It weren’t so long ago we was telling you about It’s Got To Be Now, the new record from Boston’s Aloud, and how nice and good and rock it was likely to be. Now we are pleased to tell you that we were correct in our predictions and equally pleased to hip you to their new video, for the song “Back Here With Me Again.” Comprised entirely of live footage, the video deconstructs videos themselves, and features both kinds of guitar dueling, passive and aggressive, but never passive-aggressive. Enjoy it:
Hello Monday. Here’s some new music for you, courtesy of Mean Creek, the Boston rock and roll band that is slowly and surely approaching critical mass. With the release of album number four, Local Losers, Mean Creek is revealed as one of the most confident and thrilling guitar-based bands working it today. Sure, the hallmarks of their influences are evident, with nods to some of the very best of ’80s-’90s underground rock, but here those elements are subsumed to a pure and unique voice. At a mere 2:40 running time, you’ll want to go ahead and roll this video for “Anxiety Girl” a couple two-three times.
Boston’s newest festival is returning for its third installment this Memorial Day weekend, and will be taking over the city once more for a three day extravaganza. From May 23-25, acts like Tegan and Sara, Frank Turner and the Sleeping Souls, Edward Sharpe and the Magnetic Zeros, Brand New, and many more will gather to perform inside City Hall Plaza. You can check out the confirmed lineup, along with an announcement video below. Keep an eye out for more details, as the festival promises to announce one more major act to complete an already incredible lineup. Pre-sale tickets will go on sale tomorrow and can be purchased here.
About a month ago, after One Direction dropped their latest release, Midnight Memories, most reviewers couldn’t help but point out the album’s shameless knock-offs of some of the biggest pop hits of the ’80s including “Jessie’s Girl,” “Pour Some Sugar On Me,” and pretty much any song by Asia, just to name a few. And, yes, while the songwriters behind the squeaky clean boy band’s smash singles make their musical points of reference pretty obvious to any listener older than 12, they also manage to pull off some patently ingenious lyrical references that slipped by most recaps of the album “ mostly because that was precisely what they were designed to do.
Upon a first listen, the first verse of “Better Than Words” sounds like pretty standard fare for a One Direction song: a just-generic-enough description of crazy, undeniable love that sweeps you up in its whirlwind of affection and excitement.
Better than words
But more than a feeling
Crazy in love
Dancing on the ceiling
But, if you haven’t noticed it already, each line is also a song in its own right. The second line. The third line. And, you guessed it. These aren’t just lyrics in a One Direction song, they’re built-in references to seminal pop hits. And they’re placed directly next to the title of the One Direction song, itself the very first line of the song.
Kanye West showed up and gave a quick talk to students at Harvard University’s Graduate School of Design before a show in Boston over the weekend. He was accompanied by Virgil Abloh, creative director of DONDA, Kanye’s experimental design agency, which is sponsoring a lecture series.
Few people have the knack for sounding this thoughtful and completely off-the-wall at the same time. First, he gives everyone tickets for the show, which is nice, and then goes on to say that he believes the world can be saved through design, which, sure, obviously, and then expands upon that idea, extolling the virtues of independent thinking:
I believe that utopia is actually possible when we’re led by the least by the least knowable, the least dignified, the least tasteful, the dumbest, and the most political…so…in no way am I a politician…I’m usually at my best politically incorrect [LAUGHTER] and very direct. I really appreciate you guys’ willingness to learn and hone your craft, and not be lazy about creation.
Kanye is magical. Here’s video.
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Click here to donate and download a great playlist to help victims of the Boston Marathon bombing.
OurStage is grateful to be an international hub for musicians and music fans, who are looking to share and connect with something new. But we also have a soft spot for our hometown of Boston, MA, one of the world’s most vibrant music communities. Like the rest of the world, that community was shocked on Monday to learn of, and in many cases to see firsthand, the horrifying disturbance of one of our biggest and best days – Patriot’s Day and the yearly running of the celebrated Boston Marathon.
As readers probably know, there are many victims today, and as a city and a nation, we are reeling. But as many have already pointed out, if someone was hoping to terrify us, they failed. Within moments of the blasts, average people became heroic, rushing to aid the victims, running toward the danger. Runners continued past the finish line to give blood, locals opened their homes to visiting marathon participants with nowhere to go, restaurants and bars sheltered all comers, and police and medical personnel performed at the highest level.
And the rest of us, like you, just want to know what else we can do. Well, what we do is music. Of the many memes that have made the rounds of social media in the last several days, one quote spoke brilliantly to us: “This will be our reply to violence: to make music more intensely, more devotedly than ever before.” – Leonard Bernstein.
In that spirit, our friends at the popular Boston-centric music blog Allston Pudding worked quickly to compile a fantastic playlist of local music that could be offered for download to benefit the victims of the bombing. They put out a call for submissions, and the response was overwhelming, and they finally cut it off when they reached 130 tracks. So now, you can donate anywhere from $1 or more to get 130 tracks of eclectic, quality independent music, knowing that 100% of your donation is going to The One Fund Boston. Download it RIGHT HERE.
New England folk rockers The Tower And The Fool have gone through a few lineup changes since their formation a few years ago. They originally started as an acoustic duo-fronted band, but have now downsized to a more electric 4-piece with Alex Correia as the one remaining frontman. Click here to check out their new song called “Let It Ride” from their live performance at Great Scott in Allston, MA last week.
Correia used to be the frontman for Boston post-hardcore band Therefore I Am before they broke up in 2010. The band will be coming together again for the first time in 2 years for two “end of the world” reunion shows tomorrow night and Saturday night at The Sinclair in Cambridge, MA. The first show is sold out, but tickets are still available for the second one. Click here to buy them online.
If you like The Tower And The Fool, then check out OurStage artist Mieka Pauley.
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Boston posi-core fans, dawn you now your gay apparel, for tonight Glamour Kills clothing company is hosting one of the biggest alternative/pop-punk shows of the season, A Very GK! Holiday Festival. According to the festival Facebook page, the lineup and estimated set times are as follows:
10:15 – END = The Wonder Years
9:30 – 10:00 = A Loss For Words
8:45 – 9:15 = Transit
8:00 – 8:30 = The Dangerous Summer
7:20 – 7:45 = Hit The Lights
6:50 – 7:10 = With The Punches
6:20 – 6:40 = Brian Marquis
5:50 – 6:10 = Hostage Calm
4:50 – 5:10 = State Champs
4:20 – 4:40 = Kid Jerusalem
3:50 – 4:10 = Premiere This is actually the third out of four dates in the U.S. this month. The first one, headlined by Set Your Goals, was on December 2nd in Oakland, CA, and the second was on December 8th in Chicago, IL, headlined by Chiodos. After tonight, the festival will close out the season with one last show this Sunday December 16th in Poughkeepsie, NY. The lineup will be very similar, with Matchbook Romance, Anadivine, A Loss For Words, Hit The Lights, With The Punches, State Champs, The Dangerous Summer, Kid Jerusalem, Young Statues, Brian Marquis, and Class Of 92.
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