well.

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COUNTRY CATCH: WHISKEY SAINTS

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The Whiskey Saints; there’s an oxymoron for you. But there is nothing moronic about this band, who has been catching attention on our Country Channels ever since they’ve joined. In the hustle and bustle of their home in Los Angeles, this foursome is making space for a genre as rare in LA as a wrinkle on Joan River’s face. Their sound is original and head turning, so the band really has the potential to cultivate LA’s country scene simply by playing one show for an undecided crowd.

One thing is decided here at OurStage, The Whiskey Saints’ videos deserve a shot. The video for their song, “With the Lights On” is a humorous story that begs the question  “What the hell happened last night?” The video reveals what occurs when the boys play in the basement of an old Victorian home, with no lights on. Not only is the song enough to keep you entertained, the video shows you that you never know what the night vision cameras may reveal. Heck, if Mother Theresa knew a Whiskey Saint could be this good, I’d bet she’d be willing to cozy up to Jack Daniels (and make all that saint work a little more interesting.)

Check out The Whiskey Saints’ video for “With the Lights On,” and make sure you stop by their fanclub. You’ll want to stay until even the lights shut off.

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COUNTRY CALL ‘EM: SUCCESSFUL STEALS

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Thou shalt not steal is an important commandment. But thou shalt not covet a song? Well. . .there is no commandment saying we can’t COVER a song. Which may explain why some of country’s biggest hits are eerily familiar.  In the past few years, artists have not only reached into the country archives, but also cherry-picked songs from the Top 40 charts across other genres. The results: pure magic.

Ms. Underwood

Ms. Underwood

Like Carrie Underwood’s recent single, “I Told You So.” Originally sung by Randy Travis in 1988, the song asks the question, “Suppose I called you up tonight, and told you that I loved you. And suppose I said I want to come back home. And suppose I cried and said I think I’ve finally learned my lesson…Would you say ‘I told you so’?” Travis, who wrote and sang the single, initially tried to shop it to other crooners. However, reviews praised Travis’ vocals explaining that his raspy tenor made the song touching and believable, and the country music community agreed, making his version go Number 1 on the charts. In Underwood’s version, critics applauded her strong, unwavering voice in the verses but felt the vocals overpowered the chorus, making it just another song and not a plea for love, acceptance and understanding. Radio listeners begged to differ, and Underwood’s cover made the Top 10 on charts. The two versions are like night and day; the differences that stand out are exactly the ones the critics harped on. Travis sings this song simply, while Carrie’s bravado makes her song a production. Emotionally, Travis’ is more resigned, while Underwood’s is desperate and yearning. The two teamed up for the duet in March of 2009, and it seems that opposites do attract— listeners that is. Their duet went Number 1 on the Country charts shortly after being debuted.

Brian McKnight's single

Brian McKnight's single

Another interesting cover was taken from what might be country’s polar opposite genre—R&B. Brian McKnight wrote “Back At One” for his 1999 album of the same name. His smooth voice carried the song to Number 2 on the Billboard Hot 100 charts that year. Shortly after, Mark Wills — a country singer with hits like “19-Somethin’” and “I Do (Cherish You)”— covered McKnight’s hit. His country-twanged version of the R&B hit also made it big, also climbing to Number 2 on the Billboard Hot Country Singles Chart. When compared to McKnight’s version one would expect stark differences. But to the contrary, the two sound eerily similar. Unfortunately, a unique country spin on such a great song was not delivered so the cover is nearly a carbon copy of the original. This case of coveting a hit was certainly a miss in terms of originality and creativity, no matter what the charts show.

However, that cannot be said of Rascal Flatts’ hit with their version of Tom Cochrane’s “Life is a Highway.” Originally recorded for the Pixar movie Cars, country radio stations began playing this cover as an album cut. Surprisingly, the song cracked the Top 10 on the US Hot 100 Chart despite never being released as an official single. Cochrane’s version is vocally less remarkable so Rascal Flatts’ Gary LeVox brings something extra, not only with his remarkable voice but with his wide vocal range and upbeat tempo. When Jay DeMarcus and Joe Don Rooney’s smooth voices chime in, the harmony of this award-winning group surpasses all others. Also noteworthy

"Cars"-the reason for recording

"Cars"-the reason for recording

is the group’s original spin on instrumentation which was used for TV specials in 2007. In fact, this cover was such a success for the band that it was added as a bonus track for the release of their album, Me and My Gang, in addition to being included on their Greatest Hit Volume One compilation. Already a grossly successful country group, Rascal Flatts’ cover showed their penchant for upbeat, fun tempos with strong vocals and even stronger harmonies.

They say imitation is the greatast form of flattery. Whether you steal a fashion look or cover a song, it’s important to think about how you can make the original your own. While some of these country artists simply rehash the past with little spunk or creativity, others demonstrate true artistry in molding these existing masterpieces into something magical.

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