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Sound And Vision: Six Artists I Love Although I Know I'm Not Supposed To

Most of us probably would be loathe to admit it out loud, but we all have them: Singers and bands we love in spite of everybody else. They create music to our ears, while to those who consider themselves highbrow connoisseurs of cool, they’re incurably uncool. I’d call these acts “guilty pleasures,” but when it comes to the music I listen to, I don’t believe in shame.

Jennifer Lopez Don’t judge. And don’t write off Love?, Lopez’s 2011 pop comeback. It’s a lot better than the title. All these months after she debuted the video from her judge’s perch on American Idol, “On the Floor” still never fails to take me there, and “I’m Into You,” the follow-up single, deserved so much more than a No. 41 peak on Billboard’s Hot 100. The other day, my iPod landed on Lopez’s first hit, “If You Had My Love” (No. 1 in 1999), and I didn’t press skip. In fact, I hit repeat. Twice. Carp about her thin vocals all you want, but if you’re a pop fan and you say you haven’t gotten swept up in her groove at least once”most likely thanks to the aforementioned “On the Floor,” or  “Jenny from the Block,” perhaps her greatest hit”I’d say you’re probably lying.

Enya Back in college I worked in a record store, and one day I faced an angry customer who had requested something similar to Enya and was recommended Kate Bush by one of my colleagues. She bought it, tried it, hated it. If only my clueless co-worker had known that nothing compares to Enya. She’s lumped into the new-age category”home of Yanni (yikes!)”and her songs often are dismissed as music for insomniacs because of it. But stay awake and listen: Her potpourri of Irish folk, choral music and gospel, with occasional flourishes of tribal and world music, sometimes tense, sometimes soothing, is so much more than anodyne pop.

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Sound And Vision: Pop Goes the Previews — The Best and Worst of Fall Movie-Trailer Music

Whoever invented the movie preview must be some kind of genius. Because of them, half the fun of seeing a movie on the big screen is getting there”to the main attraction, that is. It always takes a few good trailers to put me in the mood. But sometimes, if the words don’t get in the way (damn, bad screenplays!), the music does. Too often terrible songs ruin perfectly good trailers”or make bad ones worse.

That said, movie-trailer music has come a long way. For a brief period in the early ’90s, nearly every other one seemed to feature the soothing new-age sounds of Enya floating by in the background. Nowadays we get a larger assortment of musical backdrops (pop, classical, rock, hip hop, techno and, of course, vintage Motown), some of which can actually turn must-avoid into must-see — at least until the coming attraction is over and sensible thinking once again prevails.

Variety, however, hasn’t done away with predictability, and recently, while screening trailers for some upcoming autumn releases, I noticed a few rules at play.

1. No self-respecting Oscar contender stoops to the tops of the pops. David Fincher may have gotten Trent Reznor of Nine Inch Nails to score The Social Network last year, but he knew better than to use Radiohead’s 1992 hit “Creep” in the trailer. Instead, he used a haunting cover by Belgium’s Scala & Kolacny Brothers. This year, for The Girl With the Dragon Tattoo (December 21), he punctuates the sneak-peek action not with Led Zeppelin’s classic version of Immigrant Song but with a near-equally exhilariting remake by Reznor and Karen O from the Yeah Yeah Yeahs.

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