As breaking news of the day goes, it’s not exactly groundbreaking. Still, there it was, in multiple variations, splattered across the online pages of E!, Us Weekly, Entertainment Weekly (which called it a hair break-over), People magazine and so many other websites devoted, in large and small part, to such trivialities. You’d think Samson had risen from the dead and taken up guitar.
But wait! Shouldn’t Delilah ” I mean, Katy Perry ” have been the star of this life (and a new ˜do)-after-love story? Traditionally, the celebrity tabloids and gossip websites pursue female celebrities about whom they date, whom they marry, whom they divorce, to search for baby bumps, and fashion dos and don’ts. Guys generally get in only when they’re dating one of them. (Why do you think Nickelback singer Chad Kroeger, who once went from long to short without causing so much as a media ripple and is now engaged to Avril Lavigne, is suddenly “newsworthy”?)
By those standards, John Mayer must be some kind of publicity-baiting genius. In the last several years, he’s made himself as much of a tabloid fixture as an A-list starlet by dating a succession of them: Jessica Simpson, Jennifer Aniston, Taylor Swift, and most recently, Katy Perry, his pop-star paramour of a few months. (more…)
People Magazine got the scoop of a lifetime last night, reporting that Nickelback frontman Chad Kroeger and pop starlett Avril Lavigne were newly engaged following a whirlwind romance. The linking of the houses of Kroeger and Lavigne represents a consolidation of power as the two families now have a stranglehold on bad Canadian rock.
That was a joke. But seriously, this is huge.
Every great screen biography of a music superstar needs three key ingredients to really sing: 1) An icon with the greatest story never told. 2) A talented lead actor or actress gunning for an Oscar nomination”singing talent and striking resemblance optional (Angela Bassett didn’t sing a word in What’s Love Got to Do with It, and she looks nothing like the film’s subject, yet she was Tina Turner). 3) Kick-ass songs.
Fantasia Barrino as gospel great Mahalia Jackson is coming soon. The Elton John Story (aka Rocketman) is reportedly finally in the works (I’d cast Justin Timberlake over mentioned favorite James McAvoy and pray that he can nail a British accent), as is Aretha Franklin’s (with or without Halle Berry, the Queen of Soul’s No. 1 choice), Anne Hathaway as Judy Garland and Sacha Baron Cohen as Freddie Mercury.
Robert Pattinson was announced as a possible Kurt Cobain at one point last year, but it’s hard to imagine that we’d get the true story as long as Courtney Love is around to kill it or put her spin on it. Ryan Gosling has the chops to pull off Cobain, but he’s already in everything and he’s several years older than Cobain was when he committed suicide. Note to aspiring biopic producers: One doesn’t have to cast a “star” as the star. Some biopics (Amadeus, starring Tom Hulce as Mozart; La vie en rose, with Marion Cotillard as Edith Piaf) do just fine without huge names.
Now that she’s gone too soon, too, it’s probably only a matter of time before we get Amy Winehouse‘s “untold” story. Note to aspiring biopic producers: Tabloid-era stars are best left alone unless, as with Eminem’s 8 Mile, the focus is on life before they were famous. Otherwise, we’ve already seen the action play out in the pages of Us Weekly and People magazine.
But what about those biopics in various stages of development and non-development? Here are six that I’m dying to see.
1) David Bowie: The star. The spectacle. The songs… Iman. I can’t think of a rock icon whose story is more deserving of the screen treatment. It would be a shoo-in for the Best Costume Design Oscar, and with a star like Jonathan Rhys Meyers (who already played a Bowie-esque figure to perfection in the 1998 film Velvet Goldmine), an actor worthy of the material.