Tag Archive for 'Nine Inch Nails'

SIDECHO MEDIA TAKES OVER THE INDIE ROCK CHANNEL: WIN THE ULTIMATE ALBUM PROMO PACKAGE

In today’s world of independent music, self-releasing albums is becoming the norm. But how do you distinguish yourself from the rest of the crowd? This is where SideCho Media steps in. SideCho Media, a sister of SideCho Records offers digital distribution, promotion and consulting services. This month SideCho wants to award the ultimate promo package to one high-ranking OurStage Indie Rock act in need of some help getting their new record out there! The winning artist will receive $5,000 dollars worth of online promotion and consulting services, such as distribution to over 250 digital retailers, regional promotion at physical record stores, accounting breakdowns, bio composition and much more! Upload your best new track into the Indie Rock Channel before November 22nd to compete.  Prizing eligibility is limited to artists with recent or upcoming releases, so don’t forget to check out the FAQ to make sure you qualify.

Can’t compete in the channel? You can always be a judge! After all, SideCho needs some help finding a deserving winner. That’s why they’re rewarding the Best Predictor of the final rankings for November’s Indie Rock Channel with a prize of their own. The fan with the best ears will win a Music Critic’s Grab Bag filled handpicked goodies such as a signed pair of drumsticks from Ilan Rubin (Nine Inch Nails), signed posters, an assortment of CDs and more. Click here to start judging the Indie Rock Channel.

For more information on rules and prizes visit ourstage.com/go/sidecho.

YOU BE THE JUDGE: CAREXCLAMATIONCAR’S PICKS

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This week’s Judge is electro-rocker Car!Car. (The exclamation is silent.) He offers some great insight on a few of his favorite OS tunes so we’re excited to share them with you!

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Bio: Car!Car is an electronic musician from central Massachusetts. He loves talking about music as much as he loves playing it.

“Growing up, I was always jealous of music writers who had all these obscure-as-sh*t references they would use to make their comparisons during reviews or articles. Then again, writing about music is pretty pretentious. It’s cool to be paid to do it, but pretentious.” ~Car!Car

1. Fly Me to the Moon by Dirty Scarab for Electronica

“Moody, atmospheric and elegiac: three words that can describe this excellent slow burner by Dirty Scarab. Certain similarities to another one-man electronic band come to mind, and for good reasonDirty Scarab was the winner of a 2007 Nine Inch Nails remix competition. However, this single and artist shouldn’t be discarded for merely paying homage; there is a soulfulness to the vocals that contrasts nicely with the static-filled, post-apocalyptic sound he infuses into the track. This track is as much industrial electronic as it is Tricky-esque trip hop, which is a recipe for awesome in my book.”

2. Sixty-Five by God Made Me the Raven for Punk

“I wish there were more written on God Made Me The Raven’s page about them, because having only one songthis oneand no bio makes them an interesting and mysterious find. Even their MySpace hosts this one solitary track, but what a track. An accomplished drum intro and an opening guitar riff borrowing slightly from Black Sabbath’s ‘War Pigs’ sets a tone for the sonic attack about to come. Aside from the manic drumming, what sets this punk song aside from countless generic, store-bought streetpunk for me singer Johnny Heartbreaker’s (yep, they all have the requisite punk nicknames) considerable vocal chops. A classic in the making, and I’m going to hope for some more.”

3. Evil Girl by The Surf Rats for Punk

“Although named The Surf Rats, this song by the UK trio has more psychobilly sensibilities. The lyrics are simple and acerbic while the music hits you with a quick, one-two punch soaked in some classic Fender reverb, not to mention a cheeky little double-picked riff remniscent of the Cramps. Catchy to the core, ‘Evil Girl’ deserves a spotlight, in contrast to the overly-processed, fly-by-night music that passes for rock and roll these days.”

Do YOU want to be the Judge? Leave us a comment here and tell us why! Don’t forget to make sure we have your e-mail address.

HEY! YOU GOT ELECTRONICA IN MY ROCK MUSIC!

Artists listing laptops as members of their group; bands inducing genre-tags such as “nintendocore” – what could have possibly led to this? You may not believe it, but today’s electronica started back in the day. Here’s an extremely brief history of these events leading up to the current state of the genre:

  1. Rock bands with questionable color palettes decide to start to using electric organs (yes you, Pink Floyd and Deep Purple).
  2. The glorious keytar of the 80’s (bi-product of the hair metal plague) and delightful 80’s synth-pop becomes huge hits with the kids.
  3. Scratching records and intricate sampling, as well as industrial music (Static-X, Nine Inch Nails) becomes the new “in” thing to do.

This leads up to the turn of the new millenium, when HORSE the Band released their first full length album, Secret Rhythm of the Universe. HORSE the band is straight up Hardcore + Synths (8-Bit sounds; think old school Mario Bros. games) for the most part. Previously, this combination of music was largely unexplored but as HORSE the band’s following grew, and bands like Sky Eats Airplane and Enter Shikari formed, the musical boundaries stretched even further. Sky Eats Airplane recorded their first album with not much more than a Mac, Reason 3, Adobe Audition and a guitar (which undeniably influenced the band’s sound), and Enter Shikari are heavy on trance synthesizers (their song “Mothership” being a prime example).

Where does that leave us? Who knows. It all depends on what the kids latch onto next. It sure seems like things similar to scrunk and modern synth-rock could continue to gather steam and make it in the mainstream (check Bethany Leavey’s post to learn more about “scrunk”). Heck, OurStage band 3OH!3 is making waves in the mainstream with their new breed of pop-rock-electronica-hip-hop (assuming being in the Top 5 on the Billboard charts means you made it in the mainstream).

Check out some OurStage artist that have been pushing the genre boundaries in their own ways:

METAL MONDAY: TWENTY YEARS OF METAL

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Twenty years is a long time. Two whole decades. Many things can change in that amount of time, but few styles of music went through as many changes as metal.

"The flute is a very heavy, metal instrument." - Ian Anderson

"The flute is a very heavy, metal instrument." - Ian Anderson

1989 was the tipping point that steered metal into the state we know it now. The thankful decline of the hair metal plague was in full-effect, death metal was on the rise and thrash metal was still going strong. This was the year of the infamous Jethro Tull upset over Metallica for the “Best Hard Rock/Metal Performance Vocal or Instrumental” in the first ever Heavy Metal Grammy (much to the dismay of the metal community and rightfully so—Jethro Tull is not even close to metal). Tipper Gore and her PMRC was bringing the hammer down on metal with their censorship threats, and Guns N’ Roses had taken over the mainstream metal territory. Metal was under fire from all angles. For the greater good of metal, however, all of these things were ultimately great. The core die hard metal community decided they had enough, and were going to take a stand by pushing metal styles to the extreme.

Prog-metal greats, Dream Theater

Prog-metal greats, Dream Theater

Dream Theater, Stratovarius and Obituary are the most notable bands who released debut albums in 1989, all of which saw moderate success, and who later came to shape their genres for the next two decades. 1989 also saw the formation of many new bands, such as Dark Tranquillity and Cannibal Corpse, who helped shape the metal world over the last twenty years. Even with the huge successes these bands saw in the 90’s, they were still not able to overcome the hip hop and grunge onslaught throughout the decade and break into the mainstream — unless you were Anthrax and did a collaboration with Public Enemy (which ultimately led to the “rap metal” fiasco of the late 90’s). I’m not talking about the popular bastardized offshoots of metal (e.g. Limp Bizkit, Nine Inch Nails, Korn, Disturbed, Deftones, etc.) that developed in the 90’s. I’m talking the “real” metal of the 90’s—Blind Guardian, At The Gates, In Flames, Symphony X, Suffocation—none of these bands got as much mainstream exposure in the 90’s as they deserved. Instead, the less abrasive grunge style took over. The mainstream was tired of the aggression-fueled style that metal brought and grunge stepped up to the plate, switching the anger for angst which hit home for the flannel-clad teenagers of the 90s.

George "Corpsegrinder" Fisher, of Cannibal Corpse

George "Corpsegrinder" Fisher, of Cannibal Corpse

Ultimately, metal being a subterranean music style throughout the 90’s was for the betterment of all metal genres. Everyone saw what happened in the 80’s when metal broke into the mainstream (yes, hair metal). The same thing happens to most genres of music—evolution happens when the genre is not in the spotlight (which means grunge is directly responsible for the black sheep that is Nickleback). Without the 90’s era of metal, we could still have things like the horrid pop-punk and boy bands of the early 2000’s (we can actually thank hip hop for helping to rid of that nuisance). Slowly but surely, metal is making its way back into the mainstream. There are 14 metal albums in the Billboard Top 200 as I write this, one of which debuted at #6— Black Clouds & Silver Linings by our progressive pals Dream Theater. Metal is stronger than ever, and looks as though it is still on the rise. Lookout, mainstream media, we are storming your beaches, and about to take over your cities. Yes, those ones that were built on rock and roll.

DOWNLOAD OF THE WEEK: CLAYMORE

OurStage band, Claymore, may have been digging around Trent Reznor’s musical closet before they dropped the track “Papercuts”. With dark emotional vocals, distorted synths, crunchy guitar, and machinelike drums that never stop, “Papercuts” brings you back to the days when you couldn’t stop playing Pretty Hate Machine on repeat at high volume because your parents grounded you for wasting your lunch money on trip pants from Hot Topic.

Last month the band released their debut album, Metronome; however since the band hails from Bosnia many of you might have trouble getting to their merch table to pick up a copy. If that’s the case be sure to check out the rest of their tracks on OurStage and hound them to release their album in the States.