Tag Archive for 'James Brown'

BACKTRACKING FORWARD: DAPTONE RECORDS AND THE RETURN OF FUNK

OSBlog02_BktrkFWD_DaptoneDuring the late 1960s into the mid 1970s, funk music reached its peak in terms of creativity and mainstream attention. Artists like James Brown, George Clinton and Sly Stone were just a few of the established musicians who carried the genre, though the heaviest grooves came from smaller groups who recorded singles that are now highly sought after collectibles. By the time disco emerged onto the scene and the foundational instruments of funk were replaced with synthesizers, the flame of getting down to a raw and gritty beat was extinguished. Funk had lost its way and its natural, hard hitting sound became murky and diluted. Only the true enthusiasts kept the spirit going through local and unknown bands and DJs who collected vinyl.

Enter Daptone Records and Mr. Gabriel Roth, the label’s co-founder and a serious collector of rare funk and soul 45’s. Believing that he was not alone in his desire to resurrect funk from its grave, he started Desco Records in the mid 1990s and recorded bare bone sessions with unknown musicians, releasing everything on seven inch singles. Financial troubles saw the demise of Desco in the late 1990s but this entrepreneur persevered, and with the help of Neil Sugarman, Daptone Records was born. With this act, these two vinyl junkies provided a home for an orphaned genre of music.

Daptone Records

Daptone Records

What makes Daptone Records so unique in this day in age is their strong connection to the past. This connection is heard not just in the quality of music they release, but is seen by how they run their label. Everything they record is done with analog reel-to-reel tape, resulting in a sound that has been missing from music for decades. Every session they produce is followed by a proper 12” LP release, with a slew of seven inch singles highlighting the top tracks on the album. Roth and Daptone have been believers of the vinyl medium long before the recent resurgence sweeping the globe. In an entertaining MTV interview, Roth and Sugarman claim the label has sold over 30,000 seven inches since its inception, helping to fund the quest for vintage recording equipment and essentially maintaining the operations of an independent label in a cutthroat industry.

Sharon Jones and The Dap-Kings

Sharon Jones and The Dap-Kings

The crème of their catalog, and the reason for their commercial success, is the dynamic Sharon Jones and the label’s backing band, The Dap-Kings. Their stage presence, wardrobe and funky horn arrangements owe much to James Brown and his dynamic JB’s and just like the Godfather of Funk, Sharon Jones and the Dap-Kings know how to play for a crowd. To see them live is truly a mind-blowing experience. Witnessing an eight piece band packed into a club with a sold out crowd dancing until their sweat glands have bled dry is what funk is all about it.

Daptone is essentially resurrecting the sound that gave birth to funk music and  exposing the genre to a fresh new audience. But instead of pigeonholing themselves, the label is spreading their reach further into the world of gospel, soul, R&B and world rhythms as well. Everything they record is available on seven inch, twelve inch and compact disc, making their discography enjoyable by DJs, vinyl collectors and digital music junkies alike.

Still not convinced? Check out the video for “100 Days, 100 Nights” and upon its completion, fire up your turntable and unleash a groove that has been bubbling after years of dormancy.

The Bamboos Bring On The Funk

The Bamboos Bring On The Funk

Simultaneously, on the other side of the globe, The Bamboos have been laying down hard funk grooves since 2001 with the release of their first seven inch, “Eel Oil.” This multi- piece outfit from Australia invokes the same ass-shaking, foot stomping beats that Daptone has prided themselves on but does so in their own contemporary style. While each member of the group contributes an incredible amount of talent in constructing brilliant funk and soul numbers, Danny Farrugia’s fast-paced rhythm behind the drum kit holds down the backbone of the combo, similar to Homer Steinweiss of the Dap-Kings and legendary Jabo Starks of the JB’s. Check out The Bamboos’ brilliant video “King of the Rodeo” on their OurStage page and break out your turntable because all of their recordings are available on vinyl!

Keep Digging For That Funky Wax!

-Gregorious Winter-

BACKTRACKING FORWARD: BREAK DIGGING

OSBlog02_BktrkFWD_BreakDiggingThe times sure have changed. Before there was the Internet and Google, building knowledge of records was a skill cultivated from years of experience and hard work. Digging in the trenches, taking chances on unknown recordings and literally dropping the needle on every disc to ascertain its contents was something reserved for the dedicated enthusiast looking to expand their knowledge of recordings.

Hip hop legends like Kool Herc and Afrika Bambaataa were the first DJs to recognize the importance of the breakbeat—a point in a song where the percussion takes the foreground with no other accompaniment. Entire parties were constructed around spinning two copies of a record’s drum break back-to-back to keep a dance floor moving. As time progressed, MCing over instrumentals gained more prominence in the field, and playing the rarest and hardest drum breaks made some of the original hip hop DJs kings of the party.

Besides the technical skill involved with proper cueing and backtracking, the most important aspect of this art form was actually finding the records that contained the juiciest breaks and building a catalog to consistently dip into. Well established DJs, as well as up-and-comers, kept their breakbeats secret from the audience and fellow diggers, creating a very competitive playing field. Certain artists like James Brown and Dennis Coffey were popular sources for endless amounts of mind-blowing material, but the challenge was to excavate more obscure and unassuming records that had breaks hidden deep away in the grooves—only to be found by truly dedicated diggers who took the time to play every track on every record they touched.

