This past Friday, No Doubt released a music video for their newest single “Looking Hot” off their latest album Push And Shove, but it was immediately removed after being criticized for offending the Native American community.
According to Billboard, the video features Gwen Stefani in a “Halloween-ready Native American costume, while bassist Tony Kanal is [a] tribesman who helps the singer escape from her cowboy captors, played by Adrian Young and Tom Dumont.” Due to a large negative response from YouTube users, the band decided to pull the video, releasing an apology on their website. Whether or not a remake is in store has yet to be determined.
If you like No Doubt, then you might also like OurStage’s own The Worsties.
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We love passing new music videos around the OurStage office, and now we’re going to be sharing our finds with you. Here’s this week’s freshest new clips!
No Doubt – “Push And Shove”
Gwen and ND are back, and the title track of Push And Shove proves that they haven’t lost their spark. In this clip, the band roam the streets and host tour-bus singalongs of their own song. It’s easy to tell that the band is simply happy to be together again.
Craig Owens – “No More San Francisco”
If you’ve been following Chiodos/Cinematic Sunrise/Isles & Glaciers/D.R.U.G.S. and/or Craig Owens’ solo career for the past few years, then this video is for you. Though Owens is known for his electric stage presence, he shows his softer side on “No More San Francisco,” baring his soul with an empty room and an acoustic guitar. (more…)
The ’90s are about to face a crucial test, one that might determine if the Clintonian era even has a shot at matching the staying power of the Reagan ’80s, a decade that continues to resonate more than 20 years after it ended. Welcome back, ’90s stars Soundgarden, SWV, Garbage, Brandy, Matchbox Twenty, Green Day, the Wallflowers, Blur, Aaliyah (via creepy interloper Drake) and No Doubt.
A decade is a long time in life, and an eternity in pop music, especially when you’ve spent one in a state of virtual inactivity, as did No Doubt, the band that will release its comeback album, Push and Shove, on September 25 (the same day Green Day returns with Uno!, the first of a trilogy of albums that the rock trio will release in the coming months). When No Doubt put out its last studio album, Rock Steady, in December of 2001, George W. Bush was less than one year into his first term as President of the United States, Friends was the No. 1 show on TV, and dated acts like Shaggy, Crazy Town and Ja Rule were scoring No. 1 singles on Billboard’s Hot 100.
The world, still reeling from September 11 exactly three months earlier, had yet to hear of Barack Obama, Taylor Swift and Lady Gaga, YouTube, Twitter and Facebook, iPads, iPhones and American Idol. Britney Spears was the biggest female pop star on the planet, and she was in love with Justin Timberlake, best known as heartthrob No. 1 in ‘N Sync, the world’s biggest boy band. In this post-millennial world, Rock Steady went double-platinum in the U.S. and produced three hit singles, including the Top 5 hits Hey Baby and Underneath It All. (more…)
Carly Rae Jepsen is in luck. It looks like she won’t have to ensure the continuation of her celebrity run after Call Me Maybe falls from its current summit by relying on the hoopla generated by her own Nipplegate”nude photos that ended up being someone else’s.
Thanks to a call from Adam Young, the one-man band behind Owl City, Jepsen is about to relight the fire under her rising star the old-fashioned way: with a new hit. “Good Time,” her duet with Owl City, just debuted at No. 18 on Billboard’s Hot 100, which means that her breakout No. 1 single won’t forever be alone on her hit list.
It’s pop symbiosis at its most effective: He saves her from that pop purgatory known as one-hit wonderdom, where he had been languishing since 2009, when the Owl City single “Fireflies” hit No. 1 on the Hot 100, and she helps get him out of it. Sure Katy Perry could have accomplished the same thing in the middle of a dead sleep, but that hardly would have been a meeting of near-equals.
In rock and roll, the term “frontman’ is used to describe the lead singer of a band. While it might seem a bit sexist, the fact of the matter is that most stars in the history of rock and roll have been men. However, every once in awhile there comes a band with a great “frontwoman”; a woman who brings a unique personality and energy to her band that just can’t be duplicated by a man. Women like Debbie Harry of Blondie, Gwen Stefani of No Doubt and Karen O of Yeah Yeah Yeahs are all big time rockstars who steal the show from the male counterparts in their bands. And with this in mind, our latest edition of Vs. brings you a band with a great frontwoman, Love Darling, as they face off against their contemporaries Yeah Yeah Yeahs.
Love Darling’s lead singer and guitarist is Shay Magro. The band covers a wide array of genres including everything from electro-pop to hard rock. “Last Chance” is a great introduction to the band’s sound. This song features a lot of the aspects that made Yeah Yeah Yeahs so successful: fast tempos, raw and powerful guitar riffs and of course a frantically energetic frontwoman. On their most recent album, Yeah Yeah Yeahs made synthesizers a much larger part of their sound, and Love Darling don’t shy away from the synths either. On “U Can Be Perfect”, the band uses a synthesizer to play the melody while the guitar provides rhythm. However, the real star of this song is the drums, which mix power and precision to provide a driving force for the whole song. Synths are used again in the slow burning track “Forget This Part.” The song starts off with a slow but dramatic drumbeat and eerie synthesizer chords. The song slowly builds momentum with the addition of piano and guitar, until ultimately reaching an epic and powerful ending.
Hayley Williams, lead singer of the band Paramore, possesses an incredible voice. Not only is she naturally talented, she’s worked hard on her voice with coach Brett Manning since she was thirteen years old. It is clear that these lessons have taught her control, and have strengthened her vocals. But while the kind of strength, passion and personality which Hayley portrays onstage have aided her music career, they’ve also resulted in negative effects offstage.
Hayley has consistently stressed to the public that she wants people to care about the band as a whole, but she still comes across as the band’s shining star. With her spunky attitude, ever-changing hair color and her powerhouse voice, fans cannot ignore her. The band’s songs are often composed of pretty standard rock progressions, but the way that she attacks every note with precision sets them apart from other acts. Additionally, her strong voice allows her opportunities which the other band members cannot take part in”a recording contract with Atlantic Records and the guest spot on B.o.B‘s hit song “Airplanes” for example.
Back in December 2010, rumors of her overbearing voice surfaced after original members Josh and Zac Farro left the band and issued an exit statement which alleged that the band had become all about Hayley. The brothers said that they could no longer put up with what they called a “manufactured band” and made it clear that they felt their own voices could not be heard while in Paramore. And while the Farro brothers had always seemed like crucial ingredients in the band’s success, Hayley and remaining members Taylor York and Jeremy Davis decided to proceed without Josh and Zac. Nothing could stop Hayley from moving forward and continuing to show what a sensation she is. And the successful release of their first single without the Farro brothers, “Monster” proves the point.