Modern technology has made it so vinyl digging no longer requires the time and labor once demanded of the art. Within seconds, a record’s worth in regards to drum breaks can be deduced with a Google search. Extremely accessible software like Scratch Live (aka Serato) not only replaces the need for having a physical piece of vinyl to spin but allows users to dump an entire music collection onto the hard drive and cherry pick the breaks from any recording. The time and effort required for endless digging hunts to chase down rare vinyl has all but disappeared. While the benefits of preserving a rare disc from countless needle abrasions —and saving one’s back from hernia-induced crate lifting— are nice, it removes contemporary DJs from the early development of their art.

Half the fun of digging for vinyl as a DJ is finding the original break on an old slab of wax and watching a crowd react to the beat. Any modern day artist who is keeping the spirit of break digging alive is helping to preserve the past by bridging a strong connection to their predecessors who took the time to excavate dusty old grooves.

Below are some examples of LPs and 45s that contain incredible, and historical, drum breaks. Take some time to look in your basement or attic for the old records— you might unearth some vinyl that helped play a role in shaping present-day hip hop.

Keep Digging!
-Gregorious Winter-

BreakDiggingAlbums

50 STATES IN 50 WEEKS… WEEK 10: GEORGIA

osblog_50states_ga1

Home Of: James Brown, Ray Charles, Martin Luther King Jr., OutKast, Little Richard, Otis Redding, Jackie Robinson, Cat Power, T.I., Trisha Yearwood, Julia Roberts, The B-52s, R.E.M., Of Montreal, Elephant 6 Recording Company, TLC, Travis Tritt

Fun Facts: State flower; Cherokee rose, state song; “Georgia on My Mind,” state bird; brown thrasher.

The Venues: Athens, GA has been home to some of new wave and indie rock’s best known bands: from R.E.M and the B-52s to newer bands like Of Montreal and The Olivia Tremor Control. All of these bands have played at the legendary 40 Watt Club, aptly named from the single 40 watt bulb that hung in its original location. Athens is also home to the annual non-profit arts and music festival Athfest, which aims to educate locals and visitors about the Athens scene. The Black Lips and We vs. the Shark were among the performers at this year’s festival.

Named after influential bluesman Blind Willie McTell, Blind Willie’s is the place to go for live blues in Atlanta. In its 23 years of existance, the venue has played host to blues musicians from around the country and around the corner.

The Music:

arpseftpebqk-320x2401The Soulphonics & Ruby Velle – Some bands who label themselves “funk” are merely jam bands in disguise. Not so with The Soulphonics & Ruby Velle. This group brings both the James Brown funk and the Sam Cooke soul. Their song “Fever” is guarantees to get any party started, so put on your dancing shoes!

efpqjesomovd-520x520The Bastard Suns – The rough and rowdy sounds of The Bastard Suns have been dominating the OurStage Punk Channel since the early days of the site, earning them eight Top 10 finishes and a #1 Channel Prize. “My Pint” best encapsulates the band’s reggae-meets-irish-drinking song infused punk. Imagine the Dropkick Murphys after an extended holiday in Jamaica.

alvgqrojyvmh-320x240Rantings of Eva – Rantings of Eva blur the lines between alternative, indie rock and pop. Check out “Bright Side” to see why MTV chose them as one of the nominees for the MTV VMA Best Breakout Atlanta. If you like what you hear, be sure to catch Rantings of Eva opening for All Time Low and The White Tie Affair at the VMA concert at Six Flags Over Georgia on August 30th.

yxwfelqrqbcu-320x240Anchors – Anchors doesn’t care about how your most recent breakup makes you feel, unless it makes you feel awesome. The band was formed in 2006 with the intention of remedying what they felt was a severe lack of fun in popular music. “The Legendary Matt” is nothing if not fun, with a rocking piano and sweet harmony vocals.

Who are your favorite OurStage Georgians? Where do you like to see live music in Georgia? Let us know in the comments!

Daily Dose: Wednesday, October 22nd

  • The garage jam video for Leroy Justice’s “Belt Buckle” was shot on 35mm film, and features a couple of cool slow-motion moments. Check out last year’s interview with the band here.

Sharon Jones Owns Osheaga (and Amy Winehouse)

The stories of Amy Winehouse “jackingSharon Jones‘ sound are plentiful. But I never fully appreciated the injustice of the theft until watching Ms. Jones and the Dap Kings perform tonight.

Jokes about Winehouse’s eating “issues” aside, watching Sharon Jones perform makes Amy Winehouse look small and insignificant. Hell, the way she owned the stage at Osheaga tonight, Jones would make anyone (save James Brown on his best day) seem insignificant. For the first time in a long time, I found myself speechless. As I write this now, words fail to express the energy–no, electricity of her performance. She danced, shook, flirted, strutted, convulsed and sang with such abandon, the audience had no choice but to release their own inhibitions and dance and scream along.

The luckiest person in Montreal? This red-headed guy: